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SLEEP(LESS) BEDS<br />
CONTENTS<br />
The Story of the Bed (Foreword) - Dr. Michael Greaney, Lanc<strong>as</strong>ter University pp. 4-5<br />
CREATIVE PIECES<br />
Formation of a different medium of perception (Visual) pp. 6-8<br />
- Fatemeh Takhtkeshian, Lanc<strong>as</strong>ter University<br />
Sleeping Over (Creative Writing) pp. 9-12<br />
- Chris Wiewiora, Iowa State University<br />
Neither Sleeping nor Waking (Poetry) p. 13<br />
- Kevin McLellan, University of Rhode Island<br />
CRITICAL PIECES<br />
‘Never Sleep Again’ - Horrific Beds in Wes Craven’s Nightmares<br />
- Katharina Rein, Humboldt-University of Berlin pp. 14-25<br />
‘Then draw the Curtaines againe’: The Strange C<strong>as</strong>e of Good Duke Humphrey (of William Shakespeare’s<br />
Henry VI, Part Two)<br />
- Dr. Filip Krajnik, Durham University pp. 26-37<br />
Between the Sheets: ‘Lamination’ and Sophie Calle’s The Sleepers<br />
- Erkan Ali, Lanc<strong>as</strong>ter University pp. 38-51<br />
Scenes from a bedroom: situating British independent music, 1979-1995<br />
- Elodie Amandine Roy, Newc<strong>as</strong>tle University pp. 52-61<br />
The Public and Private Realms in the Seventeenth-Century: A Parameter of Wood and Fabric<br />
- Sarah Ann Robin, Lanc<strong>as</strong>ter University pp. 62-73<br />
Jouissance: Journeys Beyond the Bed with Hélène Cixous<br />
- Cecily Davey, University of St. Andrews pp. 74-81<br />
INTERVIEW<br />
Professor Terry Eagleton, and The Event of Literature<br />
- Nour Dakkak, Rachel Holland and Chloe Buckley, Lanc<strong>as</strong>ter University pp. 82-88<br />
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