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4 Dir. by Sean S. Cunningham, Paramount Pictures et al., (1980)<br />
5 Dir. by Wes Craven, New Line Cinema (1994)<br />
6 Dir. by Ronny Yu, New Line Cinema et al. (2003)<br />
7 Dir. by Samuel Bayer, New Line Cinema et al. (2010)<br />
8 Isabel Cristina Pinedo, ‘Postmodern Elements of the Contemporary Horror Film,’ in: The Horror Film, ed.<br />
by Stephen Prince (New Brunswick: Rutgers, 2004), 85–117 (pp. 90-91).<br />
9 Especially striking is the circumstance that from A Nightmare on Elm Street 4 – The Dream M<strong>as</strong>ter (dir.<br />
by Renny Harlin, New Line Cinema, 1988) on, Freddy Krueger turns into a blabbing, tough-talking<br />
trickster.<br />
10 In Gestörter Film. Wes Craven’s A Nightmare on Elm Street (Darmstadt: Büchner, 2012).<br />
11 The Elm Street references the great US trauma of the 60s: President John F. Kennedy being <strong>as</strong>s<strong>as</strong>sinated<br />
on Elm Street in Dall<strong>as</strong>, Tex<strong>as</strong> on November 22nd 1963.<br />
12 The Final Girl, a concept elaborated by Carol J. Clover, is the l<strong>as</strong>t survivor in the sl<strong>as</strong>her genre, usually a<br />
sexually inactive, somewhat m<strong>as</strong>culinized girl who fights the killer with resourceful wit, not being afraid<br />
to use violence against him. See for instance Carol J. Clover,’ Her Body Himself. Gender in the Sl<strong>as</strong>her<br />
Film,’ Representations 20 (1987), 187–228.<br />
13 Original title: Nosferatu, eine Symphonie des Grauens, dir. by F. W. Murnau, Jofa-Atelier Berlin-<br />
Johannisthal and Prana-Film GmbH (1922)<br />
14 Robin Wood, ‘An Introduction to the American Horror Film,’ in: Planks of Re<strong>as</strong>on. Essays on the Horror<br />
Film, ed. by. Barry Keith Grant and Christopher Sharrett (Lanham et al.: Scarecrow Press, 2004), 107-<br />
141 (p. 117).<br />
15 Dir. by Tobe Hooper, MGM et al. (1982)<br />
16 Dir. by Chuck Russell, New Line Cinema (1987)<br />
17 Noël Carroll, ‘Nightmare and the Horror Film: The Symbolic Biology of Fant<strong>as</strong>tic Beings,’ in: Film<br />
Quarterly 34/3 (1981), 16-25, p. 24.<br />
18 Joseph Maddrey, Nightmares in Red, White and Blue. The Evolution of the American Horror Film.<br />
(Jefferson, NC: McFarland & Co., 2005), p. 85.<br />
19 Dir. by Renny Harlin, New Line Cinema (1988)<br />
20 Lewis Carroll, Alice’s Adventures in Wonderland (London: Penguin, 1994), p. 12.<br />
21 Original title: Něco z Alenky, dir. by Jan Švankmajer, Channel Four Films et al. (1988)<br />
24