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4 Dir. by Sean S. Cunningham, Paramount Pictures et al., (1980)<br />

5 Dir. by Wes Craven, New Line Cinema (1994)<br />

6 Dir. by Ronny Yu, New Line Cinema et al. (2003)<br />

7 Dir. by Samuel Bayer, New Line Cinema et al. (2010)<br />

8 Isabel Cristina Pinedo, ‘Postmodern Elements of the Contemporary Horror Film,’ in: The Horror Film, ed.<br />

by Stephen Prince (New Brunswick: Rutgers, 2004), 85–117 (pp. 90-91).<br />

9 Especially striking is the circumstance that from A Nightmare on Elm Street 4 – The Dream M<strong>as</strong>ter (dir.<br />

by Renny Harlin, New Line Cinema, 1988) on, Freddy Krueger turns into a blabbing, tough-talking<br />

trickster.<br />

10 In Gestörter Film. Wes Craven’s A Nightmare on Elm Street (Darmstadt: Büchner, 2012).<br />

11 The Elm Street references the great US trauma of the 60s: President John F. Kennedy being <strong>as</strong>s<strong>as</strong>sinated<br />

on Elm Street in Dall<strong>as</strong>, Tex<strong>as</strong> on November 22nd 1963.<br />

12 The Final Girl, a concept elaborated by Carol J. Clover, is the l<strong>as</strong>t survivor in the sl<strong>as</strong>her genre, usually a<br />

sexually inactive, somewhat m<strong>as</strong>culinized girl who fights the killer with resourceful wit, not being afraid<br />

to use violence against him. See for instance Carol J. Clover,’ Her Body Himself. Gender in the Sl<strong>as</strong>her<br />

Film,’ Representations 20 (1987), 187–228.<br />

13 Original title: Nosferatu, eine Symphonie des Grauens, dir. by F. W. Murnau, Jofa-Atelier Berlin-<br />

Johannisthal and Prana-Film GmbH (1922)<br />

14 Robin Wood, ‘An Introduction to the American Horror Film,’ in: Planks of Re<strong>as</strong>on. Essays on the Horror<br />

Film, ed. by. Barry Keith Grant and Christopher Sharrett (Lanham et al.: Scarecrow Press, 2004), 107-<br />

141 (p. 117).<br />

15 Dir. by Tobe Hooper, MGM et al. (1982)<br />

16 Dir. by Chuck Russell, New Line Cinema (1987)<br />

17 Noël Carroll, ‘Nightmare and the Horror Film: The Symbolic Biology of Fant<strong>as</strong>tic Beings,’ in: Film<br />

Quarterly 34/3 (1981), 16-25, p. 24.<br />

18 Joseph Maddrey, Nightmares in Red, White and Blue. The Evolution of the American Horror Film.<br />

(Jefferson, NC: McFarland & Co., 2005), p. 85.<br />

19 Dir. by Renny Harlin, New Line Cinema (1988)<br />

20 Lewis Carroll, Alice’s Adventures in Wonderland (London: Penguin, 1994), p. 12.<br />

21 Original title: Něco z Alenky, dir. by Jan Švankmajer, Channel Four Films et al. (1988)<br />

24

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