Inter-universal Teichmuller Theory I: Construction of Hodge Theaters
Inter-universal Teichmuller Theory I: Construction of Hodge Theaters
Inter-universal Teichmuller Theory I: Construction of Hodge Theaters
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74 SHINICHI MOCHIZUKI<br />
Remark 3.7.1. One verifies immediately that there exist many distinct isomorphisms<br />
† F ⊩ ∼<br />
tht<br />
→ ‡ F ⊩ mod<br />
as in Corollary 3.7, (i), none <strong>of</strong> which is conferred a “distinguished”<br />
status, i.e., in the fashion <strong>of</strong> the “natural isomorphism F ⊩ ∼<br />
mod<br />
→ F ⊩ tht ”<br />
discussed in Example 3.5, (ii).<br />
The following result follows formally from Corollary 3.7.<br />
Corollary 3.8. (Frobenius-pictures <strong>of</strong> Θ-<strong>Hodge</strong> <strong>Theaters</strong>) Fix a collection<br />
<strong>of</strong> initial Θ-data as in Corollary 3.7. Let { n HT Θ } n∈Z be a collection <strong>of</strong> distinct<br />
Θ-<strong>Hodge</strong> theaters indexed by the integers. Then by applying Corollary 3.7, (i),<br />
with † HT Θ def<br />
= n HT Θ , ‡ HT Θ def<br />
= (n+1) HT Θ , we obtain an infinite chain<br />
...<br />
Θ<br />
−→ (n−1) HT Θ Θ<br />
−→ n HT Θ Θ<br />
−→ (n+1) HT Θ Θ<br />
−→ ...<br />
<strong>of</strong> Θ-linked Θ-<strong>Hodge</strong> theaters. This infinite chain may be represented symbolically<br />
as an oriented graph ⃗ Γ [cf. [AbsTopIII], §0]<br />
... → • → • → • → ...<br />
— i.e., where the arrows correspond to the “ −→’s”, Θ<br />
and the “•’s” correspond to the<br />
“ n HT Θ ”. This oriented graph ⃗ Γ admits a natural action by Z — i.e., a translation<br />
symmetry — but it does not admit arbitrary permutation symmetries. For<br />
instance, ⃗ Γ does not admit an automorphism that switches two adjacent vertices,<br />
but leaves the remaining vertices fixed. Put another way, from the point <strong>of</strong> view<br />
<strong>of</strong> the discussion <strong>of</strong> [FrdI], Introduction, the mathematical structure constituted by<br />
this infinite chain is “Frobenius-like”, or “order-conscious”. It is for this<br />
reason that we shall refer to this infinite chain in the following discussion as the<br />
Frobenius-picture.<br />
Remark 3.8.1.<br />
(i) Perhaps the central defining aspect <strong>of</strong> the Frobenius-picture is the fact that<br />
the Θ-link maps<br />
n Θ v<br />
↦→ (n+1) q<br />
v<br />
[i.e., where v ∈ V bad — cf. the discussion <strong>of</strong> Example 3.2, (v)].<br />
...<br />
----<br />
n q<br />
v<br />
n Θ v<br />
----<br />
(n+1) q<br />
v<br />
(n+1) Θ v<br />
----<br />
...<br />
n Θ v<br />
↦→ (n+1) q<br />
v<br />
Fig. 3.1: Frobenius-picture <strong>of</strong> Θ-<strong>Hodge</strong> theaters