Inter-universal Teichmuller Theory I: Construction of Hodge Theaters
Inter-universal Teichmuller Theory I: Construction of Hodge Theaters
Inter-universal Teichmuller Theory I: Construction of Hodge Theaters
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INTER-UNIVERSAL TEICHMÜLLER THEORY I 151<br />
— cf. the theory <strong>of</strong> étale theta functions “<strong>of</strong> standard type”, as discussed in [EtTh],<br />
Theorem 1.10; the theory to be developed in [IUTchII].<br />
(ii) Whereas the F ⋊±<br />
l<br />
-symmetry <strong>of</strong> the theory <strong>of</strong> the present §6 has the advantage<br />
that it allows one to relate zero-labeled and non-zero-labeled prime-strips,<br />
it has the [tautological!] disadvantage that it does not allow one to “insulate”<br />
the non-zero-labeled prime-strips from confusion with the zero-labeled prime-strip.<br />
This issue will be <strong>of</strong> substantial importance in the theory <strong>of</strong> Gaussian Frobenioids<br />
[to be developed in [IUTchII]], i.e., Frobenioids that, roughly speaking, arise from<br />
the theta values<br />
{ q j2<br />
} j<br />
v<br />
[cf. the discussion <strong>of</strong> Example 4.4, (i)] at the non-zero-labeled evaluation points.<br />
Moreover, ultimately, in [IUTchII], [IUTchIII], we shall relate these Gaussian Frobenioids<br />
to various global arithmetic line bundles on the number field F . This will<br />
require the use <strong>of</strong> both the additive and the multiplicative structures on the number<br />
field; in particular, it will require the use <strong>of</strong> the theory developed in §5.<br />
(iii) By contrast, since, in the theory <strong>of</strong> the present series <strong>of</strong> papers, we shall<br />
not be interested in analogues <strong>of</strong> the Gaussian Frobenioids that involve the zerolabeled<br />
evaluation points, we shall not require an “additive analogue” <strong>of</strong> the portion<br />
[cf. Example 5.1] <strong>of</strong> the theory developed in §5 concerning global Frobenioids.<br />
Remark 6.12.6.<br />
(i) Another fundamental difference between the F l<br />
-symmetry <strong>of</strong> §4 andthe<br />
-symmetry <strong>of</strong> the present §6 lies in the geometric nature <strong>of</strong> the “single basepoint”<br />
[cf. the discussion <strong>of</strong> Remark 6.12.4] that underlies the F ⋊±<br />
l<br />
-symmetry. That<br />
F ⋊±<br />
l<br />
is to say, the various labels ∈ T → ∼ F l that appear in a [D-]Θ ±ell -<strong>Hodge</strong> theater correspond<br />
— throughout the various portions [e.g., bridges] <strong>of</strong> the [D-]Θ ±ell -<strong>Hodge</strong><br />
theater — to collections <strong>of</strong> cusps in a single copy [i.e., connected component] <strong>of</strong><br />
-symmetry<br />
<strong>of</strong> the [D-]Θ ell -bridge [cf. Proposition 6.8, (i)] without permuting the collection <strong>of</strong><br />
valuations V ± (⊆ V(K)) [cf. the discussion <strong>of</strong> Definition 6.1, (v)]. This contrasts<br />
sharply with the arithmetic nature <strong>of</strong> the “single basepoint” [cf. the discussion<br />
“D v ” at each v ∈ V; these collections <strong>of</strong> cusps are permuted by the F ⋊±<br />
l<br />
<strong>of</strong> Remark 6.12.4] that underlies the F l<br />
-symmetry <strong>of</strong> §4, i.e., in the sense that<br />
the F l -symmetry [cf. Proposition 4.9, (i)] permutes the various F l<br />
-translates <strong>of</strong><br />
V ± = V ±un ⊆ V Bor (⊆ V(K)) [cf. Example 4.3, (i); Remark 6.1.1].<br />
(ii) The geometric nature <strong>of</strong> the “single basepoint” <strong>of</strong> the F ⋊±<br />
l<br />
-symmetry <strong>of</strong><br />
a[D-]Θ ±ell -<strong>Hodge</strong> theater [cf. (i)] is more suited to the theory <strong>of</strong> the<br />
<strong>Hodge</strong>-Arakelov-theoretic evaluation <strong>of</strong> the étale theta function<br />
to be developed in [IUTchII], in which the existence <strong>of</strong> a “single basepoint” corresponding<br />
to a single connected component <strong>of</strong> “D v ”forv ∈ V bad plays a central<br />
role.<br />
(iii) By contrast, the arithmetic nature <strong>of</strong> the “single basepoint” <strong>of</strong> the F l -<br />
symmetry <strong>of</strong> a [D-]ΘNF-<strong>Hodge</strong> theater [cf. (i)] is more suited to the