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Inter-universal Teichmuller Theory I: Construction of Hodge Theaters

Inter-universal Teichmuller Theory I: Construction of Hodge Theaters

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142 SHINICHI MOCHIZUKI<br />

(ii) If<br />

...<br />

D<br />

−→ (n−1) HT D-Θ±ell D<br />

−→ n HT D-Θ±ell D<br />

−→ (n+1) HT D-Θ±ell D<br />

−→ ...<br />

[where n ∈ Z] isaninfinite chain <strong>of</strong> D-Θ ±ell -linked D-Θ ±ell -<strong>Hodge</strong> theaters<br />

[cf. the situation discussed in Corollary 3.8], then we obtain a resulting chain <strong>of</strong><br />

full poly-isomorphisms<br />

...<br />

∼<br />

→ n D ⊢ ><br />

∼<br />

→ (n+1) D ⊢ ><br />

∼<br />

→ ...<br />

[cf. the situation discussed in Remark 3.8.1, (ii)] between the D ⊢ -prime-strips obtained<br />

by applying the functor <strong>of</strong> (i). That is to say, the output data <strong>of</strong> the functor<br />

<strong>of</strong> (i) forms a constant invariant [cf. the discussion <strong>of</strong> Remark 3.8.1, (ii)] —<br />

i.e., a mono-analytic core [cf. the situation discussed in Remark 3.9.1] — <strong>of</strong> the<br />

above infinite chain.<br />

/ ± ↩→ / ± / ± ↩→ ...<br />

...<br />

|<br />

...<br />

/ ± ↩→ / ± / ± ↩→ ...<br />

—<br />

> ⊢ = {0, ≻} ⊢<br />

—<br />

/ ± ↩→ / ± / ± ↩→ ...<br />

...<br />

|<br />

...<br />

/ ± ↩→ / ± / ± ↩→ ...<br />

Fig. 6.3: Étale-picture <strong>of</strong> D-Θ±ell -<strong>Hodge</strong> theaters<br />

(iii) If we regard each <strong>of</strong> the D-Θ ±ell -<strong>Hodge</strong> theaters <strong>of</strong> the chain <strong>of</strong> (ii) as<br />

a spoke emanating from the mono-analytic core discussed in (ii), then we obtain<br />

a diagram — i.e., an étale-picture <strong>of</strong> D-Θ ±ell -<strong>Hodge</strong>-theaters —asin<br />

Fig. 6.3 [cf. the situation discussed in Corollary 3.9, (i)]. In Fig. 6.3, “> ⊢ ”<br />

denotes the mono-analytic core, obtained [cf. (i); Proposition 6.7] by identifying<br />

the mono-analyticized D-prime-strips <strong>of</strong> the D-Θ ±ell -<strong>Hodge</strong> theater labeled “0” and<br />

“≻”; “/ ± ↩→ / ± / ± ↩→ ...” denotes the “holomorphic” processions <strong>of</strong> Proposition<br />

6.9, (i), together with the remaining [“holomorphic”] data <strong>of</strong> the corresponding D-<br />

Θ ±ell -<strong>Hodge</strong> theater. In particular, the mono-analyticizations <strong>of</strong> the zero-labeled<br />

D-prime-strips — i.e., the D-prime-strips corresponding to the first “/ ± ” in the processions<br />

just discussed — in the various spokes are identified with one another.<br />

Put another way, the coric D ⊢ -prime-strip “> ⊢ ” may be thought <strong>of</strong> as being equipped<br />

with various distinct “holomorphic structures” — i.e., D-prime-strip structures<br />

that give rise to the D ⊢ -prime-strip structure — corresponding to the various

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