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clifford_a-_pickover_surfing_through_hyperspacebookfi-org

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142 <strong>surfing</strong> <strong>through</strong> hyperspace<br />

a biological oddity at some museum of pathology. You recall seeing something<br />

like it at the Smithsonian Museum of Pathology where curators had<br />

unveiled freakish things afloat in jars, body <strong>org</strong>ans delicately detached, soft<br />

arteries infused with wax, flesh still fresh as if the objects were still alive.<br />

There are footsteps behind you. "What's going on here?"<br />

A man approaches you with his hand on his gun. He stands six feet<br />

tall, with a barrel chest and rock-hard belly to match. His cheeks look as<br />

if they'd been sandblasted. The arms of his camouflage suit are torn off,<br />

revealing muscular arms decorated with faded green tattoos that run<br />

from his wrists to his biceps. His huge hands are scarred and soaked with<br />

sweat. With slow, deliberate movements, the man removes a black headband<br />

from his pocket and ties it around his forehead.<br />

"FBI," you say and flash him your badge. "Who are you?"<br />

"Captain Richard Narcinko, ex-Navy SEAL. My job is to secure the<br />

room. This is a matter of national security."<br />

"Ooh," Sally says as a tiny dot of flesh rises from the blob. It drifts<br />

toward her, moving like a feather floating in the breeze. Sally's hand goes<br />

to her face as her eyes open wide in wonder. The dot floats at the height of<br />

her head, flashing various shades of red and lavender. At the edges of the<br />

fleshy ball are little sparkles, as if the dot is igniting tiny dust particles in<br />

the air as it moves <strong>through</strong> them.<br />

Sally raises her gun again. "Oh my God!" she says as she points to<br />

another flesh-ball rising from the blob. It seems to follow the first.<br />

But then she lowers her gun and smiles as the twin balls of flesh dance<br />

in front of her eyes. She doesn't seem frightened at all.<br />

"Be careful," you say to Sally. "Back away."<br />

"I don't sense they are harmful."<br />

" 'Sense?' Sally, what are you talking about? Back away."<br />

Outside there is an occasional cry of a bird. These cries sound distant,<br />

diffuse, as if part of a reality isolated from what is happening in the<br />

White House.<br />

One of the dots continues to dance before Sally's eyes. The other slips<br />

between her legs, rises along her back, and merges with the first dot.<br />

Sally's grin widens, and her whole body shivers like an excited child's. A<br />

few strands of her hair stand at right angles to her body; perhaps there is<br />

static electricity in the air. She raises her hands as if she is conducting an<br />

invisible orchestra, but it begins to look more like she is casting a spell or<br />

stirring a witch's potion.

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