clifford_a-_pickover_surfing_through_hyperspacebookfi-org
clifford_a-_pickover_surfing_through_hyperspacebookfi-org
clifford_a-_pickover_surfing_through_hyperspacebookfi-org
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
142 <strong>surfing</strong> <strong>through</strong> hyperspace<br />
a biological oddity at some museum of pathology. You recall seeing something<br />
like it at the Smithsonian Museum of Pathology where curators had<br />
unveiled freakish things afloat in jars, body <strong>org</strong>ans delicately detached, soft<br />
arteries infused with wax, flesh still fresh as if the objects were still alive.<br />
There are footsteps behind you. "What's going on here?"<br />
A man approaches you with his hand on his gun. He stands six feet<br />
tall, with a barrel chest and rock-hard belly to match. His cheeks look as<br />
if they'd been sandblasted. The arms of his camouflage suit are torn off,<br />
revealing muscular arms decorated with faded green tattoos that run<br />
from his wrists to his biceps. His huge hands are scarred and soaked with<br />
sweat. With slow, deliberate movements, the man removes a black headband<br />
from his pocket and ties it around his forehead.<br />
"FBI," you say and flash him your badge. "Who are you?"<br />
"Captain Richard Narcinko, ex-Navy SEAL. My job is to secure the<br />
room. This is a matter of national security."<br />
"Ooh," Sally says as a tiny dot of flesh rises from the blob. It drifts<br />
toward her, moving like a feather floating in the breeze. Sally's hand goes<br />
to her face as her eyes open wide in wonder. The dot floats at the height of<br />
her head, flashing various shades of red and lavender. At the edges of the<br />
fleshy ball are little sparkles, as if the dot is igniting tiny dust particles in<br />
the air as it moves <strong>through</strong> them.<br />
Sally raises her gun again. "Oh my God!" she says as she points to<br />
another flesh-ball rising from the blob. It seems to follow the first.<br />
But then she lowers her gun and smiles as the twin balls of flesh dance<br />
in front of her eyes. She doesn't seem frightened at all.<br />
"Be careful," you say to Sally. "Back away."<br />
"I don't sense they are harmful."<br />
" 'Sense?' Sally, what are you talking about? Back away."<br />
Outside there is an occasional cry of a bird. These cries sound distant,<br />
diffuse, as if part of a reality isolated from what is happening in the<br />
White House.<br />
One of the dots continues to dance before Sally's eyes. The other slips<br />
between her legs, rises along her back, and merges with the first dot.<br />
Sally's grin widens, and her whole body shivers like an excited child's. A<br />
few strands of her hair stand at right angles to her body; perhaps there is<br />
static electricity in the air. She raises her hands as if she is conducting an<br />
invisible orchestra, but it begins to look more like she is casting a spell or<br />
stirring a witch's potion.