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E. A. Koetting - staticfly.net

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WORKS OF<br />

DARKNESS<br />

should be made of brass or silver, with a long stem and a wide base. As<br />

with the dagger, simplicity is the rule of thumb. Most often in ritual,<br />

the contents of the chalice have greater importance than the chalice<br />

itself. Such importance is not to be distracted from by the vessel.<br />

The final implement needed for the working of Black Magick is<br />

an altar. Depending on the exact manner in which you personally<br />

prefer to ritualize, you will want to choose from a small variety of altar<br />

constructs. The altar should be stable, durable, and should not be<br />

difficult to adjust and move about for different types of ritual. The<br />

fledgling Black Magician may be tempted to draw or carve various<br />

symbols, names, words, or images in the ritual tools, especially the<br />

altar, to give them a "personal touch." Doing so carries natural<br />

consequences which are ultimately devastating to the successful<br />

operation of the Works of Darkness.<br />

The symbols given in the second chapter of this book are selfdirected<br />

and quite automatic, possessing a power and influence<br />

independent of the Sorcerer's will once they are drawn and consecrated.<br />

These Magickal effects are also extremely specific, causing changes in<br />

the universe and the Magician in alignment with their individual<br />

designs. Drawing a Double Armed Cross on the altar, for example, may<br />

negate the effects of a curse if such is not in complete harmony with the<br />

personal Destiny of the Operator. Although in the long run this may<br />

prove to have been the best course, the Black Magician should be the<br />

one who has command over his universe, rather than power of the<br />

symbols that he drew on his altar years ago. You are admonished to<br />

leave the ritual tools as they are set forth here, rather than adding<br />

little personal touches as you go.<br />

There are three basic altar types that you may choose from. The<br />

first is a stone slab which is set in the ground or on top of a pillar of<br />

stones. Although the stone altar will last as long as you need it, it is also<br />

extremely difficult to move about and adjust to meet the demands of<br />

various rituals. If you desire to have a stone altar, it should be made of<br />

metamorphic rock, either cut or naturally formed into a rectangle. To<br />

increase your ability to move and maneuver the altar, you may wish<br />

to find or have a stone slab cut less than an inch thick. You should also<br />

grind, sand, or scrape off any pebbles that have attached themselves to<br />

the slab or any tangent formations which might distract the mind or<br />

distort the function of the altar.<br />

54

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