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WORKS Of DARKNESS<br />
This illustrates, in mean terms and in a commonly understood<br />
allegory, only one aspect of ritual consecration; only that which is seen<br />
on the surface of the obsidian meteorite.<br />
The rite of consecration, however, carries an even greater value<br />
than the psychological distinction that it creates. This value is one<br />
that is understood instinctively by most every practicing occultist, yet<br />
is often denied and categorized into psychology for lack of trust in one's<br />
own vision. A good percent of modern Magicians would rather find<br />
apologetic excuses for the occult, turning to their primitive scientific<br />
understanding of existence, than to admit that there are powers outside<br />
of the conscious understanding of the human brain. They do not wish<br />
to be named among the fanatical few.<br />
Consecration focuses the Powers of Darkness upon a single object,<br />
place, person, or action and imbues that thing with those Powers. The<br />
consecrated object becomes saturated with evil. It inherits, through<br />
the ritual, the intelligence to perform its assigned task and the power to<br />
carry it through. Its composite spiritual matter is psychically<br />
transmuted from wood, stone, or steel to a living entity full of a fire and<br />
will which is perfectly and inseparably aligned with that of the Black<br />
Magician.<br />
Putting into practice the exercises from the previous chapter,<br />
the student of the Dark Arts should have found, often by default of<br />
convenience, an area wherein he may ritualize and meditate without<br />
disturbance. It is this place which should be consecrated first as the<br />
foundation for the rites which will follow.<br />
Consecrating a particular area sets it apart from all other space,<br />
centering it in the metaphysical universe. The ground, whether it is<br />
dirt, sand, grass, stone, or plush carpet, shudders awake to announce<br />
itself as the Living Earth. It is the great altar of the Magickal Work, the<br />
unwavering ground upon which even the Operator is a ritual tool.<br />
Once the Working area has been consecrated, it will serve that<br />
purpose for as long as it is needed. When the Black Magician moves to<br />
another city or home, or for any other reason needs to relocate the area<br />
chosen for the operation of these Works of Darkness, the ground can be<br />
cleansed of the power that has been summoned there, returning it to<br />
lifeless material, as will be demonstrated following the consecrations.<br />
Otherwise, it may be allowed to linger and infect all bypassing things<br />
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