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Footnotes<br />

to the Diary of<br />

Sa<strong>in</strong>t Maria Faust<strong>in</strong>a Kowalska<br />

of the Congregation of Our Lady of Mercy<br />

1. On February 22, 1931, while stay<strong>in</strong>g at Plock, Sister Faust<strong>in</strong>a received Jesus‟<br />

order to pa<strong>in</strong>t a picture accord<strong>in</strong>g to a model that was shown to her (cf. Diary 47).<br />

The Sa<strong>in</strong>t tried to fulfill the command, but not know<strong>in</strong>g pa<strong>in</strong>t<strong>in</strong>g techniques, she was<br />

unable to do it by herself. Still, she did not give up the idea. She kept return<strong>in</strong>g to it and<br />

sought help from other sisters and from her confessors.<br />

A few years later her superior sent her to Vilnius (Wilno), where her confessor, Rev.<br />

Prof. Michael Sopocko, <strong>in</strong>terested to see what the picture of a hitherto unknown theme would<br />

look like, asked the pa<strong>in</strong>ter Eugene Kazimierowski to pa<strong>in</strong>t the picture accord<strong>in</strong>g to Sister<br />

Faust<strong>in</strong>a‟s directions. The picture was f<strong>in</strong>ished <strong>in</strong> June 1934 and hung <strong>in</strong> the corridor of the<br />

Bernard<strong>in</strong>e Sisters‟ convent near St. Michael‟s Church <strong>in</strong> Vilnius, where Father Sopocko was<br />

rector.<br />

In 1935, dur<strong>in</strong>g the celebrations conclud<strong>in</strong>g the jubilee Year of the Redemption of the<br />

World, the image of The <strong>div<strong>in</strong>e</strong> Mercy was transferred to the Ostra Brama [“Eastern Gate” to<br />

the city of Vilnius] and placed <strong>in</strong> a high w<strong>in</strong>dow so that it could be seen from far away. It was<br />

there from April 16 to April 28. By permission of Archbishop Romuald Jalbrzykowski, on April<br />

4, 1937, the image was blessed and placed <strong>in</strong> St. Michael‟s Church <strong>in</strong> Vilnius.<br />

In 1944, a committee of experts was formed, at the order of Archbishop Jalbrzykowski,<br />

to evaluate the image. The experts‟ op<strong>in</strong>ion was that the image of The Div<strong>in</strong>e Mercy, pa<strong>in</strong>ted<br />

by E. Kazimierowski was artistically executed and an important contribution to contemporary<br />

religious art.<br />

There are several characteristic features of this orig<strong>in</strong>al image. Aga<strong>in</strong>st a pla<strong>in</strong><br />

background Christ is shown walk<strong>in</strong>g, with a narrow halo around His head, and his eyes<br />

slightly downcast, as if He were look<strong>in</strong>g from above at the spectators. His right hand is<br />

raised <strong>in</strong> a gesture of bless<strong>in</strong>g; while His left hand is open<strong>in</strong>g the robe at His Heart (not<br />

shown), from which two rays of light issue, a pale one to the viewer‟s right, a red one to the<br />

left. The light of these rays sh<strong>in</strong>es through the hands and the robe.<br />

In 1943, <strong>in</strong> Lwow, at the request of the Sisters of Our Lady of Mercy, Stanley Batowski<br />

pa<strong>in</strong>ted another image, which was placed <strong>in</strong> a side altar of the community chapel at No. 3/9<br />

Zytnia Street <strong>in</strong> Warsaw. Dur<strong>in</strong>g the Warsaw upris<strong>in</strong>g, this chapel (and with it the image) was<br />

burned.<br />

Batowski‟s image was very much liked by everyone. Encouraged by this, the Superior<br />

General of the Community of the Sisters of Our Lady of Mercy asked Batowski to pa<strong>in</strong>t<br />

another one for the house <strong>in</strong> Cracow, where the new form of devotion to The Div<strong>in</strong>e Mercy<br />

was already expand<strong>in</strong>g. The image was pa<strong>in</strong>ted and sent to Cracow on October 6, 1943.<br />

401

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