[title of show] Arizona Theatre Company Play Guide 1
[title of show] Arizona Theatre Company Play Guide 1
[title of show] Arizona Theatre Company Play Guide 1
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[<strong>title</strong> <strong>of</strong> <strong>show</strong>]<br />
INTERVIEW<br />
Within the <strong>show</strong>, the characters that represent you guys talk very consciously about<br />
not wanting to “sell out” and make changes in cast and content. How do you keep<br />
[<strong>title</strong> <strong>of</strong> <strong>show</strong>] the feel-good love bonanza that it’s been since its early stages, when<br />
there’s so much money involved?<br />
HB: Well there’s more money, but it’s not ten million…yet! I think the cool thing with this<br />
piece is that every experience was fodder for material in the <strong>show</strong>. There were pressures<br />
when you begin to open up and bring in commercial producers. My first thought was, I<br />
know how to write when we are just downtown and playing, but I don’t know how to write<br />
an Off-Broadway <strong>show</strong>. The great thing was to just constantly check in with my friends who<br />
happened to be my collaborators, and remind ourselves to welcome outside ideas, but<br />
at the end <strong>of</strong> the day, say what we want to say. Plus, we could talk about those fears and<br />
pressures directly in the <strong>show</strong>.<br />
JB: It’s interesting because we did make a lot <strong>of</strong> changes. We didn’t want to “sell-out,”<br />
but we weren’t fools; we wanted to entertain people and that was going to involve a bit <strong>of</strong><br />
old-school musical theatre rules. We made many modifications as most musicals do when<br />
they’re growing up and making their way towards production, but we (the cast and Michael<br />
Berresse, our director) were blessed with having a bit <strong>of</strong> necessary stubbornness that<br />
allowed us to make changes but use our own voices when doing so. Ultimately, we always<br />
arrived at something we believed in and trusted.<br />
The characters names are Jeff and Hunter. Okay, so you’re playing you, and you’re you,<br />
but you’re not you, because you’re playing you, alongside your real-life friends—it’s<br />
enough to turn a person cross-eyed. What is it like interacting with audiences who are<br />
getting close-up views and versions <strong>of</strong> your actual <strong>of</strong>f-stage personas? Have you had<br />
any crazy identity crises, or loony stalker fans who can’t separate meta-fiction from<br />
reality?<br />
Hunter & Jeff a little<br />
less formal<br />
HB: It’s been interesting. The characters are certainly based<br />
on us, but they are not completely us. They are these kind<br />
<strong>of</strong> heightened theatrical versions <strong>of</strong> Hunter and Jeff. But<br />
more than any other <strong>show</strong> I’ve done, people do seem to feel<br />
a deeper connection to us after they’ve seen the <strong>show</strong>. It’s<br />
funny, sometimes I’ll meet people after the <strong>show</strong>, and when<br />
I introduce myself, I’ll say, “I’m Hunter”..and they say “We<br />
know.”<br />
JB: No stalker fans…(fingers crossed)…yet!<br />
- Interviewed by Joanna Parson (reprinted with permission) from<br />
http://www.actorslife.com/article.php?id=109<br />
<strong>Arizona</strong> <strong>Theatre</strong> <strong>Company</strong> <strong>Play</strong> <strong>Guide</strong> 12