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[title of show] Arizona Theatre Company Play Guide 1

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[<strong>title</strong> <strong>of</strong> <strong>show</strong>]<br />

INTERVIEW<br />

Within the <strong>show</strong>, the characters that represent you guys talk very consciously about<br />

not wanting to “sell out” and make changes in cast and content. How do you keep<br />

[<strong>title</strong> <strong>of</strong> <strong>show</strong>] the feel-good love bonanza that it’s been since its early stages, when<br />

there’s so much money involved?<br />

HB: Well there’s more money, but it’s not ten million…yet! I think the cool thing with this<br />

piece is that every experience was fodder for material in the <strong>show</strong>. There were pressures<br />

when you begin to open up and bring in commercial producers. My first thought was, I<br />

know how to write when we are just downtown and playing, but I don’t know how to write<br />

an Off-Broadway <strong>show</strong>. The great thing was to just constantly check in with my friends who<br />

happened to be my collaborators, and remind ourselves to welcome outside ideas, but<br />

at the end <strong>of</strong> the day, say what we want to say. Plus, we could talk about those fears and<br />

pressures directly in the <strong>show</strong>.<br />

JB: It’s interesting because we did make a lot <strong>of</strong> changes. We didn’t want to “sell-out,”<br />

but we weren’t fools; we wanted to entertain people and that was going to involve a bit <strong>of</strong><br />

old-school musical theatre rules. We made many modifications as most musicals do when<br />

they’re growing up and making their way towards production, but we (the cast and Michael<br />

Berresse, our director) were blessed with having a bit <strong>of</strong> necessary stubbornness that<br />

allowed us to make changes but use our own voices when doing so. Ultimately, we always<br />

arrived at something we believed in and trusted.<br />

The characters names are Jeff and Hunter. Okay, so you’re playing you, and you’re you,<br />

but you’re not you, because you’re playing you, alongside your real-life friends—it’s<br />

enough to turn a person cross-eyed. What is it like interacting with audiences who are<br />

getting close-up views and versions <strong>of</strong> your actual <strong>of</strong>f-stage personas? Have you had<br />

any crazy identity crises, or loony stalker fans who can’t separate meta-fiction from<br />

reality?<br />

Hunter & Jeff a little<br />

less formal<br />

HB: It’s been interesting. The characters are certainly based<br />

on us, but they are not completely us. They are these kind<br />

<strong>of</strong> heightened theatrical versions <strong>of</strong> Hunter and Jeff. But<br />

more than any other <strong>show</strong> I’ve done, people do seem to feel<br />

a deeper connection to us after they’ve seen the <strong>show</strong>. It’s<br />

funny, sometimes I’ll meet people after the <strong>show</strong>, and when<br />

I introduce myself, I’ll say, “I’m Hunter”..and they say “We<br />

know.”<br />

JB: No stalker fans…(fingers crossed)…yet!<br />

- Interviewed by Joanna Parson (reprinted with permission) from<br />

http://www.actorslife.com/article.php?id=109<br />

<strong>Arizona</strong> <strong>Theatre</strong> <strong>Company</strong> <strong>Play</strong> <strong>Guide</strong> 12

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