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Porgy and Bess Program [pdf] - American Repertory Theater

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guide to local theater (continued)<br />

come fast <strong>and</strong> furious, is a worldwide phenomenon filled with<br />

up-to-the-minute spontaneous humor <strong>and</strong> quicksilver improvisation<br />

where the audience becomes part of the action <strong>and</strong> gets<br />

to solve the crime.<br />

SOUTH PACIFIC, Boston Opera House, 539 Washington St.,<br />

617-931-2787. Sep 27–Oct 2. Based on James Michener’s<br />

Pulitzer Prize-winning book Tales of the South Pacific, Rodgers<br />

& Hammerstein’s classic musical set on a tropical isl<strong>and</strong> during<br />

World War II tells the story of two couples <strong>and</strong> how their happiness<br />

is threatened by the realities of war. The beloved show’s<br />

songs include “Some Enchanted Evening,” “I’m Gonna Wash<br />

That Man Right Outa My Hair,” “This Nearly Was Mine” <strong>and</strong><br />

“There is Nothin’ Like a Dame.”<br />

THE SPEAKER’S PROGRESS, Sulayman Al-Bassam Theatre,<br />

Paramount Theatre, 559 Washington St., 617-824-8000. Oct<br />

12–16. Using Shakespeare’s Twelfth Night as a starting point<br />

to explore events in the Middle East, this play set in a totalitarian<br />

Arab state where all forms of theater have been banned is<br />

a satire on the decades of political inertia that have fed recent<br />

revolts across the Arab region <strong>and</strong> a daring theatrical metaphor<br />

for the mechanisms of dissent.<br />

YOU BETTER SIT DOWN: TALES FROM MY PARENTS’<br />

DIVORCE, The Civilians, Paramount Theatre, 559 Washington St.,<br />

617-824-8000. Oct 12–16. This hysterical account of marriage<br />

<strong>and</strong> divorce, based on the troupe members’ interviews with their<br />

own parents, presents four actors—each playing his or her own<br />

parents—who serve as conduits for stories of family division.<br />

LOCAL/REGIONAL THEATER<br />

AS YOU LIKE IT, Theatre@First, Seven Hills Park (behind the<br />

Davis Square T station), Holl<strong>and</strong> Street, Somerville, 888-874-<br />

7554. Sep 8–11. This free outdoor production presents one of<br />

Shakespeare’s most enduring comedies, in which city <strong>and</strong><br />

country collide as Rosalind, a Duke’s daughter fleeing the<br />

wrath of her uncle, heads into the woods to find her father—<br />

<strong>and</strong> herself.<br />

THE BACCHAE, Whistler in the Dark, Charlestown Working<br />

<strong>Theater</strong>, 442 Bunker Hill St., 866-811-4111. Sep 15–23. In<br />

Euripides’ ancient tragedy, the citizens of Thebes deny the divinity<br />

of Dionysos, who punishes them by inciting the women<br />

into a frenzy—driving them from their homes into the mountains<br />

where they enact the wild rituals of worship to Bacchus.<br />

The young king Pentheus wrestles the god for control of his<br />

city, but will his lack of underst<strong>and</strong>ing lead to his ruination?<br />

BEFORE I LEAVE YOU, Huntington Theatre Company, Wimberly<br />

Theatre, Calderwood Pavilion at the Boston Center for the Arts,<br />

527 Tremont St., 617-933-8600. Oct 14–Nov 13. In a blink,<br />

Emily’s Harvard Square world falls apart. Her husb<strong>and</strong> Koji suddenly<br />

embraces his Asian roots. Her friend Jeremy’s work on his<br />

novel gets interrupted by a health scare <strong>and</strong> his sister Trish moving<br />

in. Four longtime friends face too much past <strong>and</strong> too little future<br />

in this moving new comedy.<br />

BIG RIVER, Lyric Stage Company, 140 Clarendon St., 617-585-<br />

5678. Sep 2–Oct 8. Join Huck <strong>and</strong> Jim on the Mississippi River<br />

in the 1840s, where Huck, escaping from his drunken father,<br />

meets up with Jim, a runaway slave. The story of their journey<br />

downstream is an <strong>American</strong> classic that captures the idyllic<br />

pleasures <strong>and</strong> unacknowledged injustices of life on the big river<br />

with humor, song <strong>and</strong> spirit.<br />

Stage<br />

Spotlight<br />

YOUR GUIDE TO<br />

NEW ENGLAND THEATRE<br />

PRESENTS THE MUSICAL ADAPTATION OF<br />

NORTON JUSTER’S ACCLAIMED STORY<br />

The Phantom Tollbooth<br />

OCTOBER 21–NOVEMBER 20, 2011<br />

617-879-2300 • tickets@wheelock.edu<br />

www.WheelockFamilyTheatre.org<br />

Boston’s Professional, Affordable Theatre<br />

for Every Generation<br />

THE BOSTON CONSERVATORY<br />

Curtains<br />

THE MUSICAL COMEDY WHODUNIT FROM<br />

THE CREATORS OF CABARET AND CHICAGO<br />

DIRECTED BY DAVID GRAM<br />

MUSICAL DIRECTION BY BILL CASEY<br />

OCTOBER 3–6, 2011<br />

The Balcony<br />

BY JEAN GENET • DIRECTED BY JOHN KUNTZ<br />

FOR MATURE AUDIENCES<br />

NOVEMBER 17–20, 2011<br />

The Boston Conservatory <strong>Theater</strong><br />

31 Hemenway Street<br />

Box Office opens Sept. 6, 2011: 617-912-9222<br />

http://bostonconservatory.ticketforce.com<br />

Advertise in Theatrebill’s<br />

Not-for-Profit <strong>Theater</strong> section.<br />

Call 617-423-3400 for more information.<br />

SPECIAL ADVERTISING SECTION

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