Porgy and Bess Program [pdf] - American Repertory Theater

creative team (continued)
JULIE BALDAUFF
Stage Manager
A.R.T.: Children of Herakles, Death and the
Powers: The Robots’ Opera. Broadway: Hair, The
Wedding Singer, I Am My Own Wife, King Lear,
Henry IV parts 1 & 2, The Play What I Wrote, The
Full Monty, Fool Moon, The Little Foxes, The
Rehearsal, Summer and Smoke, Getting Away with
Murder. Off-Broadway: You Never Can Tell,
Roundabout; Prides Crossing, LCT; Arms and the
Man, Roundabout; Hapgood, LCT. Regional:
Death and the Powers: The Robots’ Opera, Monaco
and Chicago; I Am My Own Wife, European and
U.S. tour; The Children of Herakles, European
tour; Fool Moon, Kennedy Center; and six seasons
and more than twenty productions at The
Old Globe Theatre in San Diego.
SHARIKA NILES
Assistant Stage Manager
A.R.T. Debut. Broadway: The Color Purple, First
National Tour. Other credits: Seed; Without You
(Korea); P**ssy Valley; Indomitable; F**king A; See
What I Wanna See; All That I Will Ever Be; Flow;
The Seven; Satellites; Richard III; Well; Take Me
Out; Helen; House Arrest; A Winter’s Tale;
Slanguage; Cavedweller; Suburbia; Caroline, or
Change; Two Gentleman of Verona; This Is How It
Goes; The Book of Grace; Summerstage NYC; The
Apollo Theater; KCD Worldwide; The Public
Theater/New York Shakespeare Festival; HBO;
Lincoln Center. Film: Our Song.
MIA WALKER
Assistant Director
A.R.T.: Prometheus Bound, Johnny Baseball.
New York: Paul Simon’s The Capeman (The
Public Theater, dir. Diane Paulus). Trained at The
Berkshire Theatre Festival, American
Conservatory Theater, NYU Tisch and Vassar
Powerhouse. Resident Director at The Flea
Theater, where she directed the world premiere
of Trista Baldwin’s American Sexy. B.A. in Film
Production/Studies (Magna Cum Laude),
Harvard University.
ARCELL CABUAG
Assistant Choreographer
A.R.T.: Debut. Associate Artistic Director and senior
dancer of the Ronald K. Brown Evidence
Dance Company. He has assisted Brown in creating
work on Ballet Hispanico, MUNTU,
Philadanco and the Alvin Ailey American Dance
Theater. 2004 recipient of the New York Dance
Bessie Award. Dance credits include: Paramount
Picture’s Rock the House, California; The Shoji
Tabuchi Show, Branson, Missouri; the Richard
Rodgers Centennial Production of The King and I,
Paper Mill Playhouse. Television: Episode
“Choreographed” on “Law and Order: SVU.”
Commercial: “Codorinu” with Pilobolus.
NEIL GROVER
Orchestra Coordinator
A.R.T.: Debut. Principal: Boston Musical Services.
Founder: Grover Pro Percussion, Inc. On the
Board of Directors of Percussive Arts Society
(Indianapolis, Ind.), Margaret & H.A. Rey Center
(Waterville Valley, NH) and Winchester
Community Music School (Winchester, MA). He
has lectured in music at more than 100 universities
throughout the U.S., Canada, Europe and
Australasia, a published author (Alfred Music)
and a former faculty member of Boston
Conservatory, University of Massachusetts.
Grover attended Florida State University. New
England Conservatory.
J. JARED JANAS & ROB GREENE
Wig/Hair Design
A.R.T.: Debut. Broadway: All About Me, Next to
Normal. Other: By the Way, Meet Vera Stark
(world premiere), Twist, Alliance Theatre;
Curtains and Peter Pan, Paper Mill Playhouse;
Meet Me in St. Louis, TUTS; NEWSical; Beebo
Brinker Chronicles; Shout!; Smokey Joe’s Café;
Speech and Debate; Oroonoko; Ohio State Murders;
M. Butterfly; Tea and Sympathy; Accomplices;
Dinah Was; Silence! the Musical; Trouble in
Paradise. National Tour: The Full Monty.
Television: “The Supreme Court” (PBS documentary).
They have also built wigs currently seen in
Wicked, The Addams Family, How to Succeed…
and Jersey Boys.
Members of Actors’ Equity Association, the Union of
Professional Actors and Stage Managers in the United States.
Actors’ Equity Association (AEA), founded in 1913, represents
more than 45,000 actors and stage managers in the United
States. Equity seeks to advance, promote and foster the art of live theatre
as an essential component of our society. Equity negotiates wages and
working conditions, providing a wide range of benefits, including health
and pension plans. AEA is a member of the AFL-CIO and is affiliated
with FIA, an international organization of performing arts unions. The
Equity emblem is our mark of excellence. www.actorsequity.org
The scenic, costume, lighting and sound designers in
LORT Theatres are represented by United Scenic Artists
Local USA-829 IATSE.
A.R.T. Musicians are members of the Boston Musicians’
Association, Local 9-535 which has protected the interests
of musicians and promoted the art of live music since 1896.
GERSHWIN is a registered Trade Mark of Gershwin Enterprises,
and PORGY AND BESS is a registered Trade Mark of Porgy and
Bess Enterprises
THE GERSHWINS’ PORGY AND BESS 37