Porgy and Bess Program [pdf] - American Repertory Theater

Porgy and Bess Program [pdf] - American Repertory Theater Porgy and Bess Program [pdf] - American Repertory Theater

15.04.2014 Views

creative team (continued) Music Supervisor for Ragtime in London, starring Maria Friedman. Music Director/Conductor: National tour of Ragtime, with David Loud, supervisor; two national tours of Fiddler on the Roof, starring Theodore Bikel; national tour of Funny Girl, starring Deborah Gibson; national tour of Oprah Winfrey’s production of The Color Purple, starring Fantasia (NAACP Theatre Award nomination for Best Music Direction in Los Angeles). Broadway: Fiddler on the Roof (associate conductor) starring Topol, Don’t Get God Started with BeBe Winans. National tours of The Mystery of Edwin Drood, Grand Hotel, South Pacific and Hello, Dolly!, with Jean Stapleton, Joel Grey, Liliane Montevecchi and Carol Channing. Tours in Europe, Japan, Canada and Puerto Rico as pianist/accompanist for several theater productions. Acting credits: Ain’t Misbehavin’ and Tintypes, Dallas-Ft. Worth; Barnum (Joyce Heth), New Mexico. Vocal coach/accompanist in New York; former head of the Vocal Department at Dallas Arts Magnet High School, receiving a teacher of the year award for outstanding work. BRIAN HERTZ Associate Conductor/Piano/Celeste A.R.T.: Debut. Pianist for the Radio City Christmas Spectacular; played in the Broadway orchestras of Shrek, 9 to 5, The Little Mermaid, Avenue Q, Legally Blonde, Xanadu, Les Misérables, Sister Act. Assistant conductor at Avenue Q and Altar Boyz. National tours: Legally Blonde (Associate Music Director), Wonderful Town (Associate Conductor); Paper Mill Playhouse: Peter Pan (conductor), Forum (keyboards), Full Monty (keyboards). Ithaca College grad. TELSEY + COMPANY Casting A.R.T.: Debut. Broadway/Tours: SPIDER-MAN: Turn Off the Dark, The Normal Heart, Baby It’s You!, Sister Act, Catch Me If You Can, Priscilla Queen of the Desert, The Addams Family, Memphis, Rock of Ages, Wicked, Bring It On, Next to Normal, 9 to 5, Peepshow in Vegas. Off-Broadway: Rent, Million Dollar Quartet, Atlantic, MCC, Signature. Film: The Odd Life of Timothy Green, Joyful Noise, Friends with Kids, Margin Call, Howl, Sex and the City 1 & 2, Jonah Hex, Main Street, The Other Woman, I Love You Phillip Morris, Rachel Getting Married, Dan in Real Life, Then She Found Me, Across the Universe, Ira & Abby, Rent, Pieces of April, Camp, The Grey Zone, Finding Forrester, The Bone Collector. TV: “Smash,” “A Gifted Man,” “The Big C,” “Ugly Betty” (pilot), “Whoopi,” HBO’s “Undefeated,” commercials. www.telseyandco.com. NANCY HARRINGTON Associate Director/ Production Stage Manager A.R.T.: Children of Heracles, Prometheus Bound, Death and the Powers. Broadway: Collaborator of Bill Irwin for 28 years, one of the creators of the Tony Award-winning Fool Moon, Largely NY & The Regard of Flight. Other Broadway: The Rainmaker, Uncle Vanya, A View From The Bridge, The Full Monty, The Play What I wrote, I Am My Own Wife, HAIR. Other projects with Ms. Paulus include: Capeman, Turandot— Rumble For The Ring, HAIR also in Central Park, London, and national tour. In Additional: 60 premiere productions of New American plays and musicals, over 200 productions worldwide. DENISE L. WOODS Dialect Coach A.R.T.: Debut. Denise Woods’ work as a dialect coach includes working with Academy Awardnominated actors Will Smith (Ali) and Ken Watanabe (The Last Samurai). Woods has worked as a vocal coach with “NBC Nightly News,” CNBC, “The Today Show,” CNN, “Inside Edition” and “KTLA News.” Some of her clients include Phylicia Rashad, Ellen Burstyn, Jeanne Tripplehorn, Morris Chestnut, Taye Diggs, Paul Rodriguez, Ray Liotta, Porscia Derossi, Rachel Weisz, Forest Whitaker, Maggie Gyllenhaal and Mike Myers. She is a graduate and former faculty member of The Juilliard School and is currently on faculty at California Institute of the Arts. RYAN McKITTRICK A.R.T. Dramaturg A.R.T.: Lead dramaturg on more than thirty productions, half of which were world premieres. He is the A.R.T. Dramaturg and Co-Head of the A.R.T. Institute’s Dramaturgy Program. He received his M.F.A. in Dramaturgy from the A.R.T./Moscow Art Theatre School Institute for Advanced Theater Training at Harvard and his B.A. in History and Literature from Harvard. He is also a Lecturer in Dramatic Arts at Harvard University and a Lecturer in Theater Arts at Brandeis University. His articles on theater have appeared in The Boston Globe, Correspondence, Theatre and The Boston Phoenix. He is a recipient of the TCG New Generations Award and the NTC Scholarship Award. His co-translations with Julia Smeliansky include Anton Chekhov’s Lady with a Lapdog, Rezo Gabriadze’s Forbidden Christmas and The Selected Letters of Olga Bokshanskaya. 36 AMERICAN REPERTORY THEATER

creative team (continued) JULIE BALDAUFF Stage Manager A.R.T.: Children of Herakles, Death and the Powers: The Robots’ Opera. Broadway: Hair, The Wedding Singer, I Am My Own Wife, King Lear, Henry IV parts 1 & 2, The Play What I Wrote, The Full Monty, Fool Moon, The Little Foxes, The Rehearsal, Summer and Smoke, Getting Away with Murder. Off-Broadway: You Never Can Tell, Roundabout; Prides Crossing, LCT; Arms and the Man, Roundabout; Hapgood, LCT. Regional: Death and the Powers: The Robots’ Opera, Monaco and Chicago; I Am My Own Wife, European and U.S. tour; The Children of Herakles, European tour; Fool Moon, Kennedy Center; and six seasons and more than twenty productions at The Old Globe Theatre in San Diego. SHARIKA NILES Assistant Stage Manager A.R.T. Debut. Broadway: The Color Purple, First National Tour. Other credits: Seed; Without You (Korea); P**ssy Valley; Indomitable; F**king A; See What I Wanna See; All That I Will Ever Be; Flow; The Seven; Satellites; Richard III; Well; Take Me Out; Helen; House Arrest; A Winter’s Tale; Slanguage; Cavedweller; Suburbia; Caroline, or Change; Two Gentleman of Verona; This Is How It Goes; The Book of Grace; Summerstage NYC; The Apollo Theater; KCD Worldwide; The Public Theater/New York Shakespeare Festival; HBO; Lincoln Center. Film: Our Song. MIA WALKER Assistant Director A.R.T.: Prometheus Bound, Johnny Baseball. New York: Paul Simon’s The Capeman (The Public Theater, dir. Diane Paulus). Trained at The Berkshire Theatre Festival, American Conservatory Theater, NYU Tisch and Vassar Powerhouse. Resident Director at The Flea Theater, where she directed the world premiere of Trista Baldwin’s American Sexy. B.A. in Film Production/Studies (Magna Cum Laude), Harvard University. ARCELL CABUAG Assistant Choreographer A.R.T.: Debut. Associate Artistic Director and senior dancer of the Ronald K. Brown Evidence Dance Company. He has assisted Brown in creating work on Ballet Hispanico, MUNTU, Philadanco and the Alvin Ailey American Dance Theater. 2004 recipient of the New York Dance Bessie Award. Dance credits include: Paramount Picture’s Rock the House, California; The Shoji Tabuchi Show, Branson, Missouri; the Richard Rodgers Centennial Production of The King and I, Paper Mill Playhouse. Television: Episode “Choreographed” on “Law and Order: SVU.” Commercial: “Codorinu” with Pilobolus. NEIL GROVER Orchestra Coordinator A.R.T.: Debut. Principal: Boston Musical Services. Founder: Grover Pro Percussion, Inc. On the Board of Directors of Percussive Arts Society (Indianapolis, Ind.), Margaret & H.A. Rey Center (Waterville Valley, NH) and Winchester Community Music School (Winchester, MA). He has lectured in music at more than 100 universities throughout the U.S., Canada, Europe and Australasia, a published author (Alfred Music) and a former faculty member of Boston Conservatory, University of Massachusetts. Grover attended Florida State University. New England Conservatory. J. JARED JANAS & ROB GREENE Wig/Hair Design A.R.T.: Debut. Broadway: All About Me, Next to Normal. Other: By the Way, Meet Vera Stark (world premiere), Twist, Alliance Theatre; Curtains and Peter Pan, Paper Mill Playhouse; Meet Me in St. Louis, TUTS; NEWSical; Beebo Brinker Chronicles; Shout!; Smokey Joe’s Café; Speech and Debate; Oroonoko; Ohio State Murders; M. Butterfly; Tea and Sympathy; Accomplices; Dinah Was; Silence! the Musical; Trouble in Paradise. National Tour: The Full Monty. Television: “The Supreme Court” (PBS documentary). They have also built wigs currently seen in Wicked, The Addams Family, How to Succeed… and Jersey Boys. Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. Actors’ Equity Association (AEA), founded in 1913, represents more than 45,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL-CIO and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of excellence. www.actorsequity.org The scenic, costume, lighting and sound designers in LORT Theatres are represented by United Scenic Artists Local USA-829 IATSE. A.R.T. Musicians are members of the Boston Musicians’ Association, Local 9-535 which has protected the interests of musicians and promoted the art of live music since 1896. GERSHWIN is a registered Trade Mark of Gershwin Enterprises, and PORGY AND BESS is a registered Trade Mark of Porgy and Bess Enterprises THE GERSHWINS’ PORGY AND BESS 37

creative team (continued)<br />

Music Supervisor for Ragtime in London, starring<br />

Maria Friedman. Music Director/Conductor:<br />

National tour of Ragtime, with David Loud, supervisor;<br />

two national tours of Fiddler on the<br />

Roof, starring Theodore Bikel; national tour of<br />

Funny Girl, starring Deborah Gibson; national<br />

tour of Oprah Winfrey’s production of The Color<br />

Purple, starring Fantasia (NAACP Theatre Award<br />

nomination for Best Music Direction in Los<br />

Angeles). Broadway: Fiddler on the Roof (associate<br />

conductor) starring Topol, Don’t Get God Started<br />

with BeBe Winans. National tours of The Mystery<br />

of Edwin Drood, Gr<strong>and</strong> Hotel, South Pacific <strong>and</strong><br />

Hello, Dolly!, with Jean Stapleton, Joel Grey,<br />

Liliane Montevecchi <strong>and</strong> Carol Channing. Tours<br />

in Europe, Japan, Canada <strong>and</strong> Puerto Rico as pianist/accompanist<br />

for several theater productions.<br />

Acting credits: Ain’t Misbehavin’ <strong>and</strong><br />

Tintypes, Dallas-Ft. Worth; Barnum (Joyce Heth),<br />

New Mexico. Vocal coach/accompanist in New<br />

York; former head of the Vocal Department at<br />

Dallas Arts Magnet High School, receiving a<br />

teacher of the year award for outst<strong>and</strong>ing work.<br />

BRIAN HERTZ<br />

Associate Conductor/Piano/Celeste<br />

A.R.T.: Debut. Pianist for the Radio City<br />

Christmas Spectacular; played in the Broadway<br />

orchestras of Shrek, 9 to 5, The Little Mermaid,<br />

Avenue Q, Legally Blonde, Xanadu, Les Misérables,<br />

Sister Act. Assistant conductor at Avenue Q <strong>and</strong><br />

Altar Boyz. National tours: Legally Blonde<br />

(Associate Music Director), Wonderful Town<br />

(Associate Conductor); Paper Mill Playhouse:<br />

Peter Pan (conductor), Forum (keyboards), Full<br />

Monty (keyboards). Ithaca College grad.<br />

TELSEY + COMPANY<br />

Casting<br />

A.R.T.: Debut. Broadway/Tours: SPIDER-MAN:<br />

Turn Off the Dark, The Normal Heart, Baby It’s You!,<br />

Sister Act, Catch Me If You Can, Priscilla Queen of<br />

the Desert, The Addams Family, Memphis, Rock of<br />

Ages, Wicked, Bring It On, Next to Normal, 9 to 5,<br />

Peepshow in Vegas. Off-Broadway: Rent, Million<br />

Dollar Quartet, Atlantic, MCC, Signature. Film:<br />

The Odd Life of Timothy Green, Joyful Noise, Friends<br />

with Kids, Margin Call, Howl, Sex <strong>and</strong> the City 1 &<br />

2, Jonah Hex, Main Street, The Other Woman, I Love<br />

You Phillip Morris, Rachel Getting Married, Dan in<br />

Real Life, Then She Found Me, Across the Universe,<br />

Ira & Abby, Rent, Pieces of April, Camp, The Grey<br />

Zone, Finding Forrester, The Bone Collector. TV:<br />

“Smash,” “A Gifted Man,” “The Big C,” “Ugly<br />

Betty” (pilot), “Whoopi,” HBO’s “Undefeated,”<br />

commercials. www.telsey<strong>and</strong>co.com.<br />

NANCY HARRINGTON<br />

Associate Director/<br />

Production Stage Manager<br />

A.R.T.: Children of Heracles, Prometheus<br />

Bound, Death <strong>and</strong> the Powers. Broadway:<br />

Collaborator of Bill Irwin for 28 years, one of<br />

the creators of the Tony Award-winning Fool<br />

Moon, Largely NY & The Regard of Flight. Other<br />

Broadway: The Rainmaker, Uncle Vanya, A View<br />

From The Bridge, The Full Monty, The Play What I<br />

wrote, I Am My Own Wife, HAIR. Other projects<br />

with Ms. Paulus include: Capeman, Tur<strong>and</strong>ot—<br />

Rumble For The Ring, HAIR also in Central Park,<br />

London, <strong>and</strong> national tour. In Additional: 60<br />

premiere productions of New <strong>American</strong> plays<br />

<strong>and</strong> musicals, over 200 productions worldwide.<br />

DENISE L. WOODS<br />

Dialect Coach<br />

A.R.T.: Debut. Denise Woods’ work as a dialect<br />

coach includes working with Academy Awardnominated<br />

actors Will Smith (Ali) <strong>and</strong> Ken<br />

Watanabe (The Last Samurai). Woods has worked<br />

as a vocal coach with “NBC Nightly News,”<br />

CNBC, “The Today Show,” CNN, “Inside<br />

Edition” <strong>and</strong> “KTLA News.” Some of her clients<br />

include Phylicia Rashad, Ellen Burstyn, Jeanne<br />

Tripplehorn, Morris Chestnut, Taye Diggs, Paul<br />

Rodriguez, Ray Liotta, Porscia Derossi, Rachel<br />

Weisz, Forest Whitaker, Maggie Gyllenhaal <strong>and</strong><br />

Mike Myers. She is a graduate <strong>and</strong> former faculty<br />

member of The Juilliard School <strong>and</strong> is currently<br />

on faculty at California Institute of the Arts.<br />

RYAN McKITTRICK<br />

A.R.T. Dramaturg<br />

A.R.T.: Lead dramaturg on more than thirty productions,<br />

half of which were world premieres.<br />

He is the A.R.T. Dramaturg <strong>and</strong> Co-Head of the<br />

A.R.T. Institute’s Dramaturgy <strong>Program</strong>. He received<br />

his M.F.A. in Dramaturgy from the<br />

A.R.T./Moscow Art Theatre School Institute for<br />

Advanced <strong>Theater</strong> Training at Harvard <strong>and</strong> his<br />

B.A. in History <strong>and</strong> Literature from Harvard. He<br />

is also a Lecturer in Dramatic Arts at Harvard<br />

University <strong>and</strong> a Lecturer in <strong>Theater</strong> Arts at<br />

Br<strong>and</strong>eis University. His articles on theater have<br />

appeared in The Boston Globe, Correspondence,<br />

Theatre <strong>and</strong> The Boston Phoenix. He is a recipient<br />

of the TCG New Generations Award <strong>and</strong> the<br />

NTC Scholarship Award. His co-translations<br />

with Julia Smeliansky include Anton Chekhov’s<br />

Lady with a Lapdog, Rezo Gabriadze’s Forbidden<br />

Christmas <strong>and</strong> The Selected Letters of Olga<br />

Bokshanskaya.<br />

36 AMERICAN REPERTORY THEATER

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!