Porgy and Bess Program [pdf] - American Repertory Theater

Porgy and Bess Program [pdf] - American Repertory Theater Porgy and Bess Program [pdf] - American Repertory Theater

15.04.2014 Views

creative team (continued) Musical), and in the West End. Other recent work includes Kiss Me, Kate (Glimmerglass Opera) and Lost Highway (ENO co-production with the Young Vic). Opera credits include Il Mondo Della Luna (Gotham Chamber Opera at the Hayden Planetarium), Don Giovanni, Le nozze di Figaro, Turn Of The Screw, Cosi fan tutte; and Il ritorno d’Ulisse in patria, L’incoronazione di Poppea and Orfeo at the Chicago Opera Theater. Diane is a Professor of the Practice of Theater at Harvard University. This year Paulus was named one of the “50 Most Powerful Women in Boston” by Boston magazine and received the 2011 Elliot Norton Award for Best Director for her work on Prometheus Bound, Johnny Baseball and HAIR. She is a recent recipient of an Honorary Doctorate from Boston Conservatory. RONALD K. BROWN Choreographer A.R.T.: Debut. Founder and Artistic Director of Evidence, A Dance Company, a New York-based contemporary dance ensemble since 1985. Has also created work for the African American Dance Ensemble, Philadanco, Cleo Parker Robinson Dance Ensemble, Dayton Contemporary Dance Company, Alvin Ailey American Dance Theater (Grace in 1999, Serving Nia in 2001, IFE/My Heart 2005 and Dancing Spirit during special tribute season), Ailey II, Cinque Folkloric Dance Theater, Jennifer Muller/The Works and Jeune Ballet d’Afrique Noire. He has collaborated with composer/designer Omotayo Wunmi Olaiya, the late writer Craig G. Harris, director Ernie McClintock’s Jazz Actors Theater, choreographers Patricia Hoffbauer and Rokiya Kone, and composers Robert Een, Oliver Lake, Bernadette Speech, David Simons and Don Meissner. Awards and fellowships include a John Simon Guggenheim Memorial Foundation Fellowship in Choreography, a National Endowment for the Arts Choreographer’s Fellowship, a New York Foundation for the Arts Fellowship in choreography, New York Dance and Performance Award (Bessie), a Black Theater Alliance Award, the American Dance Festival Humphrey/Weidman/ Limón Award, and fellowships from the Edward and Sally van Lier Fund. In addition, Brown was named Def Dance Jam Workshop Mentor of the Year in 2000. In 2003, he received an AUDELCO (Black Theatre Award) for his choreography for Crowns: Portraits of Black Women in Church Hats, originally produced by the McCarter Theater and presented off-Broadway in 2003. In fall 2006, Brown received The United States Artists Rose Fellowship, being one of only four choreographers out of fifty artists to receive the inaugural award. He is a member of Stage Directors and Choreographers Society. RICCARDO HERNANDEZ Set Designer A.R.T.: Close to 20 credits, including most recently Prometheus Bound, Best of Both Worlds, The Seagull, Julius Caesar, Britannicus and Marat/Sade. On Broadway he designed The People in the Picture (Studio 54); Caroline, or Change (also National Theatre London); Topdog/Underdog (also Royal Court, London); Elaine Stritch at Liberty (also West End’s Old Vic, London and national tour); Parade Hal Prince director (Tony and Drama Desk nominations); Bells Are Ringing; Noise/Funk (also national tours and Japan); The Tempest. Other New York credits: Over two dozen productions at New York Shakespeare Festival/Public Theater; as well as Lincoln Center, Second Stage, NYTW, MTC, MCC, Playwrights Horizons, Cherry Lane, BAM; and numerous regional theaters: Guthrie, Goodman, Taper, etc. Opera: Lyric Opera of Chicago, San Francisco Opera, NYCO, Houston Grand and most recently Il Postino for Los Angeles Opera, Opera de Chatelet Paris, Theater an der Wien and Lost Highway (London’s English National Opera/Young Vic) directed by Diane Paulus. Also: Avignon Festival, Festival Automne Paris, Oslo National Theater, Det Norske Teatret, Norway. Upcoming: Die Entfuhrung Aus dem Serail for Opera de Nice, France. ESOSA Costume Designer A.R.T.: Best of Both Worlds. Broadway: Topdog/Underdog, also London and various regional theaters. Off Broadway: By the Way, Meet Vera Stark and Trust, Second Stage; Break of Noon, MCC, also Geffen Playhouse; The Capeman, Delacorte; Juan and John; Father Comes Home from the Wars, Parts 1, 8 & 9, Public Labs; Romeo and Juliet, The Public Theater and Shakespeare in the Park; The Story and Radiant Baby, The Public Theater. Regional: Ruined, Arena Stage; Twist, Alliance; Measure for Measure and American Night, Oregon Shakespeare Festival; Fences, Geva Theatre. 2003 Audelco Award and 2006 TDF/ Irene Sharaff Young Master Award. ESosa is a “Project Runway” Season 7 finalist. CHRISTOPHER AKERLIND Lighting Designer A.R.T.: The Seagull, Britannicus, Island of Slaves, Orpheus X, Olly’s Prison, Desire Under the Elms, Oedipus, La Dispute, Uncle Vanya, Enrico IV, 34 AMERICAN REPERTORY THEATER

creative team (continued) and Misalliance. Broadway: Superior Donuts, Top Girls, 110 In The Shade (Tony nom.), Talk Radio, Shining City, Awake and Sing! (Tony nom.), Well, Rabbit Hole, A Touch of the Poet, In My Life, The Tale of the Allergist’s Wife, Reckless, The Piano Lesson, Seven Guitars (Tony nom.), and The Light in the Piazza (Tony, Drama Desk, Outer Critics’ Circle Awards). Recent credits include Groove Lily’s new musical Sleeping Beauty Wakes (La Jolla Playhouse/McCarter Theatre), Ariadne auf Naxos (Opera Nationale de Bordeaux), The Emperor of Atlantis/After Image (Boston Lyric Opera), Kafeneion (Athens/Epidaurus Festival), Franco Dragone’s holiday circus K’do! (Foret Nationale, Brussels), All My Sons (Huntington Theatre), and the world premiere of Phillip Glass’s opera, Appomattox (San Francisco Opera). His extensive credits in opera include productions at the Boston Lyric, Bordeaux, Dallas, Glimmerglass, Hamburg, Houston, Los Angeles, Metropolitan, Minnesota, New York City, Nissei, San Francisco, Washington National, and Santa Fe operas, and over 50 productions for Opera Theater of Saint Louis where he was Resident Lighting Designer for twelve years. He is the recipient of an OBIE Award for Sustained Excellence in Lighting Design, the Michael Merritt Award for Design and Collaboration and numerous nominations for the Drama Desk, Lucile Lortel, Outer Critics Circle and Tony Awards. ACME SOUND PARTNERS Sound Design A.R.T.: Johnny Baseball. Over 30 Broadway shows since 2000 including: Bengal Tiger at the Baghdad Zoo (Tony nomination), The Merchant of Venice, Lombardi, Fences (Tony nomination), The Addams Family, Ragtime, Hair (Tony nomination), In The Heights (Tony Nomination), [title of show], Legally Blonde, A Chorus Line (2006), The Drowsy Chaperone, The Light in the Piazza, Monty Python’s Spamalot, Avenue Q, Dirty Rotten Scoundrels, and La Bohème. Acme is Tom Clark, Mark Menard, Nevin Steinberg and Sten Severson. WILLIAM DAVID BROHN Orchestrations A.R.T.: Debut. Orchestrations: Miss Saigon, Martin Guerre, Crazy For You, The Secret Garden, Wicked, Oklahoma!, Carousel, South Pacific, My Fair Lady, Oliver!, Betty Blue Eyes, Witches of Eastwick, Sweet Smell of Success, Curtains, Ragtime (1998 Tony Award—Best Orchestrations), Dessa Rose, A Man of No Importance, The Three Musketeers, Marguerite, Wuthering Heights, High Society, Show Boat, Jerome Robbins’ Broadway, Gone With the Wind, Hey Mr. Producer, Busker Alley, The Red Shoes, 110 in the Shade, King of Hearts. Arranger: O! Freedom (with Jack Waddell). Recordings: Joshua Bell (Gershwin album/West Side Story Suite), Andre Previn, Prokofiev “Alexander Nevsky” (Reconstruction), Marilyn Horne, Placido Domingo. CHRISTOPHER JAHNKE Orchestrations A.R.T.: Debut. Orchestrations: Dessa Rose, A Man of No Importance, Legally Blonde (2011 Olivier Award Best Musical), Cry-Baby, Grease (2007 revival), Tom Jones (Stiles/Leigh), Chasing Nicolette, The Toxic Avenger Musical, Not Wanted On The Voyage (Bartram & Hill), Just So (Stiles & Drewe), Dear World. New orchestrations for Les Misérables (Broadway/U.S. tour/Madrid/Netherlands/ London/UK tour/Dutch cast album/25th anniversary cast album/O2 arena concert in London, UK, DVD/Blu-ray). Assistant to William David Brohn: Sweet Smell of Success, Ragtime, The Three Musketeers (Stiles/Leigh), The Witches of Eastwick, Mary Poppins, Wicked. Music Producer/Music Supervisor of Memphis (Tony Award Best Musical 2010). Current: Music Producer/Arranger of Operation: Mindcrime with actor Adam Pascal and writer Micah Schraft. DAVID LOUD Music Director A.R.T.: Debut. Broadway: The Scottsboro Boys, Ragtime, Curtains, Sondheim On Sondheim, Steel Pier, A Class Act, The Look of Love and revivals of She Loves Me, Sweeney Todd, Company and The Boys From Syracuse. Off-Broadway: And the World Goes ’Round, for which he wrote the vocal and dance arrangements, and Pacific Overtures. Regional: The Visit (world premiere), Harold and Maude (world premiere), First You Dream, Billy Bishop Goes to War. He recently created the arrangements for two acclaimed concerts in New York: All the Things You Are (Songs of Jerome Kern) and On a Clear Day: the Musical Vision of Burton Lane. Acting credits: originated three roles on Broadway: Curtains (Sasha) Terrence McNally’s Master Class (Manny) and Harold Prince’s original production of Stephen Sondheim’s Merrily We Roll Along (Ted). He is a graduate of Yale University and has served on the faculty of the Yale School of Drama. SHEILAH WALKER Conductor A. R. T.: Debut. Winner of the 2005, 2006 Leon Rabin Award for Outstanding Music Direction for Ragtime and Urinetown, Dallas-Ft. Worth area. THE GERSHWINS’ PORGY AND BESS 35

creative team (continued)<br />

<strong>and</strong> Misalliance. Broadway: Superior Donuts, Top<br />

Girls, 110 In The Shade (Tony nom.), Talk Radio,<br />

Shining City, Awake <strong>and</strong> Sing! (Tony nom.), Well,<br />

Rabbit Hole, A Touch of the Poet, In My Life, The Tale<br />

of the Allergist’s Wife, Reckless, The Piano Lesson,<br />

Seven Guitars (Tony nom.), <strong>and</strong> The Light in the<br />

Piazza (Tony, Drama Desk, Outer Critics’ Circle<br />

Awards). Recent credits include Groove Lily’s new<br />

musical Sleeping Beauty Wakes (La Jolla<br />

Playhouse/McCarter Theatre), Ariadne auf Naxos<br />

(Opera Nationale de Bordeaux), The Emperor of<br />

Atlantis/After Image (Boston Lyric Opera),<br />

Kafeneion (Athens/Epidaurus Festival), Franco<br />

Dragone’s holiday circus K’do! (Foret Nationale,<br />

Brussels), All My Sons (Huntington Theatre), <strong>and</strong><br />

the world premiere of Phillip Glass’s opera,<br />

Appomattox (San Francisco Opera). His extensive<br />

credits in opera include productions at the Boston<br />

Lyric, Bordeaux, Dallas, Glimmerglass, Hamburg,<br />

Houston, Los Angeles, Metropolitan, Minnesota,<br />

New York City, Nissei, San Francisco, Washington<br />

National, <strong>and</strong> Santa Fe operas, <strong>and</strong> over 50 productions<br />

for Opera <strong>Theater</strong> of Saint Louis where<br />

he was Resident Lighting Designer for twelve<br />

years. He is the recipient of an OBIE Award for<br />

Sustained Excellence in Lighting Design, the<br />

Michael Merritt Award for Design <strong>and</strong><br />

Collaboration <strong>and</strong> numerous nominations for the<br />

Drama Desk, Lucile Lortel, Outer Critics Circle<br />

<strong>and</strong> Tony Awards.<br />

ACME SOUND PARTNERS<br />

Sound Design<br />

A.R.T.: Johnny Baseball. Over 30 Broadway<br />

shows since 2000 including: Bengal Tiger at the<br />

Baghdad Zoo (Tony nomination), The Merchant of<br />

Venice, Lombardi, Fences (Tony nomination), The<br />

Addams Family, Ragtime, Hair (Tony nomination),<br />

In The Heights (Tony Nomination), [title of show],<br />

Legally Blonde, A Chorus Line (2006), The Drowsy<br />

Chaperone, The Light in the Piazza, Monty Python’s<br />

Spamalot, Avenue Q, Dirty Rotten Scoundrels, <strong>and</strong><br />

La Bohème. Acme is Tom Clark, Mark Menard,<br />

Nevin Steinberg <strong>and</strong> Sten Severson.<br />

WILLIAM DAVID BROHN<br />

Orchestrations<br />

A.R.T.: Debut. Orchestrations: Miss Saigon, Martin<br />

Guerre, Crazy For You, The Secret Garden, Wicked,<br />

Oklahoma!, Carousel, South Pacific, My Fair Lady,<br />

Oliver!, Betty Blue Eyes, Witches of Eastwick, Sweet<br />

Smell of Success, Curtains, Ragtime (1998 Tony<br />

Award—Best Orchestrations), Dessa Rose, A Man<br />

of No Importance, The Three Musketeers, Marguerite,<br />

Wuthering Heights, High Society, Show Boat, Jerome<br />

Robbins’ Broadway, Gone With the Wind, Hey Mr.<br />

Producer, Busker Alley, The Red Shoes, 110 in the<br />

Shade, King of Hearts. Arranger: O! Freedom (with<br />

Jack Waddell). Recordings: Joshua Bell (Gershwin<br />

album/West Side Story Suite), Andre Previn,<br />

Prokofiev “Alex<strong>and</strong>er Nevsky” (Reconstruction),<br />

Marilyn Horne, Placido Domingo.<br />

CHRISTOPHER JAHNKE<br />

Orchestrations<br />

A.R.T.: Debut. Orchestrations: Dessa Rose, A Man<br />

of No Importance, Legally Blonde (2011 Olivier<br />

Award Best Musical), Cry-Baby, Grease (2007 revival),<br />

Tom Jones (Stiles/Leigh), Chasing Nicolette,<br />

The Toxic Avenger Musical, Not Wanted On The<br />

Voyage (Bartram & Hill), Just So (Stiles & Drewe),<br />

Dear World. New orchestrations for Les Misérables<br />

(Broadway/U.S. tour/Madrid/Netherl<strong>and</strong>s/<br />

London/UK tour/Dutch cast album/25th anniversary<br />

cast album/O2 arena concert in London, UK,<br />

DVD/Blu-ray). Assistant to William David Brohn:<br />

Sweet Smell of Success, Ragtime, The Three<br />

Musketeers (Stiles/Leigh), The Witches of Eastwick,<br />

Mary Poppins, Wicked. Music Producer/Music<br />

Supervisor of Memphis (Tony Award Best Musical<br />

2010). Current: Music Producer/Arranger of<br />

Operation: Mindcrime with actor Adam Pascal <strong>and</strong><br />

writer Micah Schraft.<br />

DAVID LOUD<br />

Music Director<br />

A.R.T.: Debut. Broadway: The Scottsboro Boys,<br />

Ragtime, Curtains, Sondheim On Sondheim, Steel<br />

Pier, A Class Act, The Look of Love <strong>and</strong> revivals of<br />

She Loves Me, Sweeney Todd, Company <strong>and</strong> The<br />

Boys From Syracuse. Off-Broadway: And the World<br />

Goes ’Round, for which he wrote the vocal <strong>and</strong><br />

dance arrangements, <strong>and</strong> Pacific Overtures.<br />

Regional: The Visit (world premiere), Harold <strong>and</strong><br />

Maude (world premiere), First You Dream, Billy<br />

Bishop Goes to War. He recently created the<br />

arrangements for two acclaimed concerts in<br />

New York: All the Things You Are (Songs of<br />

Jerome Kern) <strong>and</strong> On a Clear Day: the Musical<br />

Vision of Burton Lane. Acting credits: originated<br />

three roles on Broadway: Curtains (Sasha)<br />

Terrence McNally’s Master Class (Manny) <strong>and</strong><br />

Harold Prince’s original production of Stephen<br />

Sondheim’s Merrily We Roll Along (Ted). He is a<br />

graduate of Yale University <strong>and</strong> has served on<br />

the faculty of the Yale School of Drama.<br />

SHEILAH WALKER<br />

Conductor<br />

A. R. T.: Debut. Winner of the 2005, 2006 Leon<br />

Rabin Award for Outst<strong>and</strong>ing Music Direction<br />

for Ragtime <strong>and</strong> Urinetown, Dallas-Ft. Worth area.<br />

THE GERSHWINS’ PORGY AND BESS 35

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