Download a PDF of the exhibition catalogue - The Scottish Gallery
Download a PDF of the exhibition catalogue - The Scottish Gallery
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elevation plan to<br />
Wilby house, 1909<br />
to be produced cheaply, eventually put an end to <strong>the</strong> mass consumption <strong>of</strong> linen.<br />
from <strong>the</strong> 1930s <strong>the</strong> hawklymuir factory become gradually less pr<strong>of</strong>itable, especially<br />
after <strong>the</strong> arrival <strong>of</strong> man-made fibres, and <strong>the</strong> firm eventually closed down in 1961.<br />
John Blyth, known as ‘Jack’ in adult life, married alice May lowe from<br />
Manchester in 1908 and <strong>the</strong> following year he inherited a plot <strong>of</strong> land from his fa<strong>the</strong>r on<br />
loughborough Road, Kirkcaldy and commissioned an architect to design Wilby house.<br />
<strong>the</strong> house had large windows and high ceilings typical <strong>of</strong> large edwardian homes built in<br />
abundance during this period in edinburgh and Glasgow. <strong>the</strong> marriage was to produce<br />
three daughters: Dorothy, Margery and Cora. Cora, <strong>the</strong> youngest daughter, went on to<br />
marry a refugee from franco’s spain called luis Gabriel Portillo, a Pr<strong>of</strong>essor <strong>of</strong> Civic<br />
law and prominent Republican. <strong>the</strong>y provided several grandsons for John and alice, <strong>the</strong><br />
youngest <strong>of</strong> whom is Michael.<br />
Jack Blyth had no artistic training whatsoever apart from in music. he regularly<br />
played <strong>the</strong> organ in <strong>the</strong> Dysart Parish Church and always had <strong>the</strong> capacity to be<br />
emotionally stirred by music or great art. his parents had no pictures apart from two<br />
lithographs <strong>of</strong> <strong>the</strong>ir own portraits.<br />
although it is not known what sparked <strong>of</strong>f Blyth’s love <strong>of</strong> art, <strong>the</strong>re were plenty<br />
<strong>of</strong> opportunities in early twentieth-century Glasgow and edinburgh for him to form his<br />
tastes; and he was not alone. a number <strong>of</strong> collectors with fortunes made in manufacture<br />
and shipping were beginning <strong>the</strong>ir collections, most notably William Burrell, whose<br />
collection eventually came to be housed in <strong>the</strong> eponymous gallery as part <strong>of</strong> Glasgow<br />
Museums. o<strong>the</strong>rs such as William McInnes, D.W.t. Cargill and leonard Gow were<br />
friends and rivals assembling significant collections <strong>of</strong> British and continental art. John<br />
Nairn was ano<strong>the</strong>r collector from Kirkcaldy whose substantial linoleum manufacturing<br />
business was <strong>the</strong> town’s largest employer. his daughter married Robert Wemyss<br />
honeyman who also became an important collector in his own right and ano<strong>the</strong>r patron<br />
<strong>of</strong> s.J. Peploe as well as a friend <strong>of</strong> Jack Blyth. this market was in part created and<br />
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