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Download a PDF of the exhibition catalogue - The Scottish Gallery

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“To few men has a more beautiful vision <strong>of</strong> <strong>the</strong> world been granted than that revealed in his pictures. His landscapes bring<br />

us close in touch with that poetry <strong>of</strong> earth which Keats assures us is never dead, and, if one loves nature well, <strong>the</strong>y must<br />

assuredly awaken a responsive thrill. <strong>The</strong>y are reminiscent <strong>of</strong> all times and seasons, but most <strong>of</strong> hours when winds are<br />

s<strong>of</strong>t and Nature smiles. <strong>The</strong>y brea<strong>the</strong> <strong>of</strong> country lanes and sunlit fields, <strong>of</strong> dewy pastures, <strong>of</strong> quivering leaves and hay or<br />

hawthorn-scented breezes. To <strong>the</strong> majority <strong>of</strong> men, consigned by fate to toil in stony cities, communion with Nature<br />

and <strong>the</strong> content and joy it brings is granted seldom, but, if <strong>the</strong>y may not meet her face to face, pictures such as <strong>the</strong>se,<br />

drenched in her spirit, bring her very near.”<br />

James Caw, <strong>Scottish</strong> Painting, (T.C. and E.C. Jack, London, 1908), p.320<br />

Wingate was born at Kelvinheugh near Glasgow and came late to art enrolling in <strong>the</strong> Trustees Academy aged 26,<br />

encouraged by his friend WD Mackay. He lived from 1881 in Muthill in Perthshire and his paintings <strong>of</strong> rural life depict a<br />

disappearing world. He <strong>the</strong>n moved to Colinton in Edinburgh and became increasingly a painter <strong>of</strong> atmospheric effects.<br />

He was a very successful and prolific painter exhibiting 225 pictures in <strong>the</strong> RSA in his lifetime and showing four times<br />

with <strong>The</strong> <strong>Scottish</strong> <strong>Gallery</strong> from 1900 where his Memorial show was mounted in 1924.<br />

40

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