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Two years senior to his great friend William McTaggart, Chalmers was recognized in his lifetime as one of Scotland’s greatest painters. They met as students of Robert Scott-Lorimer at The Trustees Academy in Edinburgh where they were schooled well in drawing from the antique and life classes as well as painting. Both would move away from genre and portrait towards ‘pure’ landscape but were temperamentally very different. Chalmers led an irregular life, rising late and was far from prolific. There is a story of how McTaggart and another friend visited Chalmers on the eve of submission day for the RSA to assist; the friend sat on Chalmers while McTaggart ‘finished’ the picture. Chalmers’ life was cut short when he died from injuries sustained from an assault in Charlotte Square aged only forty-five. Chalmers merits a whole chapter in Caw’s Scottish Painting Past and Present and George Pinnington’s biography was published in 1896, by T & R Annan. His best work is characterized by a rich chiaroscuro, warm colour and free handling of the paint and Sheep in the Snow painted in the glow of evening seems a perfect example of a genre to be popularized by Joseph Farquharson. 30
George Paul Chalmers (1833–1878) Sheep in the Snow oil on canvas, 23.5 x 33.5 cms signed lower right exhibited: aitken Dott & son, the scottish Gallery, 1937 31
Page 1: the taste of JW Blyth
Page 5 and 6: Foreword Michael Portillo I knew my
Page 7 and 8: elevation plan to Wilby house, 1909
Page 9 and 10: Collecting Blyth kept a simple reco
Page 11 and 12: the hawcklymuir factory, Kirkcaldy
Page 13 and 14: and Explanatory Notes on the Art of
Page 15 and 16: Peploe in terms of colour: ‘altho
Page 17 and 18: Blyth’s conversion was certainly
Page 19: Trouville Harbour and Deauville (pa
Page 22 and 23: Most contemporary publications, exh
Page 24 and 25: a warning of what we have escaped i
Page 26 and 27: Vale “No plans were ever made for
Page 28 and 29: catalogue Eugène Boudin was born i
Page 30 and 31: “everything that is painted on th
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Page 36 and 37: Paintings by William McTaggart, R.S
Page 38 and 39: there are a number of pictures of R
Page 40 and 41: In July 1947 Blyth bought a picture
Page 42 and 43: “The remarkable place which he ho
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Page 46 and 47: Wingate’s first arran subject exh
Page 48 and 49: Wingate’s Farm seems close in spi
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Page 70 and 71: s.J. Peploe (1871-1935) Royan, 1910
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Walter Richard sickert (1860-1942)
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ernest stephen lumsden (1883-1948)
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