For the happy man! - Collected writings DEPRESSION: Ed Atkins
For the happy man! - Collected writings DEPRESSION: Ed Atkins For the happy man! - Collected writings DEPRESSION: Ed Atkins
40,000 ADThe patron saint of atrophy and ruin; of bog-land and greying skies drowning in still tarns. The relics of whom including a single desiccated coil of brain matter, housed and amplified by an elaborate golden reliquary in the form of an oversize (one presumes oversize) representation of the saintly brain, where each convolution of the sausages of neural-network is angulated into forty-five and ninety degree complications, swerving in cuboid corkscrews to form, fiagopicted as presence; though as an absence it is also, of course, a presence, albeit thinned to immeasurable, infinitesimal presence – haunted by its own not inconsiderable exbulk. Ex-movement. Ex-punches, ex-dismissals, ex-woundings. 560 BCThe swollen relics of the patron saint of anthropocentrics and undergraduates. 560 ADPermanent indentations in the sun-bleachedpale-pink deep-shag carpet; dust-heavied swathes of which surrounding islands of intense, hidden colour and pattern – an archipelago of absent objects. The deep tracks made by the impatient dragging of heavy wooden things with sharp feet – murdered accomplices, expatriated bastards, entire suits of armour, nail-rivened fetishes, blades. Desire lines from bathroom to bed, kitchen to settee, settee to toilet – scrubbed into the wooden floor.
nally, the myriad knotted bodies of a nest of polygonal, computer-generated snakes. Or perhaps tapeworms. So, no hissing, no perceptible movement, just wet muteness. Mute and blind and deaf. Orally fixated, of course. A devouring muteness. Here, in the sacrosanct form of a reliquary, rendered in smoothed brass. Brass buffed by the tender touches of countless passing apologists to a high, white-gold gleam. Fading to a Bruise- Black (or Mars Black, or Lamp Black, or Ivory Black, or maybe Paynes Grey, or Charcoal Grey; perhaps the Parylene Black of Piano Black) in the folds, the deep creases. Dumb dark thoughts down there. A catalogue of phrenological superstition: the most groped areas being the seeming cerebellum and the frontal lobe, roughly. All of this, spotlit in the apse of a temple somewhere deep in the colonic catacombs of Paris. The year two I can think of nothing heavier than a human thousandbrain, really. A human brain on a marble slab. Or a human brain dawdling on an anvil before a furnace. Gravity and the distinct lack of a skull describing its slumped immensity. Slimed, as if freshly birthed through a gaping trepanation bordered with amniotic marmalade. Or emerging instantaneously through a trapdoor on the stage from some primordial mire below. Hoving into view through a dissipating cloud of theatrical smoke. 0 ADThe relics of a system of capital that now
- Page 313 and 314: Somebody’s baby boy
- Page 315: Somebody’s Baby Boy, half dead, s
- Page 318 and 319: [...] Can you smell that? (*RUMMAGE
- Page 320 and 321: like skull; your skull is more poro
- Page 322 and 323: those trapdoor spiders - those trap
- Page 324 and 325: piss-stream. The ones that hook-on
- Page 326 and 327: channels. Purposeless. The stuff I
- Page 328 and 329: whistling, singing - whatever it is
- Page 331 and 332: Air for concrete 2011
- Page 333 and 334: mouth. Do you even have a mouth? [.
- Page 335 and 336: […] I’m sure you can picture as
- Page 337 and 338: ody’s. Microscopic flakes of Leon
- Page 339 and 340: ody. […] Surrounded by gratuitous
- Page 341 and 342: Your father’s horrific sunglasses
- Page 343 and 344: horizon from the window of a double
- Page 345 and 346: a click, looks up towards the ossif
- Page 347: impunity, fearlessly, expressively!
- Page 352 and 353: 450You, standing DUMBSTRUCK in a be
- Page 354 and 355: within the hole. 1(These things, ag
- Page 358 and 359: seems so phenomenally archaic as to
- Page 360 and 361: patron saint of poets and refugees,
- Page 362 and 363: valued member of the team’. A ton
- Page 364 and 365: 1372A polytheism that describes the
- Page 366: with his right. The words he uses,
- Page 370: © Ed Atkins 2013 -- For the happy
40,000 ADThe<br />
patron saint of atrophy and ruin; of<br />
bog-land and greying skies drowning in still<br />
tarns. The relics of whom including a single<br />
desiccated coil of brain matter, housed<br />
and amplified by an elaborate golden reliquary<br />
in <strong>the</strong> form of an oversize (one presumes<br />
oversize) representation of <strong>the</strong> saintly<br />
brain, where each convolution of <strong>the</strong> sausages<br />
of neural-network is angulated into<br />
forty-five and ninety degree complications,<br />
swerving in cuboid corkscrews to form, fiagopicted<br />
as presence; though as an absence it<br />
is also, of course, a presence, albeit thinned<br />
to immeasurable, infinitesimal presence –<br />
haunted by its own not inconsiderable exbulk.<br />
Ex-movement. Ex-punches, ex-dismissals,<br />
ex-woundings.<br />
560 BCThe swollen relics of <strong>the</strong> patron saint of anthropocentrics<br />
and undergraduates.<br />
560 ADPer<strong>man</strong>ent indentations in <strong>the</strong> sun-bleachedpale-pink<br />
deep-shag carpet; dust-heavied<br />
swa<strong>the</strong>s of which surrounding islands of<br />
intense, hidden colour and pattern – an archipelago<br />
of absent objects. The deep tracks<br />
made by <strong>the</strong> impatient dragging of heavy<br />
wooden things with sharp feet – murdered<br />
accomplices, expatriated bastards, entire<br />
suits of armour, nail-rivened fetishes, blades.<br />
Desire lines from bathroom to bed, kitchen<br />
to settee, settee to toilet – scrubbed into <strong>the</strong><br />
wooden floor.