For the happy man! - Collected writings DEPRESSION: Ed Atkins
For the happy man! - Collected writings DEPRESSION: Ed Atkins For the happy man! - Collected writings DEPRESSION: Ed Atkins
within the hole. 1(These things, agglomerated, approaching the infinite affect reminiscent of the brinking event horizon of that dilated black hole lurking at the centre of every galaxy. Which is why they had to be dispersed, you say. (*A long pause [...]*) 1999An egg, the shell of which the texture of sandpaper. – As opposed to the ubiquitous glassy nothing of contemporary haptics. I think of youth, you exhort, when I think of the hyperfluency of surfaces abound these days. Supple, greased. The notion of surface, of texture, so closely confederated to that of smoothness that we have, perhaps, forgotten that the latter is merely one in a monstrous lexicon of textural adjectives! 1999 BC(*one hand still rummaging down there [...]*) C20thThe patron saint of corrugations, rivulets – those that labour in troughs, ditches, mines. The patron saint of concavities and biconcavities. Often understood as having lived most of her life in hermitage at the bottom of The Cave of Swallows. Twinned with the saint that patronises hillocks, dunes, ulcers, warts; protrusions, convexities. Who lived on the wing, predominantly. 3400 ADThe reliquaries of that gestural mother
tongue. 32 BCEsoteric Erotica! As in, most of these things could easily be described as more or less marvellous dildos. 75,000,000 ADArtifice to strip artifice of artifice. As in, a pretty much brilliant description of the work of irony. 1032An alternative movement posed as counter to the familiar description of the smooth slippage of capital along warm, tilted glass – the windows of a supplicant skyscraper in the sun – or picture a scoop of slowly melting vanilla ice cream skating down the facia of your [...] –> and the concurrent atomisation of an ENTIRE BED (a bed that is still indented [...]) into numerical abstraction that apparently describes the chaotic trajectories of those drifting scintillas of nothing that riddle every lungful of fetid air at ever single point in the breathable universe. 1555Your movements discerned, finally, as a sleight of hand – a gesture that dissimulates, misdirects – a means of smuggling an apparition past your shrewd but, and let’s face it, chronically dulled senses. 1975(Watch this (while this happens)) Fifty billion years A process beginning with an absence de-
- Page 313 and 314: Somebody’s baby boy
- Page 315: Somebody’s Baby Boy, half dead, s
- Page 318 and 319: [...] Can you smell that? (*RUMMAGE
- Page 320 and 321: like skull; your skull is more poro
- Page 322 and 323: those trapdoor spiders - those trap
- Page 324 and 325: piss-stream. The ones that hook-on
- Page 326 and 327: channels. Purposeless. The stuff I
- Page 328 and 329: whistling, singing - whatever it is
- Page 331 and 332: Air for concrete 2011
- Page 333 and 334: mouth. Do you even have a mouth? [.
- Page 335 and 336: […] I’m sure you can picture as
- Page 337 and 338: ody’s. Microscopic flakes of Leon
- Page 339 and 340: ody. […] Surrounded by gratuitous
- Page 341 and 342: Your father’s horrific sunglasses
- Page 343 and 344: horizon from the window of a double
- Page 345 and 346: a click, looks up towards the ossif
- Page 347: impunity, fearlessly, expressively!
- Page 352 and 353: 450You, standing DUMBSTRUCK in a be
- Page 356 and 357: 40,000 ADThe patron saint of atroph
- Page 358 and 359: seems so phenomenally archaic as to
- Page 360 and 361: patron saint of poets and refugees,
- Page 362 and 363: valued member of the team’. A ton
- Page 364 and 365: 1372A polytheism that describes the
- Page 366: with his right. The words he uses,
- Page 370: © Ed Atkins 2013 -- For the happy
within <strong>the</strong> hole.<br />
1(These things, agglomerated, approaching<br />
<strong>the</strong> infinite affect reminiscent of <strong>the</strong> brinking<br />
event horizon of that dilated black hole<br />
lurking at <strong>the</strong> centre of every galaxy. Which<br />
is why <strong>the</strong>y had to be dispersed, you say. (*A<br />
long pause [...]*)<br />
1999An egg, <strong>the</strong> shell of which <strong>the</strong> texture of<br />
sandpaper. – As opposed to <strong>the</strong> ubiquitous<br />
glassy nothing of contemporary haptics. I<br />
think of youth, you exhort, when I think of<br />
<strong>the</strong> hyperfluency of surfaces abound <strong>the</strong>se<br />
days. Supple, greased. The notion of surface,<br />
of texture, so closely confederated to that of<br />
smoothness that we have, perhaps, forgotten<br />
that <strong>the</strong> latter is merely one in a monstrous<br />
lexicon of textural adjectives!<br />
1999 BC(*one hand still rummaging down <strong>the</strong>re<br />
[...]*)<br />
C20thThe patron saint of corrugations, rivulets –<br />
those that labour in troughs, ditches, mines.<br />
The patron saint of concavities and biconcavities.<br />
Often understood as having lived<br />
most of her life in hermitage at <strong>the</strong> bottom<br />
of The Cave of Swallows. Twinned with <strong>the</strong><br />
saint that patronises hillocks, dunes, ulcers,<br />
warts; protrusions, convexities. Who lived<br />
on <strong>the</strong> wing, predominantly.<br />
3400 ADThe<br />
reliquaries of that gestural mo<strong>the</strong>r