For the happy man! - Collected writings DEPRESSION: Ed Atkins
For the happy man! - Collected writings DEPRESSION: Ed Atkins For the happy man! - Collected writings DEPRESSION: Ed Atkins
you and reveals its shape and its weight and the ways in which these correspond to the movements of my stinking mouth, you should be fine materialising it, making it jell. […] I have tried to swallow words. To force them down with a gulp of saliva-bilge recovered from around my teeth – to cosset them, swaddle them in saliva to give them a fighting chance at being digestible. I’ve found that the most instinctive thing to do is to just breathe the word like smoke – though that should be resisted. In this perverse account, smoke is too much like air is too much like nothing. What little body there is to smoke is predominantly visual – a little scent, sure – a little sting in the eyes – but no weight, no splashing turd! You should swallow it properly. Down the wrong pipe! You may choke a little at first (to be expected) you may gag. These are good signs. It means there’s something there, something is taking shape. Something is thinging-up, becoming itself, solidifying, fleshing-out, thickening – where, in an instant, and as your tongue spasms imperceptibly, you stuff wads of STUFF around the constituent letters of the words; draping steaks of STUFF over the crossbar of the ‘A’, packing sausages of STUFF into the snaked scaffold of the ‘s’, (What on earth are you spelling, by the way?) Every metaphor here should relate to the tongue – to your own tongue. Every metaphor should, ideally, be your cuttlefish tongue. […] Certain licks will tattoo, so careful.
[…] I’m sure you can picture as well as I those children that seemingly licked their lips perpetually, to the point where their lips were outlined clumsily with sore, red skin. Is that from the acid content of your saliva? Why did you persist? Surely at the first sign of your face eroding, you’d stop licking. A terrible, narcissism, that – especially as evidenced in a child. Though it is surely of interest that the child (you) would be addicted to tasting their own lips, or the skin immediately surrounding their lips. Perhaps the flavour improved the sorer the skin became. I immediately think the taste would become more metallic, but I could be wrong. Perhaps some flavour would be revealed – somewhere between the fifth and sixth layer of downy child’s skin – that defied analogy: an original flavour, like Coke. Or metal. Metal-lick. Can you remember if those children who licked their lips raw were the same children who took a while to speak? Or that they mispronounced words? Or that they swore shockingly and that no one – particularly the parents – could work out where they might have heard such appallingly coarse, biological language? Sandpapering off their mouths with their rasping kitten tongues. Tongues for blowing raspberries or for eking into the dint on raspberries or for rolling as a demonstrable birth rite. Tongues for being pressed down with the flat side of a wooden lolly stick, either for some unknown examination or after the last bit of red slush. […] Your tongue laps this way and that, gesturing, enacting some convulsive spell to summon the body of the word while simultaneously expunging its symbolic order. Your tongue calling upon the word to shrug off its fears, its aspirations, its fucking being! Your tongue the murderer. Sitting there in your
- Page 313 and 314: Somebody’s baby boy
- Page 315: Somebody’s Baby Boy, half dead, s
- Page 318 and 319: [...] Can you smell that? (*RUMMAGE
- Page 320 and 321: like skull; your skull is more poro
- Page 322 and 323: those trapdoor spiders - those trap
- Page 324 and 325: piss-stream. The ones that hook-on
- Page 326 and 327: channels. Purposeless. The stuff I
- Page 328 and 329: whistling, singing - whatever it is
- Page 331 and 332: Air for concrete 2011
- Page 333: mouth. Do you even have a mouth? [.
- Page 337 and 338: ody’s. Microscopic flakes of Leon
- Page 339 and 340: ody. […] Surrounded by gratuitous
- Page 341 and 342: Your father’s horrific sunglasses
- Page 343 and 344: horizon from the window of a double
- Page 345 and 346: a click, looks up towards the ossif
- Page 347: impunity, fearlessly, expressively!
- Page 352 and 353: 450You, standing DUMBSTRUCK in a be
- Page 354 and 355: within the hole. 1(These things, ag
- Page 356 and 357: 40,000 ADThe patron saint of atroph
- Page 358 and 359: seems so phenomenally archaic as to
- Page 360 and 361: patron saint of poets and refugees,
- Page 362 and 363: valued member of the team’. A ton
- Page 364 and 365: 1372A polytheism that describes the
- Page 366: with his right. The words he uses,
- Page 370: © Ed Atkins 2013 -- For the happy
you and reveals its shape and its weight and <strong>the</strong> ways in which<br />
<strong>the</strong>se correspond to <strong>the</strong> movements of my stinking mouth, you<br />
should be fine materialising it, making it jell.<br />
[…]<br />
I have tried to swallow words. To force <strong>the</strong>m down<br />
with a gulp of saliva-bilge recovered from around my teeth –<br />
to cosset <strong>the</strong>m, swaddle <strong>the</strong>m in saliva to give <strong>the</strong>m a fighting<br />
chance at being digestible.<br />
I’ve found that <strong>the</strong> most instinctive thing to do is<br />
to just brea<strong>the</strong> <strong>the</strong> word like smoke – though that should be<br />
resisted. In this perverse account, smoke is too much like air<br />
is too much like nothing. What little body <strong>the</strong>re is to smoke is<br />
predominantly visual – a little scent, sure – a little sting in <strong>the</strong><br />
eyes – but no weight, no splashing turd! You should swallow it<br />
properly. Down <strong>the</strong> wrong pipe! You may choke a little at first<br />
(to be expected) you may gag. These are good signs. It means<br />
<strong>the</strong>re’s something <strong>the</strong>re, something is taking shape. Something<br />
is thinging-up, becoming itself, solidifying, fleshing-out,<br />
thickening – where, in an instant, and as your tongue spasms<br />
imperceptibly, you stuff wads of STUFF around <strong>the</strong> constituent<br />
letters of <strong>the</strong> words; draping steaks of STUFF over <strong>the</strong> crossbar<br />
of <strong>the</strong> ‘A’, packing sausages of STUFF into <strong>the</strong> snaked scaffold of<br />
<strong>the</strong> ‘s’,<br />
(What on earth are you spelling, by <strong>the</strong> way?)<br />
Every metaphor here should relate to <strong>the</strong> tongue –<br />
to your own tongue. Every metaphor should, ideally, be your<br />
cuttlefish tongue.<br />
[…]<br />
Certain licks will tattoo, so careful.