For the happy man! - Collected writings DEPRESSION: Ed Atkins

For the happy man! - Collected writings DEPRESSION: Ed Atkins For the happy man! - Collected writings DEPRESSION: Ed Atkins

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like skull; your skull is more porous, somehow. Another kind, perhaps. When I say ‘rock’, I think of something impenetrably hard – a proverbial ‘rock’ rather than something distinctly difficult to... Like, say, pumice. As in, ‘your pumice-like skull’, describing the porousness of your skull – your uncanny absorbency of, say, trivia. Or languages. Or ‘your pumice-like skull’ describing the colour and texture of your head – like the moon, all acne pitted and hollowed cheeks. With that texture, pumice-like as it is, is it worth entertaining the thought of your head applied to the Crow-crag of my heel? The memory of the heel of a friend’s father, squashed and split in sandals, walking before me. Gourd-like, somehow. Exoskeletal. Certainly too late for him. No amount of scrubbing with your pumice-like skull would remove that sarcophagus. A family description of my head that I used to like was that it was like a cannonball. ‘Cannonball-head’. I would take great pride in apparently feeling nothing whatsoever whenever I banged my head into things – the corner of the kitchen table, for example. Now I can’t remember whether I actually felt no pain whenever I took a blow to the head, or whether I just feigned it to maintain the reputation. What a pathetic reputation to maintain, you’re thinking; but actually you understand perfectly the pride one can have in the immutability of some part of your body. Do you or did you ever have any terms of endearment for your head? Any other body part? I no longer consider my head such a proud object, though it is notably large when trying on someone else’s hat. And, when shorn, looks pretty good. Can you smell that? – The smell of Copydex or those particular cyanide-scented gluesticks (Niceday? Pritt? Either way, fish and almonds and infancy) reaching my nostrils, funnelled straight

to the hippocampus and the memory of that bone-coloured scum that gathered at the hem of a river. I grew up within raft-lugging distance of a river. Smell it? (*SMACK!*) How about now? The various glue-smells? Hooves in vats. The cadaver’s whole body thickly coated with PVA, then. That bored, mute thrill of peeling it off in ever larger sheets (the faint thought of the sole of a foot, upturned: the heel a bluff of eroded granite ; the ball a softened plateau of dead skin). Paring off an entire back’s worth would be wonderful, wouldn’t it? – A particular technique required, like removing the baking parchment from the underbelly of a tier of sponge cake. Delicate, potentially ruinous. Can you – somehow – smell that? Is there beauty in that sort of skin condition? If there is, does that exist only as analogue? Metaphor? I think (and that’s what matters here) not. People are always declaring the resilience of babies. (*SMACK!*) That frightening sink-hole on the back of a baby’s head, the fontanelle. An elephant trap for an unwary finger – covered-over with grass, leaves, vines; beneath, a pit filled with thick, machete-hewn pikes. Ahead – a hundred yards or so – there’s clearly a hole in the back of the cadaver’s head...something has already fallen into that trap. Edged with browned, sharded skull. Your scree-like skull. Movement from within! A blink or a turn; a coiling or a twitching. A snake, perhaps? Or one of

like skull; your skull is more porous, somehow. Ano<strong>the</strong>r kind,<br />

perhaps. When I say ‘rock’, I think of something impenetrably<br />

hard – a proverbial ‘rock’ ra<strong>the</strong>r than something distinctly<br />

difficult to... Like, say, pumice. As in, ‘your pumice-like skull’,<br />

describing <strong>the</strong> porousness of your skull – your uncanny absorbency<br />

of, say, trivia. Or languages. Or ‘your pumice-like<br />

skull’ describing <strong>the</strong> colour and texture of your head – like <strong>the</strong><br />

moon, all acne pitted and hollowed cheeks. With that texture,<br />

pumice-like as it is, is it worth entertaining <strong>the</strong> thought of your<br />

head applied to <strong>the</strong> Crow-crag of my heel? The memory of <strong>the</strong><br />

heel of a friend’s fa<strong>the</strong>r, squashed and split in sandals, walking<br />

before me. Gourd-like, somehow. Exoskeletal. Certainly too<br />

late for him. No amount of scrubbing with your pumice-like<br />

skull would remove that sarcophagus.<br />

A family description of my head that I used to like was that it<br />

was like a cannonball. ‘Cannonball-head’. I would take great<br />

pride in apparently feeling nothing whatsoever whenever I<br />

banged my head into things – <strong>the</strong> corner of <strong>the</strong> kitchen table,<br />

for example. Now I can’t remember whe<strong>the</strong>r I actually felt no<br />

pain whenever I took a blow to <strong>the</strong> head, or whe<strong>the</strong>r I just<br />

feigned it to maintain <strong>the</strong> reputation. What a pa<strong>the</strong>tic reputation<br />

to maintain, you’re thinking; but actually you understand<br />

perfectly <strong>the</strong> pride one can have in <strong>the</strong> immutability of some<br />

part of your body. Do you or did you ever have any terms of<br />

endearment for your head? Any o<strong>the</strong>r body part?<br />

I no longer consider my head such a proud object, though it<br />

is notably large when trying on someone else’s hat. And, when<br />

shorn, looks pretty good.<br />

Can you smell that? – The smell of Copydex or those particular<br />

cyanide-scented gluesticks (Niceday? Pritt? Ei<strong>the</strong>r way, fish and<br />

almonds and infancy) reaching my nostrils, funnelled straight

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