For the happy man! - Collected writings DEPRESSION: Ed Atkins

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Lyonnaise prologue 2013 Concerning ‘depression’ in its various nounal and verbal forms, I am inventing you as you are. How to describe a way to go beyond, beneath the flat. To the flat beneath. Which is another one-bed, pre-furnished place occupied by a couple who both work nights and sleep during the day. And their especially opaque blinds and at least a foot of cool mattress between them. The coincidence of depressed mental states and analogous, downward-motioning physical processes.
The proper work of a thumb lies in depressing in order to dramatise and repeal flatness. Against thumbs up. Being a gesture of evolutionary SOLIDARITY, asshole. Affirmation. Predominantly of smug, unreconstructed supremacy – of proto-sapien distinction strung with terminal, Classical verdict: a blooded and cocked vertical, wreathed in laurels and muscle-memories of childish grips. Proud thumbs as pubescent pricks! Eleven- or twelve-year-old pricks, haunted by softened poltergeists. These ghosts of antique military gestures, nautical knots, exorbitant, abstract fashion – of holds, grips, pyjama’d martial arts. Forms of conTROL. ‘Control’ as a licking of the physical by the mental, brother. Some sort of Tantric tedium. The fact that the very idea of the immaterial is always-already had from a position of privilege. So this mind-over-matter crap is welcomely overruled by those same vacant boys charging back and forth between pillows, up against tight alleyways. And they’re making rough rubbings of the brickwork with their dashing bodies, staining tracksuits. Thoughtless, heedless. –Things die in their company and are buried in thumbed
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Page 8 and 9: Minotaur 2013
Page 11: Depressions
Page 15: are simply weapons for piercing the
Page 18 and 19: Dear [...] This will be presented i
Page 20 and 21: The repulsion of two-two fleshy mag
Page 22 and 23: moons. Simply depressions, concave
Page 24 and 25: forms to depress. A critique of dep
Page 26 and 27: motor cortex (a plague), Gyrus (‘
Page 28 and 29: ER! - Cuneus (the scene at the bott
Page 31 and 32: Or tears, of course 2013
Page 33 and 34: (Flat palm butts flat door - though
Page 35 and 36: tion is his own) O! - This always-a
Page 37 and 38: Else flattened by the interminable
Page 39 and 40: As in: light-like curves that pass
Page 41 and 42: Liquid crystals running terminal co
Page 43 and 44: the fuck away - and then STRAIGHTAW
Page 45 and 46: ness. I conjure the very medicine t
Page 48 and 49: Warm, Warm, Warm Spring Mouths 2013
Page 50 and 51: And no provision has been made for
Page 52 and 53: And this whole thing a concession,
Page 54 and 55: And it’s not too much to imagine
Page 56 and 57: And bullet-time, really, is a lifes
Page 58 and 59: gallon or so of PVA semen. Dispassi
Page 60 and 61: Inexpensive. Which is part of it, t
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This is no longer an experience, bu
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A heavy mood that turned away from
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(Is this thing on?) And a trellis o
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Into the cool water. This one goes
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This one goes out to your singular
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I don’t want to hear any news on
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I wanted to ask whether you thought
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legibility. A primordial story of s
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owner of the eyelash, your lover. B
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The smell was certainly sexual, I t
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discrete line to slight-inked line
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oily substance not unlike jojoba, f
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muscles) Averting our eyes from one
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late to be a fucking lie told badly
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fingernail, most likely. Fingers re
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great prairies of skin are, in each
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the same mistake again. The dead ey
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-Resembling the lichen that seems t
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A tumour (in English) 2011
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punctuation and that peculiar synta
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and waning produces a horrific pull
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frozen, unknown. It’s not mine, t
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pink, marbled-looking veneer inspir
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notch at its highest point with a c
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[...] If it’s like this in the mo
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the crew: Fletcher, the navy techni
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scenes remind us that this isn’t
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Grotesque, just like this text here
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The tumour, spanning many acres now
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TEETH, and a battle is pitched betw
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A cave again, this time somewhere i
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The underside of a banana slug. The
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taxidermist, so as to preserve its
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a golf ball. I fucking hate golf, y
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As previously discussed elsewhere,
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varieties: RODS AND CONES (rods of
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Feel its tentacular motion inside y
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droxyurea, Hydrea, Idarubicin, Idam
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of blasé humanity writhing happily
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Do it 2013
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Graciousness - hospitality at all c
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- My daughter says she loves to ice
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Or remembering thinking: I used to
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Or the admission that I bought a kn
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Or the gap in the journal here. A f
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Or someone once writing something a
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Or that an index of absence is a so
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Or something like that. Diminished
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gler, to be precise - on to the arm
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Or the too-late comprehension that
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Or there’s THIS, off the TOP OF M
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tralaminar nuclear group (baffled a
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incerta (lopsided), PITUITARY GLAND
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have - the other seemingly a king o
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The brute indomitability of a list.
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Or a massive tattoo of a shark bite
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Or, to focus a little, the reptilia
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Or, that we are not limited to verb
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Or perhaps it’s more useful to be
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Or... I suppose. False positives an
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Or confiding that the head eventual
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Or you climb the dangling rope left
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Or a diagonal movement across bus s
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Or being an aggravation of the exis
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Or again, in 2012, albeit INTERNALL
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Three shorts 2012 - 13
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jaw, eight twice, From what I can m
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of fecklessness and animal despair.
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ing the problem. We’ll shave arou
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Horse-head or Triangulum Emission G
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Meringue 2011
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Somebody’s baby boy
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Somebody’s Baby Boy, half dead, s
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[...] Can you smell that? (*RUMMAGE
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like skull; your skull is more poro
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those trapdoor spiders - those trap
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piss-stream. The ones that hook-on
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channels. Purposeless. The stuff I
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whistling, singing - whatever it is
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Air for concrete 2011
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mouth. Do you even have a mouth? [.
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[…] I’m sure you can picture as
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ody’s. Microscopic flakes of Leon
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ody. […] Surrounded by gratuitous
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Your father’s horrific sunglasses
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horizon from the window of a double
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a click, looks up towards the ossif
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impunity, fearlessly, expressively!
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450You, standing DUMBSTRUCK in a be
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within the hole. 1(These things, ag
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40,000 ADThe patron saint of atroph
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seems so phenomenally archaic as to
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patron saint of poets and refugees,
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valued member of the team’. A ton
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1372A polytheism that describes the
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with his right. The words he uses,
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© Ed Atkins 2013 -- For the happy
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For the happy man! - Collected writings DEPRESSION: Ed Atkins

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