For the happy man! - Collected writings DEPRESSION: Ed Atkins
For the happy man! - Collected writings DEPRESSION: Ed Atkins For the happy man! - Collected writings DEPRESSION: Ed Atkins
punctuation and that peculiar syntax of the infirm that threatens to collapse into gratuity and morbid self-pity at any moment. As in: infirm syntax, poorly grammar.’ Then, after a PREGNANT PAUSE, he intones, solemnly: ‘There is no undoing this process. You cannot unread these words.’ Finally, and not without a certain tone of provocation: ‘You can, however, simply STOP READING and arrest its development.’ At this, he snorts, and the recording is overwhelmed by pink, fleshy noise (a sine curve as a sine wave as a fat palm smearing). He was, of course, referring to this text – the one here, puny in your hands, ever so unassuming (your stupid assump- tions). Reading it will summon a tumour to the slick walls of your innards, spawning there with no more goading than the reading of a sequence of specific and insistent words. Their insistence is beyond question: they will summon a tumour. There is nothing equivocal here; success – not necessarily your conception of success – is assured. […] A bare bulb hanging from an olive-green strand of nerve – a nerve-ending as fibre-optic light source, only more frail. A BUTTER GLOW smeared over the upper aspect of the tumour, oozing down its pulsating flank, pooling in those greypink folds at its base. Light is hard to come by down here.
Turned, somehow, as if on a lathe or a potter’s wheel. Disturbingly regular vertical rivulets score its surface, becoming closer together at the perceived apex of the tumour. These look sore, ANGERED (pink hemmed, grading to a deep ruby at depth); a permanent puckering achieved through that perpetual submersion in methanel – as opposed to your steadily cooling bath water. Perhaps it appears larger than it really is due to the optical distortion of the thick glass of the apothecary jar (long-sighted), or the still preserving fluid it’s suspended in (a certain gigantism observed […] metres down, on the cusp of where the sun’s light peters out: a refraction to excuse a vast CTHULHU drifting past with a wash of sub-bass to pronounce its name (your meagre headtorch eventually finding its huge crockery eye that, in that instant, rents you in two, or five...)). Or perhaps it is in fact larger than it appears to be, and the complex sequence of lenses and mirrors you arranged for the express purpose is well off. Look, I’m certainly not the best person to ask, but you could look it up online; there’s almost certainly a forum devoted to it. There’s still time. Freckles, too: freckled with both rabid foam and liver spots. Stubble, too, perhaps. In the summer, all of these markings increase relative to the sun’s stature, despite the tumour being buried in the MEATY DARKNESS (take every opportunity to imaginatively apprehend your INSIDES). The tumour is effected by the granite movements of the heavens in various ways. For instance, the moon’s waxing
- Page 52 and 53: And this whole thing a concession,
- Page 54 and 55: And it’s not too much to imagine
- Page 56 and 57: And bullet-time, really, is a lifes
- Page 58 and 59: gallon or so of PVA semen. Dispassi
- Page 60 and 61: Inexpensive. Which is part of it, t
- Page 62 and 63: This is no longer an experience, bu
- Page 64 and 65: A heavy mood that turned away from
- Page 66 and 67: (Is this thing on?) And a trellis o
- Page 68 and 69: Into the cool water. This one goes
- Page 70 and 71: This one goes out to your singular
- Page 72: I don’t want to hear any news on
- Page 75 and 76: I wanted to ask whether you thought
- Page 77 and 78: legibility. A primordial story of s
- Page 79 and 80: owner of the eyelash, your lover. B
- Page 81 and 82: The smell was certainly sexual, I t
- Page 83 and 84: discrete line to slight-inked line
- Page 85 and 86: oily substance not unlike jojoba, f
- Page 87 and 88: muscles) Averting our eyes from one
- Page 89 and 90: late to be a fucking lie told badly
- Page 91 and 92: fingernail, most likely. Fingers re
- Page 93 and 94: great prairies of skin are, in each
- Page 95 and 96: the same mistake again. The dead ey
- Page 97 and 98: -Resembling the lichen that seems t
- Page 100 and 101: A tumour (in English) 2011
- Page 104 and 105: and waning produces a horrific pull
- Page 106 and 107: frozen, unknown. It’s not mine, t
- Page 108 and 109: pink, marbled-looking veneer inspir
- Page 110 and 111: notch at its highest point with a c
- Page 112 and 113: [...] If it’s like this in the mo
- Page 114 and 115: the crew: Fletcher, the navy techni
- Page 116 and 117: scenes remind us that this isn’t
- Page 118 and 119: Grotesque, just like this text here
- Page 120 and 121: The tumour, spanning many acres now
- Page 122 and 123: TEETH, and a battle is pitched betw
- Page 124 and 125: A cave again, this time somewhere i
- Page 126 and 127: The underside of a banana slug. The
- Page 128 and 129: taxidermist, so as to preserve its
- Page 130 and 131: a golf ball. I fucking hate golf, y
- Page 132 and 133: As previously discussed elsewhere,
- Page 134 and 135: varieties: RODS AND CONES (rods of
- Page 136 and 137: Feel its tentacular motion inside y
- Page 138 and 139: droxyurea, Hydrea, Idarubicin, Idam
- Page 140 and 141: of blasé humanity writhing happily
- Page 143 and 144: Do it 2013
- Page 145: Graciousness - hospitality at all c
- Page 148 and 149: - My daughter says she loves to ice
- Page 150 and 151: Or remembering thinking: I used to
punctuation and that peculiar syntax of <strong>the</strong> infirm that<br />
threatens to collapse into gratuity and morbid self-pity<br />
at any moment. As in: infirm syntax, poorly grammar.’<br />
Then, after a PREGNANT PAUSE, he intones,<br />
solemnly: ‘There is no undoing this process.<br />
You cannot unread <strong>the</strong>se words.’<br />
Finally, and not without a certain tone of provocation:<br />
‘You can, however, simply STOP READING and arrest its<br />
development.’ At this, he snorts, and <strong>the</strong> recording is overwhelmed<br />
by pink, fleshy noise (a sine curve as a sine wave as<br />
a fat palm smearing).<br />
He was, of course,<br />
referring to this<br />
text – <strong>the</strong> one<br />
here, puny in your<br />
hands, ever so<br />
unassuming (your<br />
stupid assump-<br />
tions). Reading<br />
it will summon<br />
a tumour to <strong>the</strong><br />
slick walls of your<br />
innards, spawning<br />
<strong>the</strong>re with no more<br />
goading than <strong>the</strong><br />
reading of a sequence<br />
of specific and insistent<br />
words. Their insistence is beyond question: <strong>the</strong>y will<br />
summon a tumour. There is nothing equivocal here; success<br />
– not necessarily your conception of success – is assured.<br />
[…]<br />
A bare bulb hanging from an olive-green strand of nerve – a<br />
nerve-ending as fibre-optic light source, only more frail. A<br />
BUTTER GLOW smeared over <strong>the</strong> upper aspect of <strong>the</strong> tumour,<br />
oozing down its pulsating flank, pooling in those greypink<br />
folds at its base. Light is hard to come by down here.