Kelsey Moore Thesis Paper Outline October 2, 2012 Thesis: How do ...
Kelsey Moore Thesis Paper Outline October 2, 2012 Thesis: How do ...
Kelsey Moore Thesis Paper Outline October 2, 2012 Thesis: How do ...
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<strong>Kelsey</strong> <strong>Moore</strong><br />
<strong>Thesis</strong> <strong>Paper</strong> <strong>Outline</strong><br />
<strong>October</strong> 2, <strong>2012</strong><br />
<strong>Thesis</strong>: <strong>How</strong> <strong>do</strong> colors, lines, proportions and placement affect the perception of abstract paintings and<br />
how <strong>do</strong> artists like Piet Mondrian, etc. create works that become famous?<br />
I. <strong>Thesis</strong>/Introduction<br />
II. What is considered to be abstract?<br />
a. Book Definition<br />
b. Dictionary Definition<br />
III. Piet Mondrian: Blue and Yellow<br />
a. Details<br />
i. On Abstract Art pg 42<br />
ii. Understanding Abstract Art pg 12<br />
iii. Piet Mondrian<br />
iv. Perception<br />
1. Neuropsychology of art pg 163<br />
2. Vision and Art pg 157<br />
IV. Jackson Pollock<br />
a. Details about Artist/Work<br />
i. On Abstract Art pg 93-103<br />
ii. Jackson Pollock,<br />
iii. Jackson Pollock,<br />
iv. Jackson Pollock,<br />
V. Kazimir Malevich<br />
a. Details<br />
i. On Abstract Art pg 14, 28-31<br />
ii. K.M. and The Art of Geometry pg 134-165<br />
b. His works’ influence today/Works attributed to him<br />
VI. Today’s Works<br />
a. Influence of artists/similarities<br />
i. Abstract Art… Late 20 th C. pg 153<br />
ii. Lichtenstein pg 49, many<br />
iii. Abstract Art Against Autonomy pg 25<br />
iv. Situating el Lissitzky pg52-56<br />
VII. Conclusion
<strong>Kelsey</strong> <strong>Moore</strong><br />
<strong>Thesis</strong> <strong>Paper</strong> <strong>Outline</strong><br />
<strong>October</strong> 2, <strong>2012</strong><br />
Works Cited<br />
Cheetham, Mark A. Abstract Art Against Autonomy :Infection, Resistance, and Cure since the '60s.<br />
New York, NY: Cambridge University Press, 2006. Print.<br />
Colpitt, Frances. Abstract Art in the Late Twentieth Century. Cambridge; New York: Cambridge<br />
University Press, 2002. Print. Contemporary Artists and their Critics .<br />
Di Matteo, Gabriele. Jackson Pollock. Milano: Charta, 2009. Print.<br />
Fer, Briony. On Abstract Art. New Haven: Yale University Press, 1997. Print.<br />
Landau, Ellen G. Jackson Pollock. Hacover ed. New York: Abrams, 2010; 1989. Print.<br />
Livingstone, Margaret. Vision and Art :The Biology of Seeing. New York: Harry N. Abrams, 2002. Print.<br />
Locher, J. L., and Piet Mondrian. Piet Mondrian :Colour, Structure and Symbolism : An Essay. Bern:<br />
Gachnang & Springer, 1994. Print.<br />
Milner, John, and Kazimir Severinovich Malevich. Kazimir Malevich and the Art of Geometry. New<br />
Haven: Yale University Press, 1996. Print.<br />
Perloff, Nancy Lynn, Brian Reed, and El Lissitzky. Situating El Lissitzky :Vitebsk, Berlin, Moscow. 12<br />
Vol. Los Angeles, CA: Getty Research Institute, 2003. Print. Issues & Debates .<br />
Rondeau, James, et al. Roy Lichtenstein :A Retrospective. Fir ed. Chicago: Art Institute of Chicago,<br />
<strong>2012</strong>. Print. YBP Print DDA .<br />
Toynton, Evelyn, and Jackson Pollock. Jackson Pollock. New Haven, Conn.: Yale University Press,<br />
<strong>2012</strong>. Print. Icons of America .<br />
Whitford, Frank. Understanding Abstract Art. 1 American ed. New York: E.P. Dutton, 1987. Print.
<strong>Kelsey</strong> <strong>Moore</strong><br />
<strong>Thesis</strong> <strong>Paper</strong> <strong>Outline</strong><br />
<strong>October</strong> 2, <strong>2012</strong><br />
Zaidel, Dahlia W. Neuropsychology of Art :Neurological, Cognitive, and Evolutionary Perspectives.<br />
Hove England; New York: Psychology Press, 2005. Print. Brain Damage, Behaviour, and Cognition