N E W S L E T T E R - Radley College
N E W S L E T T E R - Radley College N E W S L E T T E R - Radley College
Radley THE N E W S L E T T E R VOLUME 10 | Music on Tour | The Redevelopment of the Sports Centre | | The Radley Year 2009/10 | Universities Stateside | Golf |
<strong>Radley</strong><br />
THE<br />
N E W S L E T T E R<br />
VOLUME 10<br />
| Music on Tour | The Redevelopment of the Sports Centre |<br />
| The <strong>Radley</strong> Year 2009/10 | Universities Stateside | Golf |
Music on Tour<br />
One of the joys of <strong>Radley</strong> <strong>College</strong> is the all-round nature of the school. We all passionately<br />
believe in offering boys the widest possible opportunities, whether they are academic,<br />
sporting or artistic. The spectre of boys rushing into rehearsals fresh from the cricket field<br />
or the river is a common one and in my view, nothing makes them into better performers.<br />
Indeed in one year no fewer than 6 members of the 1st VIII boat were top musicians.<br />
There are, however, occasions when<br />
total immersion can bring benefits: the<br />
rowers frequently spend entire days at<br />
regattas thinking of nothing but rowing,<br />
the cricketers on many a Saturday miss<br />
parts of morning school to leave for a<br />
match and are rarely seen back at college<br />
before 8 o’clock in the evening, having<br />
been living the game for an entire day.<br />
In the musical sphere it is the occasions<br />
when we take music outside <strong>Radley</strong><br />
that not only reinforce the team nature<br />
of music but also give the opportunity<br />
for an uninterrupted focus on musical<br />
performance, whether solo or large<br />
ensemble.<br />
For the past few years we have taken large<br />
groups of boys to perform abroad: Venice<br />
was our first foray, and was followed<br />
in subsequent years by visits to Prague,<br />
Berlin, Paris and Barcelona. Currently in<br />
the planning stages is a tour to Tallinn<br />
(Estonia), a city well known for its<br />
beautiful venues and architecture.<br />
Front Cover: Note Dame, Paris, Below: St John’s Smith Sqaure, London<br />
In planning these trips we look at a<br />
number of issues, first and foremost<br />
being what kind of concert opportunities<br />
we can find. We take a broad spectrum<br />
of ensembles with us, everything from<br />
the chapel choir, big band and baroque<br />
ensemble through to funk bands and close<br />
part harmony groups. Finding venues<br />
that will accept such an eclectic mix of<br />
music in one concert is not always easy.<br />
We look for a very significant central<br />
church where we can sing: we have been<br />
fortunate to have sung Mass in St Mark’s,<br />
Venice, performed concerts in Barcelona<br />
Cathedral, the basilica of Montserrat and<br />
Notre Dame. We have found that visiting<br />
a local school to give a varied concert<br />
is an ideal opportunity for the boys to<br />
mix with children of their own age.<br />
Visiting an outlying town where entire<br />
communities have turned out to pack a<br />
small church and enjoy everything from<br />
Vivaldi to funk has been very rewarding<br />
indeed. Audiences are always amazed<br />
to see the same boys performing in a<br />
variety of different styles. This large mix<br />
of ensembles makes the practicalities<br />
challenging. Everything has to be taken<br />
with us, and we are becoming experts at<br />
negotiating Heathrow terminals with large<br />
keyboards, electric guitars, drum kits and<br />
saxophones of various types.<br />
Tours involve around sixty boys from all<br />
year groups and socials and it’s wonderful<br />
to see them mix and form such a tight<br />
team. In fact teamwork is essential on<br />
these occasions and, on arrival at venues,<br />
boys are expected to help unload, put<br />
together instruments, stands, move<br />
furniture and give out programmes; in<br />
short the entire team tackles the challenge<br />
of putting on a complicated concert in a<br />
short time in a building that perhaps only<br />
has one 30 amp outlet!<br />
For most of us, however, the summit of<br />
all these experiences has been singing<br />
in some of the greatest ecclesiastical<br />
buildings, and experiencing first-hand<br />
their amazing acoustics. The boys will<br />
tell you that listening to the echo of Notre<br />
Dame or St Mark’s in Venice is very<br />
different from making your own sound to<br />
fill the enormous void of these places, and<br />
then hearing it coming back to you. One<br />
of the most memorable experiences for me<br />
with the boys was performing a piece of<br />
Gabrieli in St Mark’s, in the same building<br />
for which it was originally composed 500<br />
years ago. Such pieces give no printed<br />
guide as to speed. As soon as we started<br />
rehearsing, it became clear from the<br />
acoustic alone, the speed at which the<br />
composer had intended the music to go. It<br />
was a wonderful moment where the voice<br />
of the composer was coming back to us<br />
echoing over the ages.<br />
homes. Boys lead the concerts by<br />
introducing the musical items and we<br />
finish with a singsong when the residents<br />
earn their cups of tea and cake by singing<br />
along to old classics while the boys<br />
accompany them on their instruments.<br />
The boys then serve tea and cake,<br />
remaining for a chat before returning<br />
to school for lessons. Some of the most<br />
significant of these occasions have been<br />
some of the hardest for the boys. Staff at<br />
nursing homes have often told us that the<br />
music has provoked responses, perhaps<br />
smiles, perhaps a foot tapping, from<br />
people who otherwise have remained<br />
completely unresponsive for months.<br />
This is indeed community service, and<br />
something the boys don’t forget.<br />
The Chapel choir here at <strong>Radley</strong> is an<br />
extremely busy ensemble numbering<br />
now around 90 boys who sing services<br />
on a weekly basis. Whilst we have been<br />
very creative in our own Chapel with<br />
fitting the boys in, it takes ingenuity<br />
doing the same at cathedrals in the<br />
south of England and colleges in<br />
Oxford. Nevertheless such occasions are<br />
memorable, and in addition to singing<br />
evensong the boys have the opportunity<br />
to learn something of the history and<br />
architecture of the buildings. This is<br />
followed by the customary visit to Pizza<br />
Express (we have found every city has at<br />
least two!).<br />
The increasingly busy diary also<br />
lists concerts in London, organists<br />
performing on the rather nice organ<br />
at Oxford Town Hall and the big band<br />
playing as a regular fixture at <strong>Radley</strong><br />
Village Fete.<br />
Come to hear us perform at a town near<br />
you!<br />
Stephen Clarke, Precentor<br />
New <strong>College</strong> Chapel<br />
Coventry Cathedral<br />
There are lots of other nonmusical activity<br />
too: on our last trip to Barcelona, apart<br />
from enjoying the local food, the boys<br />
enjoyed seeing inside the amazing football<br />
stadium, a trip to the beach and a tour of<br />
the unfinished cathedral of La Sagrada<br />
Familia.<br />
Foreign touring is by no means the only<br />
time when music is taken outside <strong>Radley</strong>.<br />
In fact it happens on a weekly basis. As<br />
part of the Vth form’s community service,<br />
we take four minibuses of musicians each<br />
week to four different venues around<br />
Oxfordshire, including schools for the<br />
disabled, old people’s homes and nursing<br />
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