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Download PDF Version Revolt Magazine, Volume 1 Issue No.4

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THE<br />

R LIST<br />

Social Activism in fancy Tones<br />

On how celebrities engage to improve contemporary society<br />

BY LAURENCE HOFFMANN<br />

Promoting oneself is commonly accepted, if not<br />

practiced, by people in all strata of society. Individuals<br />

are more and more managing themselves as<br />

brands, a trend put in motion by social media like<br />

Facebook and Twitter, that heightens the need to<br />

make an original mark in a world over-crowded with<br />

competing information. On the business side this<br />

applies to advertisements, which effectively use<br />

celebrities to create instant familiarity through the<br />

immediate recognition of a particular celebrity’s<br />

brand.<br />

Recently self-branding has taken a new turn as<br />

more popular figures have applied their massmarket<br />

appeal to serious social issues. A cursory<br />

list of examples includes Mark Ruffalo and Yoko<br />

Ono with son Sean Lennon opposing fracking<br />

with Artists Against Fracking; Joaquin Phoenix<br />

defending the rights of people and animals together<br />

with -respectively- Amnesty International and<br />

Peta; Leonardo Di Caprio trying to prevent total<br />

degradation of the environment with Live Earth<br />

and Wildlife Conservation Society; Ziggy Marley,<br />

Lady Gaga, Linkin’ Park, BBKing and others making<br />

efforts to bring music education into disadvantaged<br />

public schools with Little Kids Rock; George Clooney<br />

is one of the United Nations Messengers Of Peace<br />

and together with Brad Pitt, Matt Damon, Don<br />

Cheadle and others has founded Not On Our Watch<br />

to condemn the violations of human rights in Darfur,<br />

Burma, and Zimbabwe; Angelina Jolie is Special<br />

Envoy for the United Nations. These are just a few<br />

of the causes in which some of the most prominent<br />

American stars emerge as “social activists” and in<br />

some cases as “social entrepreneurs”.<br />

For his activities (other than being Walden Smith in<br />

Two and a Half Men and occasionally appearing on<br />

the cover of magazines with old and new flames)<br />

Ashton Kutcher can be considered a “social<br />

entrepreneur”. The business activities of his<br />

company A-Grade are geared towards improvements<br />

in contemporary society.At TechCrunch, an event<br />

that focuses on start-up companies keen to enter<br />

the field of technology development and new media<br />

held in April/May in NYC, Ashton Kutcher explained<br />

the criteria behind the investments of A-Grade and<br />

revealed his critical take on corporations.<br />

Ashton Kutcher, Guy Oseary, and Michael Arrington, TechCrunch Disrupt NYC 2013, video stills. Courtesy of Laurence Hoffmann.<br />

With his notorious sardonic language typical to an<br />

“agent provocateur”, he decries the concept of<br />

Big Brother. He warns that societies should prefer<br />

the decentralization of the security system instead<br />

of accepting that one major entity controls the<br />

masses. Ashton proposes that security should be<br />

based on the interaction among individuals. This<br />

critical approach defines an optimistic point of view<br />

on local communities built by the genuine personal<br />

relationships between people. Such conviction<br />

For his eclectic interests and activities, Ashton<br />

belongs -together with all socio-politically engaged<br />

celebrities- to that figure so much in vogue in the<br />

Renaissance, “the Renaissance Man”. In the 15th<br />

and 16th Centuries the reevaluation of the models<br />

from Antiquity took an important step. Artists<br />

and philosophers were called to court (royalty,<br />

aristocracy or new bourgeoisie) to engage into the<br />

political discourse and became spokes persons,<br />

aka ambassadors. What made them “Renaissance<br />

implies a strong criticism towards the general Men” was their versatility in various fields of culture,<br />

opinion that our western (and newly BRIC) societies science, politics and the conviction that societies<br />

are tending towards a more anonymous global could harmonically entail all these aspects. These<br />

system.<br />

societies were literally called Utopia, a term that<br />

today has taken on the connotation of “illusionary<br />

On the practical business level, Ashton focuses and unrealistic”.<br />

on financially supporting and strengthening<br />

technological platforms that enhance social sharing. This lead to an open conclusion: Is social activism<br />

And since interconnectivity is fundamentally an in all its forms a sheer idealistic endeavor or can<br />

element of mutual trust, it is especially through<br />

social media that a stronger connection between<br />

the contribution of mass mediated personae really<br />

reach the masses and help make the change?<br />

individuals can be achieved and local communities<br />

are therefore spontaneously formed.<br />

REVOLT<br />

<strong>Magazine</strong> Number 4, 2013<br />

4

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