KINZO creates inspiring conference table for Ernst ... - KINZO Berlin
KINZO creates inspiring conference table for Ernst ... - KINZO Berlin
KINZO creates inspiring conference table for Ernst ... - KINZO Berlin
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The <strong>table</strong>’s shape allows many different seating arrangements that enhance<br />
communication - <strong>for</strong> two-party meetings as well as <strong>for</strong> ”round <strong>table</strong>” discussions<br />
and presentations. The slightly sloped <strong>table</strong> edge underlines the sporty elegance<br />
of the design; at the same time it prevents blood stasis in the <strong>for</strong>earm.<br />
<strong>KINZO</strong> achieved ample legroom <strong>for</strong> 15 persons so no one will bump into the <strong>table</strong><br />
legs – simply because there are no <strong>table</strong> legs. The handcrafted, beamless<br />
construction (length 412 cm, width 424 cm, height of 74 cm) consists of a<br />
combination of MDF and lightwood, which is rein<strong>for</strong>ced by steel sections and<br />
painted in matte-white. <strong>KINZO</strong> has taken a principle from structural engineering by<br />
fixing the <strong>table</strong>’s structure on a circular beam: the inner ring supports the<br />
cantilevered <strong>table</strong> surfaces. The balance point is cleverly placed to echo both the<br />
spatial and structural context: the inner ring is completely closed at the <strong>table</strong>’s<br />
“head” – the chairman’s seating position thus virtually <strong>for</strong>ming the <strong>table</strong>’s “centre of<br />
gravity”! (As a side effect, the <strong>table</strong> completely hides any view of the chairman’s<br />
legs and feet). Starting from the “heavyweight” chairman’s position, the <strong>table</strong> looks<br />
increasingly lighter and airier in connection with the opposing panoramic windows<br />
– a playful take on statics, that <strong>creates</strong> a very dynamic vibe: In this way, the<br />
<strong>conference</strong> <strong>table</strong> reminds you of a rocket that is just about to take off – and break<br />
directly through the glass front.<br />
Karim El-Ishmawi explains: “A successful consulting firm such as <strong>Ernst</strong> & Young<br />
wants to foster a creative, dynamic spirit and unconventional thinking. We have<br />
designed this <strong>table</strong> as a completely abstract object, purposely avoiding any<br />
traditional scales, patterns and shapes, to allow interpretation and inspiration <strong>for</strong><br />
the members of the board. From its pure <strong>for</strong>m, this abstract object could be<br />
anything – you could see it as a sophisticated bottle opener, as a high-speed<br />
jetfoil, a white deep-sea ray or a freeze frame of a space glider flying by at the<br />
speed of light.“ Indeed the board <strong>table</strong> looks differently from every perspective –<br />
sometimes oblong, sometimes wide, sometimes floating lightly and sometimes<br />
statically grounded. This one-of-a-kind piece was realized within a tight budget<br />
framework: an off-the-peg <strong>conference</strong> furniture system by one of the well-known<br />
brands wouldn’t have come much cheaper. In short: With <strong>KINZO</strong>, exclusive<br />
individuality, style and optimised functionality do not exclude cost consciousness.<br />
About <strong>KINZO</strong><br />
Founded in 1998 as a label <strong>for</strong> film, design, architecture, brand and event projects, <strong>KINZO</strong> has<br />
become internationally established <strong>for</strong> its unmistakable style and grown to be one of the<br />
ambassadors of <strong>Berlin</strong> design avant-garde. Starting from interior projects <strong>for</strong> shops, lofts and offices,<br />
fairs and exhibitions as well as design <strong>for</strong> events and film sets, the three architects and founders of