You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
Spring<br />
Where dance is going next<br />
25 Apr - 14 Jun 2014<br />
theplace.org.uk<br />
020 7121 1100<br />
#springloaded
Eddie Nixon, Director of<br />
The Place Theatre tells us a<br />
little more about Spring Loaded<br />
Eddie, what can you tell us about Spring Loaded as a season?<br />
In Spring Loaded we’re bringing together some of the most inventive new dances that<br />
have been made over the past few months. The season is loaded with new ideas from people<br />
who are really trying to do things differently. They’ve got a particular buzzing energy and we<br />
feel that if you’re interested in new trends then this is the stuff you should be watching.<br />
And who are the artists you programme?<br />
They come from all different places and backgrounds. They also draw on various styles of<br />
choreography, performance and movement. Although not necessarily well known to the public<br />
yet, we’re pretty convinced that together they represent the notion of where dance is going next.<br />
In this brochure<br />
What can our audience members expect from a Spring Loaded evening?<br />
Some of it’s funny, some includes lots of words and really loud music. Some has lots<br />
of dancing and some has less. There are ideas that feel everyday and others that need<br />
deciphering. But that’s the kind of dance we’re bringing together. Sometimes there’s plenty<br />
to think about but nothing to understand. What I can say for sure is that no two shows are<br />
going to look the same but they will all reveal an attitude towards the world we’re living in<br />
from people who’ve plenty to say about it.<br />
Mind bender Rib tickler Move buster<br />
Alongside a description of the pieces you<br />
will come across our Dance Barometer.<br />
This tool gives you another flavour of<br />
what to expect from the shows.<br />
Look out for the Spectator School<br />
symbol for extra activities around<br />
Spring Loaded shows. This could be a<br />
short film, a talk with the artists or a back<br />
stage tour. Simply go to the event’s page<br />
or to theplace.org.uk/spectatorschool<br />
to find our more.<br />
For more information about the artists’ backgrounds, to see videos of their work or to watch<br />
the Spring Loaded trailer, go to theplace.org.uk/springloaded.<br />
Vera Tussing T-Dance Photo Chris Nash
Explorer Offer<br />
Will you venture beyond your comfort zone this<br />
season? Spring Loaded is all about exploring<br />
trends and finding new things to enjoy in dance.<br />
So, to encourage you to take a leap with us,<br />
we will pay half of your ticket if you book<br />
for a second show. This offer is valid in the<br />
Spring Loaded season and you must book<br />
both shows within the same transaction.<br />
Eva Recacha<br />
Fri 25 & Sat 26 Apr 8pm<br />
Easy Rider<br />
Easy Rider reflects upon faith, tradition and<br />
delusion. Eva Recacha looks at the human<br />
compulsion to engage with superstitious beliefs<br />
and practices in the pursuit of happiness,<br />
revealing a concoction of religion, customs<br />
and self-help manuals.<br />
In Easy Rider, Eva draws on first-hand observations<br />
of ritualistic behaviour in her native Spain. Easy<br />
Rider is a theatrical rite unravelling the pure<br />
essence of our need to belong. It reflects our own<br />
beliefs and passions in a raw and haunting way.<br />
‘Recacha is a talent to watch.’<br />
londondance.com<br />
This show contains some moderate nudity<br />
£15 (£12 concessions)<br />
Mind bender Rib tickler Move buster<br />
Supported by Arts Council England through the National Lottery<br />
and O Espaço Do Tempo. Commissioned by The Place<br />
Photo Chris Nash
James Wilton Dance<br />
Southpaw<br />
Dance Company<br />
Tue 29 Apr 8pm<br />
Riots<br />
Men on a Mission<br />
Inspired by protests against rising social<br />
unrest around the world, Riots is a short<br />
and high energy piece. Choreographer<br />
and performer Robby Graham combines<br />
breaking, contemporary and contact<br />
practices in a brand new movement style.<br />
Men on a Mission is an insight into the<br />
clique and artificial glamour associated<br />
with recreational drugs. It is a look at<br />
experimentation, addiction and decline,<br />
powerfully danced to a Tarantino-esque<br />
score.<br />
‘Atmospheric, vigorous<br />
and breathtaking.’<br />
The Telegraph<br />
£15 (£12 concessions)<br />
Vera Tussing<br />
Wed 7 & Thu 8 May 8pm<br />
T-Dance<br />
In this subtle, compelling and poetic piece four<br />
performers charm their audience, moving through<br />
space connected by wooden sticks in a tensed<br />
‘motion sculpture’. T-Dance exposes the risk of<br />
collapse should one of the performer lose focus.<br />
This piece explores touch, our need to touch, to<br />
be touched - the cause and effect of tactility and<br />
physical connection.<br />
Without ever leaving their seats, audience<br />
members are called to immerse themselves in<br />
the performance. As each section of the work<br />
progresses, they are invited to experience the<br />
empathetic, sometimes imagined touch<br />
happening on stage.<br />
‘A fascinating journey to the<br />
way tactility moves our bodies.’<br />
Field Works, Brussels<br />
£15 (£12 concessions)<br />
Sat 10 May 8pm<br />
Last Man Standing<br />
Last Man Standing looks at human behaviours<br />
when facing danger: how we cope with life’s<br />
fragility and the desire to survive. Choreographer<br />
James Wilton explores fear, anger and<br />
determination as ways to respond to these<br />
universal elements.<br />
Last Man Standing is a new work by rising star<br />
James Wilton (Spring Loaded 2013). Driven<br />
by unparalleled energy and athleticism, James’<br />
choreography will leave you breathless. He blends<br />
martial art, break dancing and capoeira to create<br />
raw and original choreography for his cast of six<br />
world class dancers.<br />
‘James Wilton may be the future<br />
of British choreography.’<br />
uncoy.com<br />
£15 (£12 concessions)<br />
Mind bender Rib tickler Move buster<br />
Last Man Standing is commissioned by Dance City<br />
with support from Falmouth University, Plymouth Dance<br />
and Arts Council England using public funding<br />
Mind bender Rib tickler Move buster<br />
Riots is commissioned by Dance City and supported by<br />
the National Lottery through Arts Council England<br />
Mind bender Rib tickler Move buster<br />
Supported by The Place, STUK Leuven, Workspace Brussels,<br />
wp Zimmer, Antwerp, Graner, Barcelona, the Flemish Authorities,<br />
Belgium<br />
Photo Dan Prince<br />
Photo Chris Nash<br />
Photo Werner Kmetitsch
Joe Moran<br />
Dance Art Foundation<br />
Igor and<br />
Moreno<br />
Tue 13 May 8pm<br />
Assembly<br />
Assembly brings together three distinct and contrasting works<br />
by choreographer Joe Moran, a fresh voice in British dance.<br />
Decommission, a compelling new solo performed by Moran,<br />
is a lively experiment in intimacy and risk. Commissioned for<br />
The Place Prize for dance sponsored by Bloomberg 2012,<br />
Obverse pursues formalism in choreography. For Moran’s<br />
third work, masculinity comes under inspection to complete<br />
the Assembly line up.<br />
Each work tackles full-bodied dancing and critical thinking.<br />
Together they make an arresting evening of dance and<br />
discourse driven by movement and flickering with ideas.<br />
‘Moran proved that dance can speak<br />
a distinctly twenty-first century<br />
visual arts language.’<br />
writingfromliveart.co.uk<br />
£15 (£12 concessions)<br />
Thu 15 & Fri 16 May 8pm<br />
Idiot-Syncrasy<br />
Idiot-Syncrasy is a jumping<br />
dance that says ‘don’t let the<br />
world bring you down’. Sometimes<br />
intense, sometimes delightfully<br />
funny, the two performers shift<br />
through repetitive movement<br />
revealing subtle distinctions.<br />
Igor and Moreno call on their folk<br />
Sardinian and Basque tradition<br />
to create a contemporary take<br />
on what most of ancient dances<br />
share: jumping for empowerment<br />
and happiness. Idiot-Syncrasy<br />
is a quirky piece exploring<br />
commitment to a cause and<br />
perseverance despite sometimes<br />
feeling like idiots when trying to<br />
change the world.<br />
‘Clever and<br />
engagingly off-beat.’<br />
The Times<br />
£15 (£12 concessions)<br />
Mind bender<br />
Rib tickler<br />
Move buster<br />
Supported using public funding<br />
by Arts Council England and is<br />
commissioned by The Place with support<br />
from Yorkshire Dance, Cambridge Junction,<br />
Centro per la Scena Contemporanea,<br />
Bassano (Italy) and BAD Festival in Bilbao<br />
Mamoru Iriguchi<br />
Wed 28 May 8pm<br />
Projector/Conjector<br />
One Man Show<br />
GRAFT<br />
Mamoru Iriguchi is a performance artist and theatre designer with a<br />
background in zoology. This triple-bill introduces his visually striking and<br />
surrealistically playful work that references choreography and the body.<br />
Projector/Conjector, a Swan Lake-inspired love duet between<br />
performers with a TV and a projector attached to their heads.<br />
Mind bender Rib tickler Move buster<br />
One Man Show (commissioned for The Place Prize sponsored by<br />
Bloomberg 2012), features a solo performer and his digital doppelgängers.<br />
Assembly has been supported using public<br />
funding by Arts Council England, The Place,<br />
South East Dance and Artsadmin<br />
GRAFT (commissioned by The Place for Spring Loaded 2014) explores the<br />
shifting landscape of body and space through displacement of body parts.<br />
‘Dance is referenced in a beautifully<br />
techno-cuckoo way... charmingly dead-pan,<br />
witty and inventive.’<br />
The Times<br />
£15 (£12 concessions)<br />
Mind bender Rib tickler Move buster<br />
One Man Show is also supported by National Theatre Studio and Chapter.<br />
Projector/Conjector is supported by Camden People’s Theatre, Summerhall and Artsadmin<br />
Photo David Edwards<br />
Photo Alicia Clarke<br />
Photo Robert Day
Mickael Marso<br />
Riviere<br />
Association of Dance<br />
of the African Diaspora<br />
Sat 31 May 8pm<br />
Trailblazers Showcase - Exposure<br />
ADAD Trailblazers Champions and Starters artists from<br />
across the UK share their work and passion within dance<br />
of the African Diaspora.<br />
A mixed bill programme featuring innovative creations of<br />
dance, movement, music and performance including film,<br />
installation, abstract choreography, dancehall, reggae and<br />
dynamic Guinean dance theatre with live music.<br />
This evening is co-curated by Trailblazer Champions<br />
Denise Rowe and Vicki Igbokwe and features work from<br />
ADAD’s 2013-14 Trailblazing artists Idrissa Camara,<br />
Cindy Claes, Cleo Lake, Kenzi Ireland and Denise Rowe.<br />
The evening offers a tour through the far reaches of African<br />
diaspora dance as it is being explored and expressed today.<br />
ADAD is a national organisation that supports the practice<br />
and appreciation of dance of the African Diaspora.<br />
£15 (£12 concessions)<br />
Wed 4 Jun 8pm<br />
Matches<br />
Halfway to<br />
The Other Side<br />
Celebrated Midlands-based<br />
choreographer and bboy Mickael<br />
‘Marso’ Riviere joins forces with<br />
two exceptional talents; acclaimed<br />
choreographer, actor and dancer<br />
Guy Nader and extraordinary<br />
performer and choreographer<br />
Salah El Brogy.<br />
Together they have co-created<br />
two brand new duets. In Matches<br />
Guy Nader and Mickael ‘Marso’<br />
Riviere construct a visually<br />
breathtaking place where<br />
destruction and renewal,<br />
devastation and beauty are<br />
never far apart.<br />
Salah El Brogy and Mickael<br />
‘Marso’ Riviere present the<br />
co-collaboration Halfway to The<br />
Other Side. Inspired by Samuel<br />
Beckett’s Waiting for Godot, this<br />
piece is a spiritual journey; a<br />
quest to find the meeting point<br />
between two dissimilar beings.<br />
It reflects on our human tendency<br />
to repeat, replicate, endlessly<br />
circle through life and turn<br />
time on its head.<br />
‘Riviere possesses<br />
such command over<br />
his own physical<br />
energies that he simply<br />
becomes a vehicle for<br />
the transference of<br />
kinetic motion via<br />
deft acrobatics.’<br />
ballet-dance.com<br />
£15 (£12 concessions)<br />
Mind bender<br />
Rib tickler<br />
Move buster<br />
Supported through public funding by<br />
the National Lottery through Arts Council<br />
England. Mickael ‘Marso’ Riviere is<br />
an Associate Artist at Dancexchange.<br />
Both works have been created with<br />
support from the commissioning partners,<br />
Dancexchange, The Place, Dance4 and<br />
Mercat De Las Flors, Barcelona and<br />
with support from Midlands Arts Centre<br />
Birmingham, and Salah El Brogy Company<br />
Hofesh Shechter Company presents<br />
In Good Company<br />
Fri 6 & Sat 7 Jun 8pm<br />
The 2014 Edition<br />
Six extraordinary dancers from the Hofesh Shechter Company<br />
become choreographers in the third incarnation of In Good Company.<br />
Brimming with their maverick spirit and irrepressible talent they<br />
have created five new and very different dance pieces and one<br />
extraordinary film, especially for this project.<br />
The dancers, hailing from the UK, France, Holland, Egypt and Germany<br />
are currently touring in Shechter’s work worldwide, and have been<br />
given carte blanche to find their own unique choreographic voices.<br />
This year In Good Company choreographers are:<br />
Maëva Berthelot<br />
Sam Coren<br />
Frédéric Despierre<br />
Bruno Guillore<br />
Kim Kohlman<br />
Sita Ostheimer<br />
£15 (£12 concessions)<br />
Mind bender Rib tickler Move buster<br />
Made possible by generous support from the Jerwood Charitable Foundation<br />
Mind bender Rib tickler Move buster<br />
Supported by Garfield Weston, Fenton Arts Trust, Garrick Charitable Trust,<br />
Arts Council England, The Place and The Bonnie Bird Choreography Fund<br />
Photo Messrs<br />
Photo Mickael Marso Riviere<br />
Photo Tom Medwell
Deborah<br />
Light<br />
Philippe<br />
Blanchard<br />
Tue 10 Jun 8pm<br />
This is that<br />
This is that is a thought-provoking dance and spoken word piece<br />
created by choreographer Philippe Blanchard together with<br />
filmmakers twins Luca and Gabriele Stifani. They question<br />
discrepancies between what we see and how we interpret<br />
images and appearances.<br />
This stripped-down, highly entertaining and intricate performance<br />
invites the audience to explore the multiple possibilities of what is<br />
seen and heard. Through repetition and transformation, calling<br />
upon our imagination and sense of togetherness, it plays with<br />
our perception of what things are or could be, blurring a few<br />
lines along the way.<br />
‘This is that is soft, stripped-down<br />
and humorous; simple and charming,<br />
sometimes also very touching.’<br />
Swedish National Radio<br />
Fri 13 Jun 8pm<br />
HIDE<br />
Hide¹vb. to keep out of sight;<br />
conceal from view<br />
n. a shelter for watching wildlife<br />
Hide²n. the skin of an animal<br />
HIDE delves under the skin of its<br />
creators and audiences. Ranging<br />
from the subtle to the extreme,<br />
it uses layers of movement,<br />
image, sound and text to question<br />
ideas of appearance and identity.<br />
In a stark environment three<br />
remarkable women reveal and<br />
re-invent themselves. With<br />
disarming honesty Jo Fong,<br />
Eddie Ladd and Rosalind Hâf<br />
Brooks blur autobiography with<br />
fiction. This visually striking<br />
show is bold and intimate.<br />
£15 (£12 concessions)<br />
‘An original voice<br />
with a stark<br />
uncompromising<br />
vision.’<br />
Writing about Dance<br />
Mind bender<br />
Rib tickler<br />
Move buster<br />
Supported by Arts Council Wales,<br />
Chapter, Sherman Cymru, National<br />
Dance Company Wales, Made at<br />
The Place, Cardiff Metropolitan<br />
University and Coreo Cymru<br />
Jo Fong<br />
Sat 14 Jun 8pm<br />
Witness<br />
Witness is a three-screen cinematic dance event. The panoramic<br />
view allows both the ordinary and extraordinary to become iconic;<br />
the performers saturate the space with their presence and voices,<br />
whilst an intimacy remains.<br />
Three exceptional dancers collaborate with Jo Fong in the making<br />
of their own choreographic portraits.<br />
Jo says: ‘Portraiture was a useful tool to access the themes<br />
I was interested in: the representation of women in art, in dance<br />
and the line between performance and reality. Other themes<br />
emerged through the process including the beauty of trying<br />
and the psychological journey of each dancer. This cinematic<br />
experience asks how is it to be watched or exhibited.’<br />
‘The audience witnessed a process of<br />
candid exposure that was as moving<br />
as it was aesthetically pleasing.’<br />
£15 (£12 concessions)<br />
CCQ magazine<br />
£9 (£6 concessions)<br />
Mind bender Rib tickler Move buster<br />
Mind bender Rib tickler Move buster<br />
Supported by Arts Council Wales, Coreo Cymru,<br />
The Dance House, Rubicon Dance and Chapter Arts Centre<br />
Photo John FG Stead<br />
Photo John Collingswood<br />
Photo Filipe Alcada
How to book<br />
theplace.org.uk<br />
020 7121 1100<br />
(Mon-Sat, 10.30am-7pm, 10.30am-6pm<br />
on evenings with no performances)<br />
The Place<br />
17 Duke’s Road, London WC1H 9PY<br />
(Mon-Sat 10am-8.30pm, 10am-6pm<br />
on evenings with no performances)<br />
We accept Visa, Mastercard and Maestro<br />
Allocated seating<br />
During Spring Loaded, our theatre will be<br />
operating on a reserved allocated seating basis.<br />
Make sure you book well in advance to choose<br />
the best seats available and avoid disappointment.<br />
Concessions & Discounts<br />
Concessions holders (students, jobseekers,<br />
senior citizen, Camden Wellness Card Holders<br />
and Equity/BECTU members) get £3 off the<br />
standard ticket price. Proof of status is required.<br />
Discounts are available for children (under 16).<br />
Don’t forget that by booking for two shows in<br />
the Spring Loaded season you get one of your<br />
tickets half-price.<br />
Groups<br />
£10 rate for educational groups<br />
£12 rate for non-educational groups<br />
Contact Anouska.Anderson@theplace.org.uk<br />
for more information.<br />
How to find us<br />
Euston<br />
Euston<br />
Square<br />
Eversholt Street<br />
Gordon Street<br />
Euston Road<br />
Duke’s Road<br />
Upper Woburn Place<br />
British<br />
Library<br />
The Place is on Duke’s Road, off Euston Road.<br />
It is opposite St Pancras Church and next door to<br />
the Premier Travel Inn.<br />
Tubes: Euston, King’s Cross St Pancras,<br />
Russell Square<br />
Bicycle racks are located outside The Place.<br />
Content advice<br />
The Place presents cutting-edge experimental and<br />
sometimes provocative work. It is frequently new<br />
and content is often being developed at the time<br />
this programme is published. Shows may include<br />
nudity, strong language and other material that may<br />
not be suitable for some audiences. If you would like<br />
guidance, please contact the Box Office. Programme<br />
details are correct at the time of going to print but<br />
changes may occasionally be necessary.<br />
Flaxman Ter<br />
Burton Street<br />
King’s Cross<br />
St Pancras<br />
Mabledon Place<br />
Judd Street<br />
Russell<br />
Square<br />
British Museum<br />
Pioneering Fund<br />
For the last forty years The Place has led the<br />
development of contemporary dance in the UK,<br />
earning an international reputation as a centre of<br />
artistic excellence. We created the Pioneering Fund<br />
to help us invest in ground-breaking initiatives and<br />
support those ideas which push contemporary<br />
dance into previously unexplored territory.<br />
We very much need the support of individuals who<br />
recognise The Place’s vital role in nurturing new<br />
talent and supporting pioneering activity. You can<br />
help us ensure the very best future for contemporary<br />
dance by making a gift to the Pioneering Fund<br />
online at www.theplace.org.uk/development.<br />
For further information about the Fund<br />
please contact The Place’s Development<br />
Department on 020 7121 1054.<br />
Work Place<br />
This year’s Spring Loaded season presents work<br />
by three of our Work Place artists: Eva Recacha,<br />
Vera Tussing and Igor and Moreno.<br />
Work Place is a unique programme of support<br />
for professional choreographers. It creates a<br />
home for a community of artists, sustaining<br />
them and developing their work.<br />
To find out more about our Work Place<br />
programme go to theplace.org.uk/workplace<br />
Eat & Drink<br />
The Theatre Bar is open from 7pm ahead of<br />
performances. Food and drink is available<br />
from our Café until 8pm on performance night.<br />
Access for people with disabilities<br />
There is on-street parking for blue badge holders<br />
outside The Place, level access to the foyer and a<br />
lift to all floors. An induction loop is available at<br />
the Box Office and a Sennheiser infra-red system<br />
in the auditorium. Guide dogs and hearing dogs<br />
are welcome. Free tickets are available to those<br />
accompanying disabled people. If you have any<br />
other requirements, contact Box Office and we<br />
will do our best to accommodate your visit.<br />
E D N<br />
European<br />
Dancehouse<br />
Network<br />
INITIATIVE<br />
NATIONAL DANCE NETWORK<br />
Supported by the<br />
CULTURE Programme<br />
of the European Union<br />
Vera Tussing, Igor and Moreno and Mickael Marso Riviere are part of<br />
a European Dance House network programme funded by the European<br />
commission through the culture programme called Modul-dance.<br />
Cover photo Chris Nash<br />
A company limited by guarantee, registered in England 883094.<br />
Registered Charity Act 1960 250216<br />
The information in this brochure is<br />
available electronically and in large print<br />
Igor and Moreno Idiot-Syncracy Photo Chris Nash
April<br />
Fri 25 Eva Recacha<br />
Sat 26 Eva Recacha<br />
Tue 29 Southpaw Dance Company<br />
May<br />
Wed 7 Vera Tussing<br />
Thu 8 Vera Tussing<br />
Sat 10 James Wilton Dance<br />
Tue 13 Joe Moran<br />
Thu 15 Igor and Moreno<br />
Fri 16 Igor and Moreno<br />
Wed 28 Mamoru Iriguchi<br />
Sat 31 Association of Dance<br />
of the African Diaspora<br />
June<br />
Wed 4 Mickael Marso Riviere<br />
Fri 6 Hofesh Shechter Company<br />
presents In Good Company<br />
Sat 7 Hofesh Shechter Company<br />
presents In Good Company<br />
Tue 10 Philippe Blanchard<br />
Fri 13 Deborah Light<br />
Sat 14 Jo Fong<br />
The Place has united dance training, creation and<br />
performance for over forty years, championing<br />
the best ideas and creating inspiring conditions<br />
for dance artists and enthusiasts to realise their<br />
potential. It combines London Contemporary Dance<br />
School, Richard Alston Dance Company and the<br />
Robin Howard Dance Theatre, together with an<br />
extensive range of participatory programmes<br />
for adults and young people and professional<br />
development for artists.<br />
The Place: shaping the future of dance.<br />
The Place<br />
17 Duke’s Road<br />
London WC1H 9PY<br />
theplace.org.uk 020 7121 1100<br />
#springloaded