The Campus Art Museum - Samuel H. Kress Foundation
The Campus Art Museum - Samuel H. Kress Foundation The Campus Art Museum - Samuel H. Kress Foundation
How Participants Became Engaged with Art and Art Museums How do those who are interested in and supportive of art and art museums become that way? What happens in their past that they not only become enamored with art but also, perhaps, choose a career that allows them to be immersed in art or museum life? I was talking with a select group—with art museum directors, curators, and other museum staff; with students who, often, are studying art history or art education; with faculty who make use of the museum in their classes; and with community members who are museum docents, volunteers, or board members, or alumni who remain connected in some way with the museum. 6 From them, I sought to learn about aspects of their past that helped them become interested in the arts and, ultimately, art museums. Four factors seem to have had the largest influence: 1. Art. As a child, they were surrounded by art, often because a parent was an artist. They grew up with art and, sometimes, with a gift for drawing or painting. 2. Course. As a college student or, sometimes, as a high school student, they took an art history course that, generally in combination with a fantastic teacher, interested them in taking more courses and got them interested in art and art museums. 3. Job. They took a job in an art museum (or gallery or frame shop) and, through the exposure and associated experiences, decided they wanted to pursue work in an art museum. 4. Museum. They visited art museums and became interested in them. Often, a combination of the above factors coalesced to encourage the respondent to pursue studies, work, and/or frequent interactions with art and museums. One would lead to the other, as when growing up in an art-centered environment led to taking courses in art and/or art history which led to a degree in the arts and a subsequent job in an art museum. Sometimes, however, the interest in the arts came more suddenly through a visit to an art museum or through a course. The following table focuses on different categories of respondents and the factors that appear as primary in interesting them in art museums. 6. The thirty-four interviewees who are more removed from the art museum world are campus administrators, faculty loosely connected to the museum, and a few students who are at the museum because of a job. Many are, nonetheless, champions of the campus art museum. How Participants Became Engaged with Art and Art Museums 12
Table 111.1. How Interviewees Became Interested in Art Museums Respondent Category (79 total)* Museum Staff & Volunteers (31) directors, curators, educators, registrars, docents, volunteers Students (24) undergraduates & graduates in the arts of working in the museum Arts Faculty (6) studio, art history, art education, design Faculty, Admin, Alum (18) disciplines other than visual arts Art (exposure to as a child) Course (college or high school) Job or Internship (in art museum, gallery, etc.) Museum Visits (as a child or later in life) Other 8 6 8 8 1 (frame shop) 10 6 4 4 3 2 0 1 5 2 0 7 4 (research, photography, collaborations) Totals 26 16 12 20 5 *Note: This does not reflect the total number of participants in the study, but rather the number that talked about what interested them in art museums. The numbers reported here are meant to indicate patterns and should not be taken as significant in themselves. As previously noted, respondents often talked about a combination of factors, and, for this table, I forced the issue, reporting only the item that seems the one that cemented their involvement with art museums. For example, a curator said, I grew up going to the St. Louis Art Museum when I was in high school…. I went to college planning to study history which I did, but then added in an art history and art double major, kind of as a lark because it was fun, not because I had any intention to do anything with that. And through happenstance…, I ended up doing a museum internship to replace a class I had dropped part way through a semester and that… gave me the behind the scenes window into the atmosphere and energy of a really great museum. And I did another internship at the Contemporary Art Museum in Houston and that’s where I really fell in love with museum work, it was actually in education… and helped me to think about the power to reach audiences…. That sucked me in and I ended up getting a curatorial assistant job there after I graduated and going back to get a masters, but from the time I started that curatorial assistantship position, I was totally hooked in. She was counted in the job or internship category, although her visits to the St. Louis Art Museum and the courses she took “as a lark” were also important. See Appendix B for more quotations from interviewees on influencing factors. Looking at this table, it is obvious that growing up in an environment where people make art or crafts and appreciate various forms of art helps greatly How Participants Became Engaged with Art and Art Museums 13
- Page 25 and 26: those paintings…. They are a kind
- Page 27 and 28: The respondent situated this strugg
- Page 29 and 30: and with the public in general. Rep
- Page 31 and 32: The Campus Art Museum: A Qualitativ
- Page 33 and 34: Table of Contents Art Across the Cu
- Page 35 and 36: 1969, enabling government support f
- Page 37 and 38: Everyone spends an afternoon at the
- Page 39 and 40: professors about using the museum a
- Page 41 and 42: Skill Development Figure 11.1. Comp
- Page 43 and 44: talk about the objects, and they te
- Page 45 and 46: We’ve got kids from all over camp
- Page 47 and 48: eflected on the role of artists as
- Page 49 and 50: Collaborations Among Museum Staff a
- Page 51 and 52: assignment and promoted it in a cam
- Page 53 and 54: focusing on people who have followe
- Page 55 and 56: at a narrow slice of researchers in
- Page 57 and 58: too thin. Nobody could do that posi
- Page 59 and 60: The museum is necessary for the who
- Page 61 and 62: when they say, “I want to show al
- Page 63 and 64: its collections into courses tends
- Page 65 and 66: The Campus Art Museum: A Qualitativ
- Page 67 and 68: Table of Contents Museum Art in Eve
- Page 69 and 70: It’s is about getting students in
- Page 71 and 72: Engaging Through Social Events Soci
- Page 73 and 74: thing for them to get organized for
- Page 75: where they receive units of credit
- Page 79 and 80: Table 111.3. Gender of Research Par
- Page 81 and 82: Sometimes such moments were matched
- Page 83 and 84: museum. I asked what careers they h
- Page 85 and 86: Appendix A Acronyms or Abbreviation
- Page 87 and 88: Job/ Internship Museum Visits “I
- Page 89 and 90: The Campus Art Museum: A Qualitativ
- Page 91 and 92: Table of Contents Challenges and Co
- Page 93 and 94: Metaphor and Meaning of the Campus
- Page 95 and 96: that it is particularly prevalent.
- Page 97 and 98: artists to the museum’s collectio
- Page 99 and 100: 2008). 4 This emphasis reflects a l
- Page 101 and 102: Institutional support, economical a
- Page 103 and 104: I had to fire a senior curator; I h
- Page 105 and 106: cognizant of what is going on globa
- Page 107 and 108: specialist, and professional staff.
- Page 109 and 110: “One of the things that’s hard
- Page 111 and 112: A safety catch in protecting signif
- Page 113 and 114: “...medical studies have been don
- Page 115 and 116: Appendix IV. A. Interpretive Distil
- Page 117 and 118: access to the highest quality arts.
- Page 119 and 120: UAMA: The University of Arizona Mus
- Page 121: Sources Cameron, D. F. 2004. The Mu
Table 111.1. How Interviewees Became Interested in <strong>Art</strong> <strong>Museum</strong>s<br />
Respondent Category<br />
(79 total)*<br />
<strong>Museum</strong> Staff &<br />
Volunteers (31)<br />
directors, curators,<br />
educators, registrars,<br />
docents, volunteers<br />
Students (24)<br />
undergraduates & graduates<br />
in the arts of working in the<br />
museum<br />
<strong>Art</strong>s Faculty (6)<br />
studio, art history, art<br />
education, design<br />
Faculty, Admin, Alum<br />
(18)<br />
disciplines other than visual<br />
arts<br />
<strong>Art</strong><br />
(exposure to<br />
as a child)<br />
Course<br />
(college or<br />
high school)<br />
Job or<br />
Internship<br />
(in art museum,<br />
gallery, etc.)<br />
<strong>Museum</strong><br />
Visits<br />
(as a child or<br />
later in life)<br />
Other<br />
8 6 8 8 1 (frame shop)<br />
10 6 4 4<br />
3 2 0 1<br />
5 2 0 7 4 (research,<br />
photography,<br />
collaborations)<br />
Totals 26 16 12 20 5<br />
*Note: This does not reflect the total number of participants in the study, but rather the number that talked about<br />
what interested them in art museums.<br />
<strong>The</strong> numbers reported here are meant to indicate patterns and should not be<br />
taken as significant in themselves. As previously noted, respondents often talked<br />
about a combination of factors, and, for this table, I forced the issue, reporting only<br />
the item that seems the one that cemented their involvement with art museums.<br />
For example, a curator said,<br />
I grew up going to the St. Louis <strong>Art</strong> <strong>Museum</strong> when I was in high school…. I<br />
went to college planning to study history which I did, but then added in an art<br />
history and art double major, kind of as a lark because it was fun, not because<br />
I had any intention to do anything with that. And through happenstance…, I<br />
ended up doing a museum internship to replace a class I had dropped part<br />
way through a semester and that… gave me the behind the scenes window<br />
into the atmosphere and energy of a really great museum. And I did another<br />
internship at the Contemporary <strong>Art</strong> <strong>Museum</strong> in Houston and that’s where I<br />
really fell in love with museum work, it was actually in education… and helped<br />
me to think about the power to reach audiences…. That sucked me in and I<br />
ended up getting a curatorial assistant job there after I graduated and going<br />
back to get a masters, but from the time I started that curatorial assistantship<br />
position, I was totally hooked in.<br />
She was counted in the job or internship category, although her visits to the St.<br />
Louis <strong>Art</strong> <strong>Museum</strong> and the courses she took “as a lark” were also important. See<br />
Appendix B for more quotations from interviewees on influencing factors.<br />
Looking at this table, it is obvious that growing up in an environment<br />
where people make art or crafts and appreciate various forms of art helps greatly<br />
How Participants Became Engaged with <strong>Art</strong> and <strong>Art</strong> <strong>Museum</strong>s<br />
13