Clarinet Yoga! Exercise 2 - Part 1 - Jim Skaleski
Clarinet Yoga! Exercise 2 - Part 1 - Jim Skaleski
Clarinet Yoga! Exercise 2 - Part 1 - Jim Skaleski
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<strong>Clarinet</strong> <strong>Yoga</strong>! <strong>Exercise</strong> 2 - <strong>Part</strong> 1<br />
These exercises are easier than they look. Look for the pattern between fingerings!<br />
*This line should be done twice so you can try an alternate fingering, which sounds better when you play high!
<strong>Clarinet</strong> <strong>Yoga</strong>! <strong>Exercise</strong> 2 - <strong>Part</strong> 2<br />
Now try the exercises with a few less fingerings shown! Keep your left thumb hole closed for all notes.<br />
*This line should be done twice so you can try an alternate fingering, which sounds better when you play high!
<strong>Clarinet</strong> <strong>Yoga</strong>! <strong>Exercise</strong> 2 - <strong>Part</strong> 3<br />
When we play the highest notes, we add a special key to make it sound more in tune.<br />
Do not use the<br />
special key for C-<br />
sharp.<br />
*This line should be done twice so you can try an alternate fingering, which sounds better when you play high!
<strong>Clarinet</strong> <strong>Yoga</strong>! <strong>Exercise</strong> 2 - Mastery Warm-Ups<br />
Practice this page in three different ways.<br />
1 st method: Basic fingerings between<br />
note ranges:<br />
2 nd method: Basic fingerings,<br />
diminuendo the top note to as soft a<br />
dynamic as possible.<br />
3 nd method: With the special tuning<br />
key on top notes (except C-sharp)<br />
chalumeau-clarion-altissimo<br />
Purpose: Improve tone, note<br />
flexibility, matching quality of sound<br />
between registers.<br />
Purpose: Range control.<br />
Purpose: Technical practice for<br />
proper top note fingerings and<br />
tuning.<br />
*This line should be done twice so you can try an alternate fingering, which sounds better when you play high!