Thomas Gazheli - IUMA Management

Thomas Gazheli - IUMA Management Thomas Gazheli - IUMA Management

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<strong>IUMA</strong> MANAGEMENT<br />

PROUDLY INTRODUCES<br />

<strong>Thomas</strong> <strong>Gazheli</strong><br />

BARITONO


THOMAS GAZHELI<br />

<strong>Thomas</strong> <strong>Gazheli</strong> was born in Karlsruhe germany, where he started his musical education during his<br />

schooltime as trumpetplayer and violinist.<br />

He studied singing at the Hochschule fur Musik und darstellende<br />

Kunst Frankfurt am Main with Prof. Maclane-Lanier<br />

and completed his studies with Prof. Josef Metternich in Munich.<br />

<strong>Thomas</strong> <strong>Gazheli</strong> is winner of the Alexander Girardi and the<br />

Robert Stolz Contest. Already during his studies in Frankfurt<br />

Donald Runnicles engaged him as a member of the ensemble<br />

at the Stadtische Buhnen Freiburg, followed by Theater<br />

Basel and Staatstheater Am Gartnerplatz Munich, where he<br />

sang as a principal baritone a broad repertoire.<br />

He has been invited to sing among others at the opera houses<br />

of Milano (Teatro alla Scala) Catania, Palermo, Verona<br />

(Teatro), Santander (Festival Internacional de Santander<br />

Spain), Tirana-Albania, Vienna, Charleston-USA, Munich<br />

(Bayerische Staatsoper, Prinzregententheater) Dusseldorf/<br />

Duisburg, Frankfurt, Essen, Munich, Hamburg (Stateopera),<br />

Bonn, Salzburg (Festspielhaus), Mannheim, Luxembourg,<br />

Wiesbaden, Koln, Nurnberg, Braunschweig, Innsbruck, Linz,<br />

Augsburg, , Darmstadt, Mainz, St.Gallen, Luzern.<br />

His repertoire includes the roles of Rigoletto, Ford, Gianni Schicchi, Michele (Tabarro), Alfio, Tonio,<br />

Germont, Guglielmo Tell, Mefisto (La Damnation de Faust), Escamillo, 4 Villains (Contes d’Hoffman),<br />

Don Pizarro, Father (Hansel und Gretel), Kaspar, Kunrad (Feuersnot by R.Strauss), Friedrich (Ban<br />

Of Love by R.Wagner), Lescaut in Boulevard Solitude from Henze.<br />

In recent years he has moved into the Heldenbariton repertoire.<br />

In 2002, 2003, and 2004 he sang Friedrich (Liebesverbot By Wagner) and Kunrad (Feuersnot By<br />

R.Strauss) at the Prinzregententheater Munich, Alberich and Gunther at the Philharmonie Munich and<br />

debuted as Wanderer (Siegfried) at the Tiroler Festspiele Erl (Austria), where he was invited to performe<br />

the same role again in 2005.<br />

Also 2005 he sang the role of Friedhold (Guntram By R. Strauss) in a new production of Teatro Massimo<br />

Bellini Catania (Italy) and made his very acclaimed debut as Alberich (Rheingold) At The International<br />

Festival of Santander (Spain) and Tiroler Festspiele Erl under Gustav Kuhn.<br />

In July 2006 he had his debut as Amfortas with great success.<br />

In Novembre 2006 he performed the role of Hidulfus in the opera Genoveva from Schumann at the<br />

Teatro Massimo Palermo, also in November he sang the part of Simon in the oratory The Four Seasons<br />

From Haydn in Bolzano, Trento and Meran (Italy) with the Haydn Orchestra under Gustav Kuhn.<br />

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THOMAS GAZHELI<br />

During the season 2006/2007 he sang in Munich the roles of<br />

Tonio, Alfio, Padre Germont, Escamillo, Peter in Hansel<br />

Und Gretel, 4 Villains, Papageno, Sharpless and Don Pizarro.<br />

In Juli 2007 he will be again Alberich and Amfortas at the<br />

Tiroler Festspiele Erl.<br />

In November 2007 he can be heard at the Volksoper Vienna<br />

in the Roles of the 4 Villains.<br />

<strong>Thomas</strong> <strong>Gazheli</strong> has worked together among others with<br />

conductors as Paolo Carignani, Vladimir Fedosejev, Gustav<br />

Kuhn, Riccardo Muti, Donald Runnicles, Marcello Viotti, Walter<br />

Weller, M. Mayerhofer and stage directors as Peer Boysen,<br />

Werner Duggelin, August Everding, Paul Flieder, Claus<br />

Guth, Christoph Loy, Hellmuth Matiasek and Herbert Wernicke.<br />

<strong>Thomas</strong> <strong>Gazheli</strong> is also known as concert singer with a<br />

broad concert repertoire - he sang at the Philharmonie Berlin,<br />

Musikvereinssaal Vienna, Philharmonie Koln, Musikhalle<br />

Hamburg, Brucknerhaus Linz, Liederhalle Stuttgart, Alte<br />

Oper Frankfurt, Philharmonie Munich, Herkulessaal.<br />

<strong>Thomas</strong> <strong>Gazheli</strong> can be heard on e new CD of Leonard Bernsteins Candide as Pangloss/Martin (Live<br />

Recording from the Philharmonie Berlin with Jerry Hadley and Marjana Lipovsek ). Spoken languages<br />

: German, English, Italian, French.<br />

REPERTORY<br />

G. BIZET<br />

Escamillo, Zuniga, Dancairo CARMEN<br />

BERNSTEIN<br />

Dr. Panglos, Martin CANDIDE<br />

BERLIOZ<br />

Mefisto DAMNATION DE FAUST<br />

BEETHOVEN<br />

Pizarro FIDELIO<br />

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THOMAS GAZHELI<br />

BRITTEN<br />

Donald BILLY BUDD<br />

HUMPERDINGSK<br />

Peter HENSEL UND GRETEL<br />

LEHAR<br />

Danilo, Zeta DIE LUSTIGE WITWE<br />

MEIER<br />

Piquart DREYFUSS<br />

OFFENBACH<br />

Die Bosenwichter I RACCONTI DI HOFFMANN<br />

Orpheus ORFEO ALL’INFERNO<br />

Frick PARISER LEBEN<br />

TCHAJKOVSKY<br />

Ulmann YOLANTA<br />

ROSSINI<br />

Figaro BARBIERE DI SIVIGLIA<br />

Tell GUGLIELMO TELL<br />

SMETANA<br />

Kruschina DIE VERKAUFTE BRAU<br />

R. WAGNER<br />

Amfortas PARSIFAL<br />

Wotan, Wanderer, Alberich DER RING DES NIBELUNGEN<br />

W. A. MOZART<br />

Don Giovanni, Masetto, Commendatore DON GIOVANNI<br />

Il Conte LE NOZZE DI FIGARO<br />

Papageno ZAUBERFLOTE<br />

Don Alfonso, Guglielmo COSI’ FAN TUTTE<br />

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THOMAS GAZHELI<br />

G. PUCCINI<br />

Scarpia TOSCA<br />

Gianni Schicchi GIANNI SCHICCHI<br />

Michele IL TABARRO<br />

Marcello, Schaunard BOHEME<br />

G. VERDI<br />

Monterone RIGOLETTO<br />

Germont TRAVIATA<br />

Ford FALSTAFF<br />

SOME REVIEWS<br />

FRIEDRICH - LIEBESVERBOT - MUNICH<br />

Friedrich is the forerunner of the Dutchman, Tannhäuser and Amfortas, though he meetes with a<br />

happy ending. Costumed effectively to look like Franz Liszt, he is the only flesh-and-blood<br />

character in the piece, and his long aria of fespair in Act II is the work´s musical highlight. Baritone<br />

<strong>Thomas</strong> <strong>Gazheli</strong> is blessed with an enormous voice and significant dramatic persuasion. His<br />

portrayal of Friedrch was a tour de force. (OPERA NEWS Jeffrey A. Leipsic LIEBESVERBOT -<br />

MUNICH)<br />

ALBERICH -RHEINGOLD - FESTIVAL DE SANTANDER 2005<br />

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Brillante inauguración del FIS con un imaginativo montaje de 'El oro del Rhin' que gustó al repleto<br />

aforo entre ellos, hubo dos que destacaron sobremanera y fueron correspondidos por las ovaciones<br />

más nutridas: el veterano Francisco Araiza, presentó un matizadísimo retrato del astuto Loge, dios<br />

del fuego; y <strong>Thomas</strong> <strong>Gazheli</strong>, que, valiéndose de su voz rotunda y brillante, realizó como Alberich la<br />

encarnación más satisfactoria. (El Diario Montanes -Santander -Dario Fernandez-2.08.2005)<br />

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Brillaron en el elenco el veterano tenor mexicano Francisco Araiza, y el baritono <strong>Thomas</strong> <strong>Gazheli</strong>,<br />

notable actor en un Alberich mas doliente que siniestro: las confrontaciones de ambos supusieron<br />

los mejores instantes vocales de la noche.(LA RAZON - 2-08.2005 ( J.L.Perez de Arteaga )<br />

________________________________________________________________________________<br />

El apartado vocal contribuyo tanbien a la brillante consecucion final, ambito este en el que<br />

destacaron el tenor Francisco Araiza y el baritono <strong>Thomas</strong> <strong>Gazheli</strong>. ...En cuanto al segundo, su<br />

labor escenica resulto admirable y su voz sono consistente y bien modulada.(EL CORREO -<br />

2.08.05)<br />

________________________________________________________________________________<br />

Quedandonos con lo mjor es indispensable acudir a dos bajos, pilares de esta produccion y que si<br />

tuvieramos medidores de aplausos en sala nos confirmarian que fueron los que mas calor<br />

recibieron del publico. Les hablamos de <strong>Thomas</strong> <strong>Gazheli</strong>, Alberich en esta ocasion y de Xiaoliang<br />

Li. Desde su potencia y asentada presencia en escena- y no les hablamos de gritos - ambos supieron<br />

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THOMAS GAZHELI<br />

y pudieron dominar roles grandiosos y mitologicos por argumento y por historia de la propia<br />

opera.(ALERTA - 2.08.2005 - GUSTAVO MORAL)<br />

<strong>Thomas</strong> <strong>Gazheli</strong> resultó una revelasión como Alberich . ( SCHERZO octobre 2005)<br />

________________________________________________________________________________<br />

<strong>Thomas</strong> <strong>Gazheli</strong> encarnó con mucha autoridad a un ‘Alberich’ hiperactivo y detestable: miserable y<br />

viscoso con las hijas del Rhin, y tirano y sin escrúpulos con ‘Mime’, ‘Loge’ y ‘Wotan’. En posesión<br />

de una potentísima voz supo cantar sin sacrificar la expresividad que requiere su<br />

papel.(Mundoclasico.com Santander 2.08.2005)<br />

_______________________________________________________________________________<br />

También fue muy aplaudida la interpretación de los cantantes y especialmente la de los bajos<br />

<strong>Thomas</strong> <strong>Gazheli</strong>, que brilló en su papel del nibelungo Alberich, Xionlang Li (el gigante Fasolt) , así<br />

como la del tenor Francisco Araiza (Loge).<br />

De éstos destacó por su buen hacer, con una voz bien impostada, el Alberich de <strong>Thomas</strong> <strong>Gazheli</strong><br />

(OPERA ACTUAL - Audustin Achucarro)<br />

______________________________________________________________<br />

Schließlich die stimmliche Sensation der Aufführung - <strong>Thomas</strong> <strong>Gazheli</strong> als Alberich im korrekten<br />

Geschäftsanzug, der in seiner Vitalität ganz und gar nicht abstoßend sondern geradezu<br />

begehrenswert erscheint. Dem entspricht die virile Stimme, die keine Schwachstellen hören läßt und<br />

in der Fluchszene in eine existenzielle Dimension vordringt.( Orpheus 11+12.2005 Bernd Hoppe)<br />

So wie im Jahr 2000 Duccio dal Monte als Hagen oder 2001 Gertrud Ottenthal als Siegliende für<br />

Furore sorgten, gelang <strong>Thomas</strong> <strong>Gazheli</strong> in diesem allerletzten Erler-Ring als Alberich im<br />

2Rheingold“ eine fulminante Deutung-ein bissig gieriger Zeitgenosse, der phantasievoll mit keckem<br />

Gestus und Kernig-Plastischem baritonaler Klasse auftrumpft. Seinem Wanderer (Siegfried) entlockt<br />

er selten erlebte Charakterstärken- der großväterliche, nachdenkliche oder nur weise dargebotene<br />

Wanderer gehört bei ihm der Vergangenheit an. (ORPHEUS 1+2 . 2006)<br />

FRIEDRICH (GUNTRAM) - TEATRO BELLINI DI CATANIA<br />

Pregevole , peraltro , e autorevole il Friedhold di <strong>Thomas</strong> <strong>Gazheli</strong>. (Giornale di Sicilia 22.1.2005)<br />

.., condotto in modo eccelente e nel quale hanno avuto anche il supporto di un basso veramente<br />

importante come <strong>Thomas</strong> <strong>Gazheli</strong>, interprete del cantore Friedhold. (Gazzetta del Sud 22.01.2005)<br />

WATCH SOME VIDEO CLIPS FROM YOUTUBE :<br />

Parsifal Live:<br />

http://www.youtube.com/watch?v=RHN0nvk1Nb8<br />

Stabat Mater:<br />

http://www.youtube.com/watch?v=iK_fHQLsVd4&feature=related<br />

Zauberflote:<br />

http://www.youtube.com/watch?v=AFTpT7REua4&feature=related<br />

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THOMAS GAZHELI<br />

Sigfried:<br />

http://www.youtube.com/watch?v=kKZO9B2K33U&feature=related<br />

Tannhauser:<br />

http://www.youtube.com/watch?v=yRYi5hsQzoc&feature=related<br />

LISTEN AUDIO CLIPS (CLICK ON THE THUMBNAIL BELOW):<br />

Wanderer - Wache Wallah<br />

Alberich - Der fluch<br />

FOR INFORMATIONS AND BOOKING :<br />

<strong>IUMA</strong> MANAGEMENT<br />

Via Montecassiano 157 A/7 00156 Rome, Italy<br />

Tel. 0039 06 64508732, telefax 4115308<br />

cell. 0039 320 0780326, 338 1029430<br />

cfcatena@gmail.com or cfrancesconi69@gmail.com<br />

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