Thomas Gazheli - IUMA Management
Thomas Gazheli - IUMA Management Thomas Gazheli - IUMA Management
IUMA MANAGEMENT PROUDLY INTRODUCES Thomas Gazheli BARITONO
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<strong>IUMA</strong> MANAGEMENT<br />
PROUDLY INTRODUCES<br />
<strong>Thomas</strong> <strong>Gazheli</strong><br />
BARITONO
THOMAS GAZHELI<br />
<strong>Thomas</strong> <strong>Gazheli</strong> was born in Karlsruhe germany, where he started his musical education during his<br />
schooltime as trumpetplayer and violinist.<br />
He studied singing at the Hochschule fur Musik und darstellende<br />
Kunst Frankfurt am Main with Prof. Maclane-Lanier<br />
and completed his studies with Prof. Josef Metternich in Munich.<br />
<strong>Thomas</strong> <strong>Gazheli</strong> is winner of the Alexander Girardi and the<br />
Robert Stolz Contest. Already during his studies in Frankfurt<br />
Donald Runnicles engaged him as a member of the ensemble<br />
at the Stadtische Buhnen Freiburg, followed by Theater<br />
Basel and Staatstheater Am Gartnerplatz Munich, where he<br />
sang as a principal baritone a broad repertoire.<br />
He has been invited to sing among others at the opera houses<br />
of Milano (Teatro alla Scala) Catania, Palermo, Verona<br />
(Teatro), Santander (Festival Internacional de Santander<br />
Spain), Tirana-Albania, Vienna, Charleston-USA, Munich<br />
(Bayerische Staatsoper, Prinzregententheater) Dusseldorf/<br />
Duisburg, Frankfurt, Essen, Munich, Hamburg (Stateopera),<br />
Bonn, Salzburg (Festspielhaus), Mannheim, Luxembourg,<br />
Wiesbaden, Koln, Nurnberg, Braunschweig, Innsbruck, Linz,<br />
Augsburg, , Darmstadt, Mainz, St.Gallen, Luzern.<br />
His repertoire includes the roles of Rigoletto, Ford, Gianni Schicchi, Michele (Tabarro), Alfio, Tonio,<br />
Germont, Guglielmo Tell, Mefisto (La Damnation de Faust), Escamillo, 4 Villains (Contes d’Hoffman),<br />
Don Pizarro, Father (Hansel und Gretel), Kaspar, Kunrad (Feuersnot by R.Strauss), Friedrich (Ban<br />
Of Love by R.Wagner), Lescaut in Boulevard Solitude from Henze.<br />
In recent years he has moved into the Heldenbariton repertoire.<br />
In 2002, 2003, and 2004 he sang Friedrich (Liebesverbot By Wagner) and Kunrad (Feuersnot By<br />
R.Strauss) at the Prinzregententheater Munich, Alberich and Gunther at the Philharmonie Munich and<br />
debuted as Wanderer (Siegfried) at the Tiroler Festspiele Erl (Austria), where he was invited to performe<br />
the same role again in 2005.<br />
Also 2005 he sang the role of Friedhold (Guntram By R. Strauss) in a new production of Teatro Massimo<br />
Bellini Catania (Italy) and made his very acclaimed debut as Alberich (Rheingold) At The International<br />
Festival of Santander (Spain) and Tiroler Festspiele Erl under Gustav Kuhn.<br />
In July 2006 he had his debut as Amfortas with great success.<br />
In Novembre 2006 he performed the role of Hidulfus in the opera Genoveva from Schumann at the<br />
Teatro Massimo Palermo, also in November he sang the part of Simon in the oratory The Four Seasons<br />
From Haydn in Bolzano, Trento and Meran (Italy) with the Haydn Orchestra under Gustav Kuhn.<br />
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THOMAS GAZHELI<br />
During the season 2006/2007 he sang in Munich the roles of<br />
Tonio, Alfio, Padre Germont, Escamillo, Peter in Hansel<br />
Und Gretel, 4 Villains, Papageno, Sharpless and Don Pizarro.<br />
In Juli 2007 he will be again Alberich and Amfortas at the<br />
Tiroler Festspiele Erl.<br />
In November 2007 he can be heard at the Volksoper Vienna<br />
in the Roles of the 4 Villains.<br />
<strong>Thomas</strong> <strong>Gazheli</strong> has worked together among others with<br />
conductors as Paolo Carignani, Vladimir Fedosejev, Gustav<br />
Kuhn, Riccardo Muti, Donald Runnicles, Marcello Viotti, Walter<br />
Weller, M. Mayerhofer and stage directors as Peer Boysen,<br />
Werner Duggelin, August Everding, Paul Flieder, Claus<br />
Guth, Christoph Loy, Hellmuth Matiasek and Herbert Wernicke.<br />
<strong>Thomas</strong> <strong>Gazheli</strong> is also known as concert singer with a<br />
broad concert repertoire - he sang at the Philharmonie Berlin,<br />
Musikvereinssaal Vienna, Philharmonie Koln, Musikhalle<br />
Hamburg, Brucknerhaus Linz, Liederhalle Stuttgart, Alte<br />
Oper Frankfurt, Philharmonie Munich, Herkulessaal.<br />
<strong>Thomas</strong> <strong>Gazheli</strong> can be heard on e new CD of Leonard Bernsteins Candide as Pangloss/Martin (Live<br />
Recording from the Philharmonie Berlin with Jerry Hadley and Marjana Lipovsek ). Spoken languages<br />
: German, English, Italian, French.<br />
REPERTORY<br />
G. BIZET<br />
Escamillo, Zuniga, Dancairo CARMEN<br />
BERNSTEIN<br />
Dr. Panglos, Martin CANDIDE<br />
BERLIOZ<br />
Mefisto DAMNATION DE FAUST<br />
BEETHOVEN<br />
Pizarro FIDELIO<br />
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THOMAS GAZHELI<br />
BRITTEN<br />
Donald BILLY BUDD<br />
HUMPERDINGSK<br />
Peter HENSEL UND GRETEL<br />
LEHAR<br />
Danilo, Zeta DIE LUSTIGE WITWE<br />
MEIER<br />
Piquart DREYFUSS<br />
OFFENBACH<br />
Die Bosenwichter I RACCONTI DI HOFFMANN<br />
Orpheus ORFEO ALL’INFERNO<br />
Frick PARISER LEBEN<br />
TCHAJKOVSKY<br />
Ulmann YOLANTA<br />
ROSSINI<br />
Figaro BARBIERE DI SIVIGLIA<br />
Tell GUGLIELMO TELL<br />
SMETANA<br />
Kruschina DIE VERKAUFTE BRAU<br />
R. WAGNER<br />
Amfortas PARSIFAL<br />
Wotan, Wanderer, Alberich DER RING DES NIBELUNGEN<br />
W. A. MOZART<br />
Don Giovanni, Masetto, Commendatore DON GIOVANNI<br />
Il Conte LE NOZZE DI FIGARO<br />
Papageno ZAUBERFLOTE<br />
Don Alfonso, Guglielmo COSI’ FAN TUTTE<br />
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THOMAS GAZHELI<br />
G. PUCCINI<br />
Scarpia TOSCA<br />
Gianni Schicchi GIANNI SCHICCHI<br />
Michele IL TABARRO<br />
Marcello, Schaunard BOHEME<br />
G. VERDI<br />
Monterone RIGOLETTO<br />
Germont TRAVIATA<br />
Ford FALSTAFF<br />
SOME REVIEWS<br />
FRIEDRICH - LIEBESVERBOT - MUNICH<br />
Friedrich is the forerunner of the Dutchman, Tannhäuser and Amfortas, though he meetes with a<br />
happy ending. Costumed effectively to look like Franz Liszt, he is the only flesh-and-blood<br />
character in the piece, and his long aria of fespair in Act II is the work´s musical highlight. Baritone<br />
<strong>Thomas</strong> <strong>Gazheli</strong> is blessed with an enormous voice and significant dramatic persuasion. His<br />
portrayal of Friedrch was a tour de force. (OPERA NEWS Jeffrey A. Leipsic LIEBESVERBOT -<br />
MUNICH)<br />
ALBERICH -RHEINGOLD - FESTIVAL DE SANTANDER 2005<br />
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Brillante inauguración del FIS con un imaginativo montaje de 'El oro del Rhin' que gustó al repleto<br />
aforo entre ellos, hubo dos que destacaron sobremanera y fueron correspondidos por las ovaciones<br />
más nutridas: el veterano Francisco Araiza, presentó un matizadísimo retrato del astuto Loge, dios<br />
del fuego; y <strong>Thomas</strong> <strong>Gazheli</strong>, que, valiéndose de su voz rotunda y brillante, realizó como Alberich la<br />
encarnación más satisfactoria. (El Diario Montanes -Santander -Dario Fernandez-2.08.2005)<br />
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Brillaron en el elenco el veterano tenor mexicano Francisco Araiza, y el baritono <strong>Thomas</strong> <strong>Gazheli</strong>,<br />
notable actor en un Alberich mas doliente que siniestro: las confrontaciones de ambos supusieron<br />
los mejores instantes vocales de la noche.(LA RAZON - 2-08.2005 ( J.L.Perez de Arteaga )<br />
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El apartado vocal contribuyo tanbien a la brillante consecucion final, ambito este en el que<br />
destacaron el tenor Francisco Araiza y el baritono <strong>Thomas</strong> <strong>Gazheli</strong>. ...En cuanto al segundo, su<br />
labor escenica resulto admirable y su voz sono consistente y bien modulada.(EL CORREO -<br />
2.08.05)<br />
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Quedandonos con lo mjor es indispensable acudir a dos bajos, pilares de esta produccion y que si<br />
tuvieramos medidores de aplausos en sala nos confirmarian que fueron los que mas calor<br />
recibieron del publico. Les hablamos de <strong>Thomas</strong> <strong>Gazheli</strong>, Alberich en esta ocasion y de Xiaoliang<br />
Li. Desde su potencia y asentada presencia en escena- y no les hablamos de gritos - ambos supieron<br />
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THOMAS GAZHELI<br />
y pudieron dominar roles grandiosos y mitologicos por argumento y por historia de la propia<br />
opera.(ALERTA - 2.08.2005 - GUSTAVO MORAL)<br />
<strong>Thomas</strong> <strong>Gazheli</strong> resultó una revelasión como Alberich . ( SCHERZO octobre 2005)<br />
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<strong>Thomas</strong> <strong>Gazheli</strong> encarnó con mucha autoridad a un ‘Alberich’ hiperactivo y detestable: miserable y<br />
viscoso con las hijas del Rhin, y tirano y sin escrúpulos con ‘Mime’, ‘Loge’ y ‘Wotan’. En posesión<br />
de una potentísima voz supo cantar sin sacrificar la expresividad que requiere su<br />
papel.(Mundoclasico.com Santander 2.08.2005)<br />
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También fue muy aplaudida la interpretación de los cantantes y especialmente la de los bajos<br />
<strong>Thomas</strong> <strong>Gazheli</strong>, que brilló en su papel del nibelungo Alberich, Xionlang Li (el gigante Fasolt) , así<br />
como la del tenor Francisco Araiza (Loge).<br />
De éstos destacó por su buen hacer, con una voz bien impostada, el Alberich de <strong>Thomas</strong> <strong>Gazheli</strong><br />
(OPERA ACTUAL - Audustin Achucarro)<br />
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Schließlich die stimmliche Sensation der Aufführung - <strong>Thomas</strong> <strong>Gazheli</strong> als Alberich im korrekten<br />
Geschäftsanzug, der in seiner Vitalität ganz und gar nicht abstoßend sondern geradezu<br />
begehrenswert erscheint. Dem entspricht die virile Stimme, die keine Schwachstellen hören läßt und<br />
in der Fluchszene in eine existenzielle Dimension vordringt.( Orpheus 11+12.2005 Bernd Hoppe)<br />
So wie im Jahr 2000 Duccio dal Monte als Hagen oder 2001 Gertrud Ottenthal als Siegliende für<br />
Furore sorgten, gelang <strong>Thomas</strong> <strong>Gazheli</strong> in diesem allerletzten Erler-Ring als Alberich im<br />
2Rheingold“ eine fulminante Deutung-ein bissig gieriger Zeitgenosse, der phantasievoll mit keckem<br />
Gestus und Kernig-Plastischem baritonaler Klasse auftrumpft. Seinem Wanderer (Siegfried) entlockt<br />
er selten erlebte Charakterstärken- der großväterliche, nachdenkliche oder nur weise dargebotene<br />
Wanderer gehört bei ihm der Vergangenheit an. (ORPHEUS 1+2 . 2006)<br />
FRIEDRICH (GUNTRAM) - TEATRO BELLINI DI CATANIA<br />
Pregevole , peraltro , e autorevole il Friedhold di <strong>Thomas</strong> <strong>Gazheli</strong>. (Giornale di Sicilia 22.1.2005)<br />
.., condotto in modo eccelente e nel quale hanno avuto anche il supporto di un basso veramente<br />
importante come <strong>Thomas</strong> <strong>Gazheli</strong>, interprete del cantore Friedhold. (Gazzetta del Sud 22.01.2005)<br />
WATCH SOME VIDEO CLIPS FROM YOUTUBE :<br />
Parsifal Live:<br />
http://www.youtube.com/watch?v=RHN0nvk1Nb8<br />
Stabat Mater:<br />
http://www.youtube.com/watch?v=iK_fHQLsVd4&feature=related<br />
Zauberflote:<br />
http://www.youtube.com/watch?v=AFTpT7REua4&feature=related<br />
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THOMAS GAZHELI<br />
Sigfried:<br />
http://www.youtube.com/watch?v=kKZO9B2K33U&feature=related<br />
Tannhauser:<br />
http://www.youtube.com/watch?v=yRYi5hsQzoc&feature=related<br />
LISTEN AUDIO CLIPS (CLICK ON THE THUMBNAIL BELOW):<br />
Wanderer - Wache Wallah<br />
Alberich - Der fluch<br />
FOR INFORMATIONS AND BOOKING :<br />
<strong>IUMA</strong> MANAGEMENT<br />
Via Montecassiano 157 A/7 00156 Rome, Italy<br />
Tel. 0039 06 64508732, telefax 4115308<br />
cell. 0039 320 0780326, 338 1029430<br />
cfcatena@gmail.com or cfrancesconi69@gmail.com<br />
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