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Union Pipes - Irish Traditional Music Archive

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95 COURTNEY’S ‘UNION PIPES’ AND THE TERMINOLOGY OF IRISH BELLOWS-BLOWN BAGPIPES<br />

exposed could then be held against a knee-pad ad lib to create<br />

moments of silence on the higher-pitched chanter and introduce<br />

staccato playing with new kinds of ornamentation. These<br />

developments, with new high standards of wood-turning and<br />

manufacturing finish and reliability, the hypothesis holds, had been<br />

taking place in Ireland. 344 Courtney’s influential patrons, his new<br />

emollient marketing term, and above all his musical abilities,<br />

enabled him, it seems, to introduce these novel developments to the<br />

British capital, at the highest social levels, and to enjoy continuous<br />

success there by means of them for the rest of his short life. As far as<br />

his London concert audiences were concerned, he had introduced a<br />

new species of music, one which would live after him. But the term<br />

does not imply a new organological development, merely a highly<br />

visible introduction into London, by the first <strong>Irish</strong> piper to make a<br />

public name for performance in Britain, of a development which had<br />

seemingly taken place in Ireland some decades earlier. In this,<br />

Courtney can be seen an important figure in the history of the<br />

globalisation of <strong>Irish</strong> music. This process had been underway with<br />

regard to the <strong>Irish</strong> harp in Britain and Europe since Elizabethan<br />

times, and with regard to the <strong>Irish</strong> bellows pipes in Britain and north<br />

America (and even as far as British India) from the earlier eighteenth<br />

century. But Courtney clearly brought these pipes to a new level of<br />

international attention in the late eighteenth century – and<br />

subsequently through his continuing influence.<br />

If Denis Courtney’s ‘union pipes’ were not then in fact a new<br />

instrument, but a new name for an existing instrument, there is a<br />

need for some revision of bellows-bagpipe terminology as used<br />

hitherto in bagpipe studies and museum catalogues. In such sources<br />

‘union pipes’ has often been used as a convenient term to distinguish<br />

the earlier eighteenth-century bellows legato bagpipes with a foot-<br />

344<br />

For pre-Courtney <strong>Irish</strong>-made bellows pipes, see Donnelly 1983, Donnelly<br />

2002, and Carolan 2006.

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