Union Pipes - Irish Traditional Music Archive
Union Pipes - Irish Traditional Music Archive
Union Pipes - Irish Traditional Music Archive
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93 COURTNEY’S ‘UNION PIPES’ AND THE TERMINOLOGY OF IRISH BELLOWS-BLOWN BAGPIPES<br />
Some Considerations Arising<br />
Were Denis Courtney’s ‘union pipes’ <strong>Irish</strong> pipes, or were they<br />
something else? On the present evidence, it would have to be said<br />
that they did belong to the range of bellows pipes known to his<br />
contemporaries by the catch-all term ‘<strong>Irish</strong> pipes’. 339 As has been<br />
seen, this piper who introduced and established the term was <strong>Irish</strong>,<br />
explicitly described as such in contemporary sources; he played<br />
‘<strong>Irish</strong> pipes’ and in Ireland his ‘union pipes’ were called ‘our<br />
favourite national instrument’; he played in recitals with the <strong>Irish</strong><br />
bellows pipers Murphy and McDonnell, both of whom then called<br />
their instrument ‘<strong>Irish</strong> pipes’; his ‘union pipes’ were highly<br />
acceptable to his <strong>Irish</strong> audiences who were familiar with the native<br />
form of the instrument; he played <strong>Irish</strong> melodies, some with titles in<br />
<strong>Irish</strong>; his earliest successors as performers on the union pipes (some<br />
of them music editors and publishers) were mostly <strong>Irish</strong>; and the<br />
union pipes were frequently labeled ‘<strong>Irish</strong>’ after his death, even by<br />
Scottish players who used the term. Later again, in the United States,<br />
Australia and Canada, the union pipes were more often than not also<br />
characterised as ‘<strong>Irish</strong>’, and in Ireland even <strong>Irish</strong>-speaking and<br />
nationally minded pipers clung to the term ‘union pipes’ as late as<br />
the mid-twentieth century.<br />
Did Courtney introduce a ‘new species of music’, as was said by the<br />
Times writer the morning after his 1788 London debut? Only as far<br />
as his fashionable London audience in the Free Mason’s Hall was<br />
concerned, although not otherwise. As said, his audience in Vauxhall<br />
Gardens a few days later found his music ‘single and novel’, and a<br />
339<br />
Both ‘<strong>Irish</strong> pipes’ and ‘union pipes’ have been used to cover a range of<br />
variant forms of <strong>Irish</strong> bellows pipes, and the term may also sometimes have<br />
been later applied in Britain to bellows pipes that were not <strong>Irish</strong>. ‘<strong>Irish</strong> pipes’<br />
and ‘union pipes’ have been applied also to ‘pastoral pipes’ of the type<br />
described in 1743 by John Geoghegan and which survived into the next century,<br />
but to what degree these were <strong>Irish</strong> is a question for another time.