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Union Pipes - Irish Traditional Music Archive

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91 COURTNEY’S ‘UNION PIPES’ AND THE TERMINOLOGY OF IRISH BELLOWS-BLOWN BAGPIPES<br />

and jigs on simply ‘(bag)pipes’. This usage continued through to<br />

about 1960, when a shift to the term ‘uilleann pipes’ began to occur<br />

under the influence of uilleann pipers such as Seamus Ennis and Leo<br />

Rowsome coming to America on commercial recordings or in<br />

person, and the foundation of branches of CCÉ which generally used<br />

the new term. This influence was greatly reinforced later in the<br />

decade by the commercial recordings of the group The Chieftains<br />

(led by uilleann piper Paddy Moloney), by Americans who became<br />

members of the organisation Na Píobairí Uilleann from 1968 and<br />

adopted its terminology, and from the 1970s by touring solo uilleann<br />

pipers such as Liam O’Flynn of the group Planxty and Paddy<br />

Keenan of the Bothy Band. As part of this trend, the first newsletter<br />

for American players of <strong>Irish</strong> bellows pipes was The Uilleann Piper,<br />

a short-lived circular edited in 1974 by Rev. James MacKenzie of<br />

North Carolina. Remaining to an extent with the older usage<br />

however has been the society of <strong>Irish</strong> bellows pipers which began<br />

life in 1979 as The <strong>Irish</strong> Pipers’ Club of San Francisco, and which<br />

still flourishes as The <strong>Irish</strong> Pipers’ Club, based in Seattle with<br />

connections to other North American <strong>Irish</strong> pipers clubs. Its 1979<br />

constitution stated that it was formed to ‘preserve and promote the<br />

playing of the <strong>Irish</strong> <strong>Union</strong> (Uilleann) <strong>Pipes</strong>’, and in its journal Iris na<br />

bPíobairí – The Pipers’ Review, it has continued to actively employ<br />

the term ‘union pipes’ as well as ‘uilleann pipes’. 338<br />

However, in the wider world of globalised <strong>Irish</strong> bellows piping, now<br />

found on four continents, modern <strong>Irish</strong> usage has been almost<br />

universally adapted and the instrument is formally known as the<br />

‘uilleann pipes’, both in its contemporary forms and as an ahistorical<br />

term of convenience for referring to its older forms. Breandán<br />

338<br />

It was influenced at first in this by Denis Brooks, a founding member of the<br />

club and the first editor of its journal. I am obliged to him for the information<br />

that he favoured the Courtney term as it was what he had heard from older<br />

players in the United States in the 1960s (pers. comm., 2 Oct. 2011). His 1985<br />

manual for the instrument is entitled The Tutor: <strong>Irish</strong> <strong>Union</strong> <strong>Pipes</strong>. A Workbook.

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