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Union Pipes - Irish Traditional Music Archive

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7 COURTNEY’S ‘UNION PIPES’ AND THE TERMINOLOGY OF IRISH BELLOWS-BLOWN BAGPIPES<br />

Although the venue and the occasion are English, as will be seen<br />

below the piper is <strong>Irish</strong> and his pipes are <strong>Irish</strong> pipes, and, insofar as it<br />

was introduced by him, the term is also <strong>Irish</strong>.<br />

‘Mr. Courtenay’ was the stage name of the professional bellows<br />

piper Denis Courtney, an ‘itinerant <strong>Irish</strong> musician of great fame in<br />

the British provinces’. 12 He was about twenty-eight when he made<br />

his first London concert appearance on 14 May 1788, in the<br />

company of other very different but well known performers and in<br />

what was a leading London music venue. Courtney’s piping quickly<br />

became famous in London and he had a somewhat meteoric career<br />

before he died there in 1794, in his mid-thirties, of an illness brought<br />

on by heavy drinking. Long after his death, he was remembered as<br />

an outstanding musician.<br />

Before Courtney’s debut, no bagpiper of any kind is known to have<br />

given a stage recital in London, as distinct from performances in the<br />

street and in taverns and ballrooms, from the accompanying of<br />

dancers on stage, and from private recitals. Bagpipes had long been<br />

generally spoken of in print in Britain, usually in unflattering terms,<br />

and in their Scottish forms used to make oblique criticisms of<br />

Scottish politicians at Westminster. They were bywords for riot, 13<br />

drunkenness, low living and noise. Nor were <strong>Irish</strong> pipes exempt from<br />

this latter criticism. The Scottish novelist Tobias Smollet compared<br />

the piercing singing of a character in his 1751 London novel The<br />

Adventures of Peregrine Pickle to ‘the joint issue of an <strong>Irish</strong> bagpipe<br />

and a sow gelder’s horn’; this quip was reproduced over and<br />

over in contemporary newspapers and magazines. Nevertheless there<br />

is occasional print evidence of a positive bagpipe subculture in the<br />

12<br />

Highfill et al.: 4, 8.<br />

13<br />

The Scottish bagpipes had recently been used in London to lead mobs<br />

participating in the highly destructive anti-Catholic Gordon riots of the summer<br />

of 1780 (Morning Post and Daily Advertiser, London, 5 Jan. 1781).

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