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Union Pipes - Irish Traditional Music Archive

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COURTNEY’S ‘UNION PIPES’ AND THE TERMINOLOGY OF IRISH BELLOWS-BLOWN BAGPIPES 28<br />

Howard was for a time a close companion of ‘Prinny’, the dissolute<br />

Prince of Wales and Prince Regent who would become King George<br />

IV. Courtney also was a favourite of the prince, and of his father<br />

George III. In 1792 at a meeting and dinner of some five hundred of<br />

the Free and Accepted Masons in their hall at Lincoln’s Inn Fields<br />

the Prince of Wales, the Grand Master, was in the chair, and<br />

afterwards ‘Courtney, on the <strong>Union</strong> <strong>Pipes</strong>, and Wiepert, on the Harp,<br />

added to the entertainment of the day...’. 69 In 1793 it was claimed<br />

that ‘his Royal Highness the Prince of Wales has often commanded<br />

him to attend his parties’. 70 In a 1794 Royal Command performance<br />

of a show in which he played, it was reported that ‘Courtenay, with<br />

the charming music of the <strong>Union</strong> <strong>Pipes</strong>, seemed to afford uncommon<br />

satisfaction to the Royal Box’. 71<br />

Courtney did not however spend all his time in aristocratic service:<br />

‘Courtenay, the celebrated <strong>Union</strong> Piper... was a choice spirit, and<br />

would sooner play on his pipes to amuse his poor countrymen, than<br />

gratify the wishes of noblemen, although handsomely paid for it’. 72<br />

Courtney’s establishing of the bagpipes as an instrument acceptable<br />

to fashionable London audiences may have contributed to the first<br />

stage appearance of a Scottish Highland piper there later in 1788.<br />

The Highland Society of London, as well as having the Scottish<br />

mouth-blown Highland bagpipes played privately at its own London<br />

functions, had been supporting the Highland pipes since 1781 by<br />

organising annual piping competitions and offering prizes. These had<br />

69<br />

The Diary or Woodfall’s Register, London, 4 May 1792.<br />

70<br />

Hibernian Journal, Dublin, 4 Jan. 1793.<br />

71<br />

The World, London, 11 Feb. 1794.<br />

72<br />

Egan 1820: 142–3. The implication that Courtney would have had a familiar<br />

<strong>Irish</strong> traditional repertory for this audience is borne out by his later introduction<br />

of such music into his stage performances as below. It is likely that Courtney<br />

also played for dancers on these occasions, that being then a primary function of<br />

an <strong>Irish</strong> piper. This and other references give the impression that Courtney was<br />

himself of humble birth.

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