Union Pipes - Irish Traditional Music Archive
Union Pipes - Irish Traditional Music Archive
Union Pipes - Irish Traditional Music Archive
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COURTNEY’S ‘UNION PIPES’ AND THE TERMINOLOGY OF IRISH BELLOWS-BLOWN BAGPIPES 28<br />
Howard was for a time a close companion of ‘Prinny’, the dissolute<br />
Prince of Wales and Prince Regent who would become King George<br />
IV. Courtney also was a favourite of the prince, and of his father<br />
George III. In 1792 at a meeting and dinner of some five hundred of<br />
the Free and Accepted Masons in their hall at Lincoln’s Inn Fields<br />
the Prince of Wales, the Grand Master, was in the chair, and<br />
afterwards ‘Courtney, on the <strong>Union</strong> <strong>Pipes</strong>, and Wiepert, on the Harp,<br />
added to the entertainment of the day...’. 69 In 1793 it was claimed<br />
that ‘his Royal Highness the Prince of Wales has often commanded<br />
him to attend his parties’. 70 In a 1794 Royal Command performance<br />
of a show in which he played, it was reported that ‘Courtenay, with<br />
the charming music of the <strong>Union</strong> <strong>Pipes</strong>, seemed to afford uncommon<br />
satisfaction to the Royal Box’. 71<br />
Courtney did not however spend all his time in aristocratic service:<br />
‘Courtenay, the celebrated <strong>Union</strong> Piper... was a choice spirit, and<br />
would sooner play on his pipes to amuse his poor countrymen, than<br />
gratify the wishes of noblemen, although handsomely paid for it’. 72<br />
Courtney’s establishing of the bagpipes as an instrument acceptable<br />
to fashionable London audiences may have contributed to the first<br />
stage appearance of a Scottish Highland piper there later in 1788.<br />
The Highland Society of London, as well as having the Scottish<br />
mouth-blown Highland bagpipes played privately at its own London<br />
functions, had been supporting the Highland pipes since 1781 by<br />
organising annual piping competitions and offering prizes. These had<br />
69<br />
The Diary or Woodfall’s Register, London, 4 May 1792.<br />
70<br />
Hibernian Journal, Dublin, 4 Jan. 1793.<br />
71<br />
The World, London, 11 Feb. 1794.<br />
72<br />
Egan 1820: 142–3. The implication that Courtney would have had a familiar<br />
<strong>Irish</strong> traditional repertory for this audience is borne out by his later introduction<br />
of such music into his stage performances as below. It is likely that Courtney<br />
also played for dancers on these occasions, that being then a primary function of<br />
an <strong>Irish</strong> piper. This and other references give the impression that Courtney was<br />
himself of humble birth.