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Union Pipes - Irish Traditional Music Archive

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23 COURTNEY’S ‘UNION PIPES’ AND THE TERMINOLOGY OF IRISH BELLOWS-BLOWN BAGPIPES<br />

having seen an advertisement ‘for the benefit of one Courtney,<br />

performer on the union pipes, I went to it & sat in the gallery, but<br />

came away (finding myself rather tired) as soon as he had played his<br />

concerto, with w’ch I was not very well pleased, some parts of it<br />

being as I thought like a person singing & crying at the same time’. 63<br />

Courtney’s success was quickly followed up on the same day as The<br />

Times review appeared, on 15 May, with a surprise appearance<br />

during a concert on the pre-opening night of the 1788 season at the<br />

fashionable London pleasure gardens at Vauxhall. Two thousand<br />

were in attendance at the gardens, and the musicians played in a<br />

newly enlarged and brilliantly lit promenade room.<br />

The concert was unexpectedly enriched by the introduction of<br />

Courtney, the bagpipe player, who performed the tune of Maggy<br />

Lauder with uncommon beauty. It is astonishing what tenderness<br />

of tone and variety he gives to the instrument. 64<br />

The gardens were open again two nights later, and Courtney was<br />

again on hand:<br />

After the concert was finished in the garden orchestra, Mr.<br />

Courtenay performed a concerto on the <strong>Union</strong> <strong>Pipes</strong> in the Grand<br />

Saloon, which was received with much applause, for the execution<br />

and skill he displayed on an instrument as single and novel for the<br />

audience, as for a regular concerto. 65<br />

Another newspaper review was in agreement with this assessment.<br />

The singers had disappointed – they were ‘much agitated by their<br />

first appearance at this place’ – but<br />

63<br />

Robins 1998: 432.<br />

64<br />

London Chronicle, London, 15–17 May 1788.<br />

65<br />

Ibid.

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