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Union Pipes - Irish Traditional Music Archive

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17 COURTNEY’S ‘UNION PIPES’ AND THE TERMINOLOGY OF IRISH BELLOWS-BLOWN BAGPIPES<br />

In 1766 a blind professional musician Mr James Mullin had come<br />

from London to Derby to perform ‘Several Extraordinary Pieces of<br />

<strong>Music</strong> on the <strong>Irish</strong> Bagpipes, German flute and Violin’. 37 The Scot<br />

James Tytler, editor in Edinburgh of the second edition of the<br />

Encyclopaedia Britannica, played on the ‘<strong>Irish</strong> pipes’ according to<br />

his friend the poet Robert Burns, 38 and Tytler would have been<br />

speaking from personal experience when he also applies this term to<br />

the instrument in 1778, and describes it in the Encyclopaedia as the<br />

‘softest, and in some respects the most melodious of any’ bagpipes. 39<br />

From about 1765 to the end of the century London and other musical<br />

instrument sellers are regularly advertising two kinds of bagpipes –<br />

‘Bagpipes, Scotch or <strong>Irish</strong>’ – for sale, 40 and some claim to be making<br />

them. 41 By 1779, less than a decade before Courtney appears in<br />

the contemporary <strong>Irish</strong> pipes he refers to were more ‘variegated’ or varied than<br />

these, they would have had a range comparable to that of Geoghegan’s ‘new or<br />

pastoral’ instrument, and probably, like it, have had a capability for producing<br />

various semitones by crossfingering. They may even have been Geoghegan’s<br />

instrument; he was <strong>Irish</strong>, and it is an open question whether his pipes were seen<br />

as <strong>Irish</strong> in Scotland in 1760. By ‘other <strong>Music</strong>k’ MacDonald doubtless meant the<br />

kind of popular classical music he had just been writing about, by such<br />

composers as Corelli, Festing and Handel.<br />

37<br />

Derby Mercury, Derby, 19 Sept. 1766.<br />

38<br />

R.H. Cromeck, Reliques of Robert Burns, quoted in Stewart 2009: 79.<br />

39<br />

[Tytler] 1778: 954.<br />

40<br />

See Halfpenny 1964: 100–101 for a 1765 Robert Bremner advertisement;<br />

Bath Chronicle and Weekly Gazette, Bath, 17 Aug. 1769, for a Thomas<br />

Underwood advertisement; Gazeteer and New Daily Advertiser, London, 13<br />

June 1770, for a Henry Thorowgood advertisement; and A Catalogue of Vocal<br />

and Instrumental <strong>Music</strong>... John Welcker [c. 1775]; etc.<br />

41<br />

John Welcker [c. 1775] for example: ‘John Welcker... Manufactures and Sells<br />

the following Instruments... Bagpipes Scotch or <strong>Irish</strong>... Bagpipe [reeds]...’ (in<br />

catalogue of Note 40). Welcker lists so many instruments of his manufacture<br />

that it might be suspected that he is factoring them for other manufacturers, but<br />

he also gives a separate list of instruments that he only imports (including<br />

‘Welch Harps’ and ‘<strong>Irish</strong> Harps’).

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