Union Pipes - Irish Traditional Music Archive

COURTNEY’S ‘UNION PIPES’ AND THE TERMINOLOGY OF IRISH BELLOWS-BLOWN BAGPIPES 102
Proquest Historical Newspapers: The Irish Times
Seventeenth- and Eighteenth-Century Burney Collection
Books & articles
Airs, Duets, Choruses, and Argument, of the New Ballet Pantomime,
(Taken from Ossian) Called Oscar and Malvina; or, The Hall of
Fingal. As Performed at the Theatre-Royal, Covent-Garden. 3rd ed..
T. Cadel, London, 1791
Armstrong, R.A., A Gaelic Dictionary, in Two Parts: I. Gaelic and
English. II. English and Gaelic, James Duncan etc., London, 1825
Bain, Iain, ‘Thomas and Robert Bewick and their Connections with
Northumbrian Piping’, Northumbrian Pipers’ Magazine vol. 3
(1982): 11–17
Baines, Anthony, Bagpipes (Occasional Papers on Technology 9),
3rd ed., Pitt Rivers Museum, Oxford, 1995
Barlow, Jeremy, The Enraged Musician: Hogarth’s Musical
Imagery, Ashgate, Aldershot & Burlington VT, 2005
Bartley, J.O., Teague, Shenkin and Sawney, being a Historical Study
of the Earliest Irish, Welsh and Scottish Characters in English Plays,
Cork University Press, Cork, 1954
Beauford, William, I. Druidism Revived: or, a Dissertation on the
Characters and Modes of Writing used by the Irish in their pagan
state and after their conversion to Christianity II. Of the Origin and
Language of the Irish; and of the Learning of the Druids, in
Collectanea de Rebus Hibernicis, Charles Vallancey ed.,
Antiquarian Society, Dublin, 1781: 161–249