Union Pipes - Irish Traditional Music Archive
Union Pipes - Irish Traditional Music Archive
Union Pipes - Irish Traditional Music Archive
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COURTNEY’S ‘UNION PIPES’ AND THE TERMINOLOGY OF IRISH BELLOWS-BLOWN BAGPIPES 102<br />
Proquest Historical Newspapers: The <strong>Irish</strong> Times<br />
Seventeenth- and Eighteenth-Century Burney Collection<br />
Books & articles<br />
Airs, Duets, Choruses, and Argument, of the New Ballet Pantomime,<br />
(Taken from Ossian) Called Oscar and Malvina; or, The Hall of<br />
Fingal. As Performed at the Theatre-Royal, Covent-Garden. 3rd ed..<br />
T. Cadel, London, 1791<br />
Armstrong, R.A., A Gaelic Dictionary, in Two Parts: I. Gaelic and<br />
English. II. English and Gaelic, James Duncan etc., London, 1825<br />
Bain, Iain, ‘Thomas and Robert Bewick and their Connections with<br />
Northumbrian Piping’, Northumbrian Pipers’ Magazine vol. 3<br />
(1982): 11–17<br />
Baines, Anthony, Bagpipes (Occasional Papers on Technology 9),<br />
3rd ed., Pitt Rivers Museum, Oxford, 1995<br />
Barlow, Jeremy, The Enraged <strong>Music</strong>ian: Hogarth’s <strong>Music</strong>al<br />
Imagery, Ashgate, Aldershot & Burlington VT, 2005<br />
Bartley, J.O., Teague, Shenkin and Sawney, being a Historical Study<br />
of the Earliest <strong>Irish</strong>, Welsh and Scottish Characters in English Plays,<br />
Cork University Press, Cork, 1954<br />
Beauford, William, I. Druidism Revived: or, a Dissertation on the<br />
Characters and Modes of Writing used by the <strong>Irish</strong> in their pagan<br />
state and after their conversion to Christianity II. Of the Origin and<br />
Language of the <strong>Irish</strong>; and of the Learning of the Druids, in<br />
Collectanea de Rebus Hibernicis, Charles Vallancey ed.,<br />
Antiquarian Society, Dublin, 1781: 161–249