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of the surrounding wall of the area of Castello, which was completed in<br />
1305–07 with the towers of San Pancrazio and of the Elephant, designed<br />
by Giovanni Capula. In the second half of the XIII century, Santa Maria of<br />
Bonarcado was widened and the cathedral of San Pantaleo of Dolianova<br />
built. On the construction site of the latter, the first masters congregate to<br />
build several minor churches in the region. In 1293, the architect Anselmo<br />
da Como supervises the creation of San Pietro of Zuri (Ghilarza), which<br />
points to transitional shapes from Romanesque to Gothic.<br />
The church of Santissima Trinità of Saccargia, located in the middle of a<br />
lush green rural valley in the area of Codrongianos, is one of the most<br />
remarkable examples of Romanesque architecture in Sardinia.<br />
Erected in two phases, starting from the first years of the XII century, it<br />
belonged to the Benedectines of Camaldoli, who lived in the monastery<br />
whose remnants are currently preserved. It features a mono-nave hall with<br />
a transect overlooked by three apses facing north-east. The façade is<br />
preceded by a portico with cross-shaped vaults, whereas in the northern<br />
section the tall square-shafted bell tower and a sacristy are located. The<br />
peculiar bichromy is of clear Pisan origin, as is the partition into three<br />
horizontal layers of the façade. In the upper layers, series of small arches<br />
Retable by Maestro<br />
di Ozieri<br />
form false recesses housing variegated polychrome decorations.<br />
Inside the church, the bare walls tease the view towards the apse area, in<br />
which an extraordinary cycle of fresco paintings, attributable to a Tuscan-<br />
Latian painter, is preserved.<br />
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