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of the surrounding wall of the area of Castello, which was completed in<br />

1305–07 with the towers of San Pancrazio and of the Elephant, designed<br />

by Giovanni Capula. In the second half of the XIII century, Santa Maria of<br />

Bonarcado was widened and the cathedral of San Pantaleo of Dolianova<br />

built. On the construction site of the latter, the first masters congregate to<br />

build several minor churches in the region. In 1293, the architect Anselmo<br />

da Como supervises the creation of San Pietro of Zuri (Ghilarza), which<br />

points to transitional shapes from Romanesque to Gothic.<br />

The church of Santissima Trinità of Saccargia, located in the middle of a<br />

lush green rural valley in the area of Codrongianos, is one of the most<br />

remarkable examples of Romanesque architecture in Sardinia.<br />

Erected in two phases, starting from the first years of the XII century, it<br />

belonged to the Benedectines of Camaldoli, who lived in the monastery<br />

whose remnants are currently preserved. It features a mono-nave hall with<br />

a transect overlooked by three apses facing north-east. The façade is<br />

preceded by a portico with cross-shaped vaults, whereas in the northern<br />

section the tall square-shafted bell tower and a sacristy are located. The<br />

peculiar bichromy is of clear Pisan origin, as is the partition into three<br />

horizontal layers of the façade. In the upper layers, series of small arches<br />

Retable by Maestro<br />

di Ozieri<br />

form false recesses housing variegated polychrome decorations.<br />

Inside the church, the bare walls tease the view towards the apse area, in<br />

which an extraordinary cycle of fresco paintings, attributable to a Tuscan-<br />

Latian painter, is preserved.<br />

53

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