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Iglesias<br />
Iglesias (28,170 inhabitants) has ancient origins, as testified by the Byzantine<br />
church of San Salvatore. However, its urban plan dates to the XIII century,<br />
when the Pisan lords supplied it with an imposing surrounding wall, of which<br />
long stretches remain preserved. In the historical centre, which features some<br />
surviving Liberty and Art Deco mansions, the Gothic cathedral of Santa Chiara<br />
is located. This was founded in 1285 and completed in 1288, as evinced by<br />
On the left:<br />
Il Pan di zucchero<br />
(The Sugar Loaf)<br />
at Buggerru<br />
On the right:<br />
Mines in Masua<br />
inscriptions therein. Notable is also the church of San Francesco, which<br />
houses the retable of a Cagliaritan workshop of the second half of the XVI<br />
century. The throbbing heart of the modern town is Piazza Sella, with the<br />
Monument to Quintino Sella by Giuseppe Sartorio (1885), and the adjacent<br />
Piazza Oberdan, with the Monumento ai Caduti (War Memorial) by Francesco<br />
Ciusa (1928). Not far away is the Museum of Mining Art, where the<br />
remnants and tools that made history in the mines of the Iglesiente are<br />
exhibited: original machines, plastic models and ancient photographs. Inside is<br />
also a real tunnel that can be visited. Upon leaving town are the red hills<br />
formed by the build-up of residues from the working of the iron ore<br />
processes in the metal-bearing complex of Monteponi, one of the major<br />
plants of Sulcis-Iglesiente. The secular mining activity, which made it one of<br />
the most important Italian centres for the processing of zinc and lead ores, is<br />
documented by the significance of the plants and by the sheer volume of<br />
their dumping grounds. Not to be missed is the fresco painting titled La<br />
miniera (The Mine: 1950) by Aligi Sassu (housed in the guest quarters), and<br />
the abandoned mining villages of Sa Macchina Beccia and Seddas Moddizzis.<br />
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