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R E T U R N T O R O B U S T A D M A R K E T<br />

“Germany still<br />

universally stands<br />

for quality — both<br />

at home and in a<br />

globalized world.”<br />

Luc Samama, Client<br />

Service Director ,<br />

DAVINCI SELECTWORK GmbH,<br />

Düsseldorf<br />

luc.samama@davinci-selectwork.com<br />

“The German consumer is<br />

again willing to pay a bit<br />

more for quality products<br />

and is also willing to invest<br />

in more expensive goods.<br />

The German economy is<br />

expected to improve over<br />

the next year. This, of<br />

course, will also lead<br />

to higher advertising<br />

budgets.”<br />

Michael Monheim, Vice President,<br />

Axel Springer Group Inc., New York<br />

mm@asgmedia.com<br />

Germany is not thought of first as an “idea”<br />

market as many creative ad awards go to the U.K.,<br />

the U.S., followed by markets like Brazil and Australia.<br />

However, that may be changing. McDonald’s global<br />

tagline of “I’m lovin’ it” did originate in Germany.<br />

Are you noticing changes in approaches to creativity?<br />

Can you cite an example of breakthrough work?<br />

Michael Dunke, Universal McCann: From my point of view,<br />

German agencies have won and win more and more creative awards.<br />

A lot of media firsts and creative ideas have been developed like the<br />

Opel Astra Blogging.<br />

Lothar Rentschler, Mediaedge:cia: Clients are more and more<br />

demanding 360° solutions, integrated communications ideas and<br />

creative media solutions. MEC is currently developing a<br />

communications plan for the recently-won client, Shoestring, with<br />

highly creative solutions. The solution is hardly based on ‘old and<br />

traditional’ media, but is focusing on integrated ideas including<br />

below-the-line, as well as digital and viral ideas.<br />

Luc Samama, DAVINCI SELECTWORK: In an extremely<br />

competitive and cluttered environment, clients are trying different<br />

routes to ‘stand out from the crowd.’ Some have even become<br />

‘shockingly’ creative and polarizing. A recent example of this<br />

technique involved advertising from a direct insurance company.<br />

Their commercial showed a young daughter stating a wish for her<br />

father to die, so she could finally cash his life insurance and get her<br />

pony farm. The ad was stopped, but the amount of press mentions —<br />

although negative — may have exceeded the monetary value<br />

of a campaign.<br />

Michael Monheim, Axel Springer: In the last decade German<br />

consumers have been extremely price sensitive but recently there has<br />

been a shift towards quality. For example, the electronic retailer<br />

SATURN used to have a slogan (‘Geiz ist geil’ — ‘stinginess is cool’)<br />

which explained the mindset of the whole industry at this time. The<br />

new message (‘Wir lieben Technik, Wir hassen teuer’ — ‘We love<br />

technology, we hate high prices’) shows the shift towards quality.<br />

There is still a price consideration, but now mixed with<br />

emotions and quality.<br />

30 inter national ist magazine

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