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RCCS Annual Review, 5, October 2013<br />

<strong>The</strong> <strong>Instrumentalization</strong> <strong>of</strong> <strong>Sexual</strong> <strong>Violence</strong> <strong>in</strong> <strong>German</strong> <strong>Cold</strong> <strong>War</strong> <strong>Anti</strong>-Communist Discourses<br />

doubt about the fact that <strong>in</strong> <strong>German</strong>y the memories <strong>of</strong> the rapes were not a new topic <strong>in</strong> the<br />

public doma<strong>in</strong>. On the contrary, they had a past history <strong>of</strong> ideological <strong>in</strong>strumentalization,<br />

and one not immune to racist discourses. What director Helke Sander, as well as other<br />

<strong>German</strong> fem<strong>in</strong>ists who took an <strong>in</strong>terest <strong>in</strong> the subject, sought to do should then not be<br />

perceived as the break<strong>in</strong>g <strong>of</strong> a taboo, but rather as an attempt to redeem the memory <strong>of</strong><br />

sexual violence through the re<strong>in</strong>vention <strong>of</strong> a discourse whereby the suffer<strong>in</strong>g could be<br />

expressed outside a nationalistic, xenophobic mold. <strong>The</strong>refore, <strong>in</strong> order to understand the<br />

mean<strong>in</strong>gs acquired by this theme <strong>in</strong> post-unification <strong>German</strong>y one must take <strong>in</strong>to account<br />

the hegemonic discourses <strong>of</strong> the Adenauer era <strong>in</strong> which those memories had been<br />

recollected.<br />

Translated by João Paulo Moreira<br />

Revised by Teresa Tavares<br />

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62

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