SPRING/SUMMER 2014 - boersenblatt.net

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SPRING/SUMMER 2014

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SPRING/SUMMER 2014
Cover photo by Ernst Haas

Digital in Extremis
It dawned on me the other day that the new digital in extremis era that we are now embarking on will lead to the loss
of many more habits and much knowledge that I have always presumed, mistakenly, to be fundamentally permanent
as cultural givens—and my itemized list of endangered analog species seems to only grow longer with each week
that passes.
For example, just recently, before boarding a flight in Paris, I decided that perhaps I could finally get the time to
compose this very text, which I had promised weeks ago to Gerhard Steidl. Having just passed through the X-Ray
baggage check, I realized that I had no paper to write on. That shouldn’t be much of a problem I thought. But I was
mistaken. After looking for writing materials in several duty-free shops I realized that I simply could not find what I
needed. My hopes were raised when I saw a newspaper stand. I looked all over the display racks and couldn’t find
any notebooks. I finally went up to the cashier and asked if she had any small notebooks I could write in.
“Nous n’avons pas,” she responded, and then she paused for a moment and continued, “Ça fait longtemps que
nous n’en stockons plus.... les cellulaires et autres portables servent à ça, Monsieur.”
OK, d’accord, I thought, but I nevertheless proceeded to bargain with her to buy a few sheets from the stack of paper
that I could see in the tray of her inkjet printer under her counter. We struck a deal—I had to purchase a pack of AA
batteries in order to take away some sheets of blank paper with me. How fitting I thought. In a few years these newspapers
and magazines probably won’t even exist in paper form. What will her business location then become? An
electronic tablet or cell phone battery recharging station?
I guess mining for lithium and rare-earth elements is considered more ecological and profitable than cutting down
trees for paper pulp…
The irony is that I was actually carrying a laptop computer in my on-board baggage. But somehow I find it easier to
excogitate texts on paper, and prefer then to edit and revise them in digital form in a second go-over.
Having now recounted this annoying and painful prologue, I feel free to write what I actually wanted to write about.
Last month I was in Fort Worth, Texas, photographing at the Kimbell Museum. While looking at a famous 16 th -century
Italian painting I pointed out something to my local assistant.
“Look… a lateral swing,” I said.
“Where? … How can you tell?” she responded.
I turned towards her and was caught in one of those eternal gazes, and I saw, in a moment, decades of view camera
practice pass away before my eyes. Like the old Blues song, “If you haven’t walked the walk, you can’t talk the
talk”, her question made it obvious that she had never even perceived or understood the graphic grammar of perspective
rendering.
After what must have seemed to her a long pause while I was lost in my own thoughts, I turned and noticed she was
still waiting for my reply.
“Look at the floor tiles,” I said, “they are perfectly parallel, but notice that the point of view of the composition is off
center looking towards the right. Without a lateral swing the floor and ceiling would be angularly converging towards
each other on the right side.”
Her mouth opened as if she were going to say something, but no sounds came out and she stared at me as if I was
some sort of a genius. The fact that it so was obvious that she had never manipulated a view camera before moved
me to ponder the possibility, and the ramifications, that this was probably also the case with most people of her age.
Not only did she not know how to achieve desired corrections using the view camera, but she could not perceive
the graphic qualities of perspective geometries even when they were applied by someone else centuries ago and
presented right there in front of her. Not only couldn’t she do it, she didn’t recognize it. The painful fact is that the
practice of view camera technique is being lost, and to the profit of silicon wafer manufacturers who place their digital
captors in miniature cameras to feed the storage capacities of portable cellular phones. In this fashion, nearly
3,000 years of accumulated knowledge of perspective geometry is being exchanged for the easy and immediate
electronic transmission of mostly banal and pedestrian-recorded icons.
Furthermore on an educational level, I am shocked and saddened to learn that in Graduate Photography study curriculums
in American universities students are encouraged to indulge and experiment in the scratching and painting
on top of photographic surfaces as exercises in aesthetic and artistic progress. How about living in some Lascaux
Grotto condos with walls decorated with some back-to-the-future caveman Polaroids?
Let’s reinvent the wheel and make it square.
Appetite for intelligence in retrograde anyone?
Robert Polidori
Left: Photo by Koto Bolofo

Index
Artists
d’Agati, Mauro 91
Al-Thani, Khalid Bin Hamad Bin Ahmad
117
Bailey, David 37
Balthus 137
Banier, François-Marie 113
Baumbach, Noah (ed.) 95
Bolofo, Koto 125, 127
Brookman, Philip 67
Celant, Germano (ed.) 139
Cohen, John 61
Davidson, Bruce 31, 33, 35
Deblonde, Gautier 93
Depardon, Raymond 45
Diépois, Aline 119
Dine, Jim 101
Douglas, Stan 105
Dupont, Stephen 49
Elgort, Arthur 69
Eskildsen, Joakim 55
Faure, Nicolas 121
Fougeron, Martine 89
Frank, Robert 15, 17
Galassi, Peter (ed.) 15
Gizolme, Thomas 119
Goldberg, Jim 57
Goldblatt, David 19
Gossage, John 59
Greenberg, Howard (ed.) 25
Haas, Ernst 109
Hanzlová, Jitka 87
Harbou, Horst von 73
Kosorukov, Gleb 123
Kuhn, Mona 85
Lagerfeld, Karl 75, 77
Leiter, Saul 23
Lifshitz, Sébastien 145
Ludwigson, Håkan 111
Makdissi, Nouhad (ed.) 131
Meer, Hans van der 129
Milella, Domingo 133
d’Orgeval, Martin 115
Pages, Nicolas (ed.) 137
Parks, Gordon 21
Peverelli, Benoît (ed.) 137
Polidori, Robert 79
Powell, Luke 57
Purifoy, Noah 135
Ruscha, Ed 97
Ryssen-Bolofo, Claudia Van 125
Savulich, Andrew 39
Schaller, Matthias 139
Schles, Ken 41, 43
Schmidt, Jason 143
Serra, Richard 99
Sewcz, Maria 149
Shamis, Bob (ed.) 25, 27
Sire, Agnès 29
Stourdzé, Sam 29
Sturges, Jock 141
Taylor, Al 103
Taylor-Johnson, Sam 81, 83
Voit, Robert 147
Wood, Tom 47
Ya’ari, Sharon 107
Zimmermann, Harf 151
Titles
Abstrakt Zermatt 119
Afghan Gold 53
AMATEUR 145
American Realities 55
Americans, The 17
Artists II 143
Atelier 93
Bailey’s East End 37
Balls and Bulldust 111
Balthus—The Last Studies 137
Beirut Mission. Photos 2009–2011 131
Big Picture, The 69
BRAND WAND 151
Cassina as seen by Karl 77
Catalogue Raisonné of the Paintings
Vol. 6 97
CITY, THE 39
Cotton Rose 87
Crying Men 81
Découpages 115
Distrito Federal 91
Domingo Milella 133
Early Black and White 23
Early Work 99
England / Scotland 1960 35
European Fields: The Landscape of
Lower League Football 129
Fanny 141
Frances Ha, A Noah Baumbach Picture 95
Generation AK: The Afghanistan Wars
1993–2012 49
Glory of Water, The 75
Heavenwards: Engel sind im Bild 121
Here and Gone: Bob Dylan, Woody
Guthrie and the 1960s 61
Here is My Secret 117
Heroes of Labour 123
High Desert 135
Howard Greenberg Collection 29
In America 15
In Color 31
inter esse: Berlin 1985–87 149
Invisible City 43
James Karales 25
Landscapes 47
Last Studies, The 137
Leap Toward Yourself 107
Leon Levinstein 27
Looking up Ben James—A Fable 59
Making of an Argument, The 21
MANICOMIO: Secluded Madness 45
Matthias Schaller 139
Metropolis 73
Never stop dancing 113
New Trees 147
Night Walk 41
On Set 109
Pass the Peas and Can Studys 103
Prison, The 125
Private 85
Redlands 67
Regarding Intersections 19
Rich and Poor 57
Robert Frank: In America 15
Rolls-Royce 127
Selected Works 79
Stan Douglas 105
Still Lives 83
Subway 33
Teen Tribe: A World with Two Sons 89
Tools 101
4

Contents
2 Editorial by Robert Polidori
4 Index
5 Contents
6 How to contact us / Press enquiries / How to contact our imprint
partners
7 How to order
Distribution
8 Germany, Austria and Switzerland / USA and Canada
9 France / All other territories
11 STEIDL Bookstores
12 Book Awards 2013/14
STEIDL World Wide Photography
15 Robert Frank In America (ed. by Peter Galassi)
17 Robert Frank The Americans
19 David Goldblatt Regarding Intersections
21 Gordon Parks The Making of an Argument
23 Saul Leiter Early Black and White
25 Howard Greenberg/Bob Shamis (eds.) James Karales
27 Bob Shamis (ed.) Leon Levinstein
29 Sam Stourdzé/Agnès Sire (eds.) Howard Greenberg Collection
31 Bruce Davidson In Color
33 Bruce Davidson Subway
35 Bruce Davidson England / Scotland 1960
37 David Bailey Bailey’s East End
39 Andrew Savulich THE CITY
41 Ken Schles Night Walk
43 Ken Schles Invisible City
45 Raymond Depardon MANICOMIO: Secluded Madness
47 Tom Wood Landscapes
49 Stephen Dupont Generation AK: The Afghanistan Wars 1993–2012
53 Luke Powell Afghan Gold
55 Joakim Eskildsen American Realities
57 Jim Goldberg Rich and Poor
59 John Gossage Looking up Ben James—A Fable
61 John Cohen Here and Gone: Bob Dylan, Woody Guthrie & the 1960s
67 Philip Brookman Redlands
69 Arthur Elgort The Big Picture
73 Horst von Harbou Metropolis
75 Karl Lagerfeld The Glory of Water
77 Karl Lagerfeld Cassina as Seen by Karl
79 Robert Polidori Selected Works
81 Sam Taylor-Johnson Crying Men
83 Sam Taylor-Johnson Still Lives
85 Mona Kuhn Private
87 Jitka Hanzlová Cotton Rose
89 Martine Fougeron Teen Tribe: A World with Two Sons
91 Mauro d’Agati Distrito Federal
93 Gautier Deblonde Atelier
95 Noah Baumbach (ed.) Frances Ha, A Noah Baumbach Picture
97 Ed Ruscha Catalogue Raisonné of the Paintings Vol. 6
99 Richard Serra Early Work
101 Jim Dine Tools
103 Al Taylor Pass the Peas and Can Studys
105 Stan Douglas Stan Douglas
107 Sharon Ya’ari Leap Toward Yourself
109 Ernst Haas On Set
111 Håkan Ludwigson Balls and Bulldust
113 François-Marie Banier Never stop dancing
115 Martin d’Orgeval Découpages
117 Khalid Bin Hamad Bin Ahmad Al-Thani Here is My Secret
119 Aline Diépois/Thomas Gizolme Abstrakt Zermatt
121 Nicolas Faure Heavenwards: Engel sind im Bild
123 Gleb Kosorukov Heroes of Labour
125 Koto Bolofo/Claudia Van Ryssen-Bolofo The Prison
127 Koto Bolofo Rolls-Royce
129 Hans van der Meer European Fields: The Landscape
of Lower League Football
131 Nouhad Makdissi (ed.) Beirut Mission. Photos 2009–2011
133 Domingo Milella Domingo Milella
135 Noah Purifoy High Desert
137 Nicolas Pages/Benoît Peverelli (eds.) Balthus—The Last Studies
139 Germano Celant (ed.) Matthias Schaller
141 Jock Sturges Fanny
143 Jason Schmidt Artists II
145 Sébastien Lifshitz AMATEUR
147 Robert Voit New Trees
149 Maria Sewcz inter esse: Berlin 1985–87
151 Harf Zimmermann BRAND WAND
153 Backlist
This catalogue is not for sale • © 2014 for the images by the artists • © 2014 for the texts by the authors • Scanning by Steidl’s digital darkroom • Production and
printing by Steidl • Steidl, Düstere Str. 4, 37073 Göttingen, Germany • Phone +49 551 49 60 60 / Fax +49 551 49 60 649 • mail@steidl.de • www.steidl.de
All rights reserved • Printed in Germany by Steidl • ISBN 978-3-86930-745-9
5

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E. n.ffrench@thameshudson.co.uk
The Caribbean
John Edgeler
Edgeler Book Services Ltd
M. +44 7 801 866 936
T. +44 1 903 265 925
E. j.edgeler@ntlworld.com
9

Subsidaries, agents and representatives (continued)
Europe
Austria and Germany (except
South Germany)
Michael Klein
c/o Vertreterbuero Wuerzburg
T. 0049 931 17 405
F: 0049 931 17 410
E: mi-klein@t-online.de
Belgium, Netherlands and
Luxembourg
Bas van der Zee
T. +31 623 137 695
E. s.vanderzee@thameshudson.co.uk
Eastern Europe and Eastern
Mediterranean
Stephen Embrey
Export Sales Department
Thames & Hudson Ltd
E. s.embrey@thameshudson.co.uk
France
Interart S.A.R.L.
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75020 Paris
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E: commercial@interart.fr
Germany, South and Switzerland
Sara Ticci
Export Sales Department
Thames & Hudson Ltd.
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Ireland
Karim White
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Natasha Ffrench
Export Sales Department
Thames & Hudson Ltd
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Scandinavia, Baltic States,
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Africa
Africa (excluding South)
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Export Sales Department
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and Zimbabwe
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Middle East incl. Egypt
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Export Sales Department
Thames & Hudson Ltd
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Iran
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Lebanon
Levant Distributors
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Michelle Liu, Beijing
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Export Sales Department
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Roli Books
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For countries not mentioned
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10

STEIDL BOOKSTORES
Steidl Barcelona
Círculo Del Arte
Carrer de la Princesa, 52
08003 Barcelona
Spain
T. +34 93 2 688 800
www.circulodelarte.com
Steidl St. Barts
Linde Gallery
Les Hauts du Carré d’Or
Gustavia 97133
Saint Barthelemy
T. +59 5 90 297 386
Steidl Berlin
Ocelot, not just another bookstore
Brunnenstraße 181
10119 Berlin
Germany
T +49 30 97894592
www.ocelot.de
Steidl Brussels
Librairie Saint-Hubert
2, Galerie du roi
Brussels 1000
Belgium
T. +32 2 5 112 412
Steidl East Hampton
Linde Gallery
25 A Newtown Lane
East Hampton, NY 11937
USA
T. +1 631 6 045 757
Steidl Florence
Brancolini Grimaldi
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Italy
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Steidl London East
Rough Trade East
Old Truman Brewery
91 Brick Lane
London E1 6QL
England
T. +44 20 73 927 788
Steidl Moscow
The Lumiere Brothers Center of Photography
Red October, Bolotnaya emb., 3, b.1
119072 Moscow
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T. +7 495 228 98 78
www.lumiere.ru
Steidl Hongkong
Asia One
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Pobeda Gallery
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T. +351 936 250 198
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Photoink
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Steidl Paris
Librairie 7L
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T. +33 1 42 920 358
Steidl Rome
s.t. foto libreria galleria
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For detailed information on all our books,
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at: www.steidl.de
11

s
Book Awards 2013/14
Nominated for:
Deutsche Börse Photography Prize 2014
Santu Mofokeng
The Black Photo Album
Nominated for:
Lucie Awards, Book Publisher of the Year 2013
Philip-Lorca diCorcia
Hustlers
Shortlisted for:
The Paris Photo–Aperture Foundation
PhotoBook of the Year 2013
Santu Mofokeng
The Black Photo Album
Mitch Epstein
New York Arbor
Siegertitel Deutscher Fotobuchpreis 2014
Gold:
Philip-Lorca diCorcia
Hustlers
Santu Mofokeng
The Black Photo Album
Silber:
Dayanita Singh
File Room
The Unknown Berenice Abbott
PHotoEspaña 2013
The Best Photography Book of the Year
Karl Lagerfeld and Carine Roitfeld
The Little Black Jacket
Mention of honor in international category
Keizo Kitajima
Photo Express: Tokyo
Nominated for:
FILAF – Meilleur Livre sur l’Art 2013
John Cohen
The High & Lonesome Sound –
The Legacy of Roscoe Holcomb
Left: Photo by Koto Bolofo
13

14
THE ROBERT FRANK PROJECT

THE ROBERT FRANK PROJECT
Robert Frank
In America
Edited by Peter Galassi
Because of the importance of Robert Frank’s The Americans; because he turned to filmmaking in 1959, the same year
the book appeared in the United States; and because he made very different kinds of pictures when he returned to still
photography in the 1970s, most of Frank’s American work of the 1950s is poorly known. This book, based on the
important Frank collection at the Cantor Arts Center at Stanford University, is the first to focus on that work. Its careful
sequence of 131 plates integrates 22 photographs from The Americans with more than 100 unknown or unfamiliar
images to chart the major themes and pictorial strategies of Frank’s work in the United States in the 1950s. Peter
Galassi’s text presents a thorough reconsideration of Frank’s first photographic career and examines in detail how he
used the full range of photography’s vital 35mm vocabulary to reclaim the medium’s artistic tradition from the hegemony
of the magazines.
Robert Frank was born in Zurich, Switzerland, in 1924 and emigrated to the United States in 1947. He is best known
for his seminal book The Americans, first published in 1959, which gave rise to a distinctly new form of photobooks,
and his experimental film Pull My Daisy, made in 1959. Frank’s other important projects include the books Black White
and Things (1952), The Lines of My Hand (1972), and the film Cocksucker Blues for the Rolling Stones (1972). He
divides his time between New York City and Nova Scotia, Canada.
Peter Galassi was Chief Curator of Photography at The Museum of Modern Art, New York, from 1991 to 2011. He has
published studies of the photography of Philip-Lorca diCorcia, Walker Evans, Lee Friedlander, Andreas Gursky,
Alexander Rodchenko, and Jeff Wall, among other books.
Co-published with the Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, Palo Alto, California
Exhibition: Iris & B. Gerald Cantor Center for Visual Arts, Stanford University,
3 September 2014 to 4 January 2015. A European tour is planned.
Robert Frank
I n America
Edited by Peter Galassi
Text by Peter Galassi
Book design by Katy Homans
200 pages
9.1 × 9.6 in. / 23 × 24,5 cm
131 black-and-white photographs
Tritone
Clothbound hardcover with dust jacket
€ 48.00 / £ 40.00 / US$ 58.00
ISBN 978-3-86930-735-0
15

16
THE ROBERT FRANK PROJECT

THE ROBERT FRANK PROJECT
Robert Frank
The Americans
First published in France in 1958, then the United States in 1959, Robert Frank’s The Americans changed the course
of twentieth-century photography. In eighty-three photographs, Frank looked beneath the surface of American life to reveal
a people plagued by racism, ill-served by their politicians, and rendered numb by a rapidly expanding culture of consumption.
Yet he also found novel areas of beauty in simple, overlooked corners of American life. And it was not just his
subject matter – cars, jukeboxes, and even the road itself – that redefined the icons of America; it was also his seemingly
intuitive, immediate, off-kilter style, as well as his method of brilliantly linking his photographs together thematically,
conceptually, formally, and linguistically, that made The Americans so innovative. More of an ode or a poem than a literal
document, the book is as powerful and provocative today as it was fifty-five years ago.
Robert Frank was born in Zurich, Switzerland in 1924 and went to the United States in 1947. He is best known for his
seminal book The Americans, first published in 1958, which gave rise to a distinct new art form in the photobook, and
his experimental film Pull My Daisy, made in 1959. His other important projects include the book Black White and
Things (1954), the book The Lines of My Hand (1959), and the film Cocksucker Blues for the Rolling Stones (1972).
He divides his time between New York City and Nova Scotia, Canada.
Robert Frank
The Americans
Introduction by Jack Kerouac
Book design by Robert Frank, Gerhard Steidl
and Claas Möller
180 pages
8.3 X 7.3 in. / 20,9 X 18,4 cm
83 black-and-white photographs
Tritone
Clothbound hardcover with dust jacket
€ 30.00 / £ 20.00 / US$ 40.00
ISBN 978-3-86521-584-0 (English edition)
ISBN 978-3-86521-657-1 (Chinese edition)
17

David Goldblatt
Regarding Intersections
Between 1999 and 2011 David Goldblatt did work that he had not previously attempted: personal photography in
color. While he had used color extensively in professional work since 1964, he had done almost no personal photo -
graphy in this medium. But with the new political dispensation as well as technical advances through digital reproduction
from film he felt the time was right for him to photograph in color.
At first, Goldblatt photographed in his immediate area, Johannesburg. He then decided to look at South Africa by taking
photographs within no more than a radius of 500 meters of each of the 122 points of intersection of a whole degree of
latitude and a whole degree of longitude within its borders. However, after going to a number of intersections where
there was nothing at all that stirred him to photograph, he realized that he was in danger of becoming slave to a formula.
After abandoning the initial project he retained the idea of intersections. From time to time, over a period of nine
years, he travelled the country in search of intersections—intersections of ideas, values, histories, conflicts, congruencies,
fears, joys and aspirations—and the land in which and often because of which these happened.
This book brings together a selection of Goldblatt’s color photography in South Africa from 2002 to 2011. An earlier
version, Intersections, was published by Prestel in 2005, and the catalogue Intersections Intersected, consisting of
paired black and white and color photographs, was published by Serralves Museum, Porto, in 2008.
David Goldblatt, born in Randfontein in 1930, is a definitive photographer of his generation, esteemed for his dispassionate
depiction of life in South Africa over a period of more than fifty years. Goldblatt worked in his father’s menswear
business until 1963 when he took up photography full time. Goldblatt’s work concerns above all human values and is
a unique document of life during and after apartheid. His photographs are held in major international collections, and
his solo exhibitions include those at the Museum of Modern Art in New York in 1998, and the Fondation Henri Cartier-
Bresson in Paris in 2011. In 1989 Goldblatt founded the Market Photo Workshop in Johannesburg to teach visual
literacy and photography especially to those disadvantaged by apartheid.
David Goldblatt
Regarding Intersections
With an essay by Michael Stevenson and
an interview by Mark Haworth-Booth
Book design by Cyn van Houten
200 pages and 4 gatefolds
13 × 10.4 in. / 33 × 26,5 cm
124 photographs
Four-color process
Clothbound hardcover with dust jacket
€ 68.00 / £ 58.00 / US$ 85.00
ISBN 978-3-86930-714-5
19

Gordon Parks
The Making of an Argument
“Damn, Mr. Parks, you made a criminal of me.”
Leonard “Red” Jackson, 1948
In 1948, Gordon Parks began his professional relationship with Life magazine that would last twenty-two years. For his
first project, he proposed a series of pictures about the gang wars that were then plaguing Harlem, believing that if he
could draw attention to the problem then perhaps it would be addressed through social programs or government
intervention. As a result of his efforts, Parks gained the trust of one particular group of gang members and their leader,
Leonard “Red” Jackson, and produced a series of pictures of them that are artful, emotive, poignant, touching, and
sometimes shocking. From this larger body of work, twenty-one pictures were selected for reproduction in a graphic
and adventurous layout in Life magazine.
At each step of the selection process—as Parks chose each shot, or as the picture editors at Life re-selected from his
selection—any intended narrative was complicated by another curatorial voice. Featuring contact sheets, proof prints
and the published Life article, Gordon Parks: The Making of an Argument traces this editorial process and parses out
the various voices and motives behind the production of the picture essay.
Gordon Parks was born into poverty and segregation in Fort Scott, Kansas, in 1912. An itinerant laborer, he worked as
a brothel pianist and railcar porter, among other jobs, before buying a camera at a pawnshop, training himself, and
becoming a photographer. In addition to his storied tenures at the Farm Security Administration, the Office of War
Information (1941–1945) and Life magazine (1948–1972), Parks was a modern-day Renaissance man who found
success as a film director, author and composer. The first African-American director to helm a major motion picture, he
popularized the Blaxploitation genre through his film Shaft (1971). He wrote numerous memoirs, novels and books of
poetry and received many awards, including the National Medal of Arts and more than fifty honorary degrees. In 1997
the Corcoran Gallery of Art in Washington, D.C., mounted his retrospective exhibition “Half Past Autumn: The Art of
Gordon Parks”. Parks died in 2006. Parks’ books at Steidl include Gordon Parks: Collected Works, (2012) and A
Harlem Family, (2012).
Gordon Parks
The Making of an Argument
With forewords by Susan M. Taylor and Peter W.
Kunhardt Jr., an essay by Russell Lord, and a further
contribution by Irvin Mayfield
Book design by Peter W. Kunhardt Jr., Duncan Whyte
and Gerhard Steidl
136 pages
9.8 × 11.4 in. / 25 × 29 cm
55 black-and-white and 1 color photographs
Tritone and four-color process
Clothbound hardcover with dust-jacket
€ 35.00 / £ 28.00 / US$ 42.00
ISBN 978-3-86930-721-3
21

The Howard Greenberg Library
Saul Leiter
Early Black and White
The distinctive iconography of Saul Leiter’s early black-and-white photographs stems from his profound response to the
dynamic street life of New York City in the late 1940s and 50s. While this technique borrowed aspects of the photodocumentary,
Leiter’s imagery was more shaped by his highly individual reactions to the people and places he
encountered. Like a Magic Realist with a camera, Leiter absorbed the mystery of the city and poignant human experiences.
Together with Early Color, also published by Steidl, Early Black and White shows the impressive range of Leiter’s
early photography.
Saul Leiter was born in Pittsburgh in 1923, the son of a rabbi. His work is held in the permanent collections of the
Museum of Fine Arts in Houston, the Art Institute of Chicago, the Baltimore Museum of Art, the Victoria and Albert
Museum in London, as well as in other public and private collections.
Book 1 Book 2 Slipcase
Saul Leiter
Early Black and White
Edited by Howard Greenberg and Bob Shamis,
with the assistance of Margit Erb
Text by Max Kozloff, with an additional essay by
Jane Livingston
Book design by Gregory Wakabayashi
Volume I: 204 pages with 106 photographs
Volume II: 184 pages, including 4 gatefolds,
with 89 photographs
7.9 × 8 in. / 20 × 20,3 cm
Tritone
Two clothboun d hardcover books with dust-jackets,
housed in a handmade slipcase
€ 68.00 / £ 58.00 / US$ 85.00
ISBN 978-3-86521-413-3
23

The Howard Greenberg Library
Howard Greenberg and Bob Shamis (eds.)
James Karales
“James Karales (1930–2002) was big-time in the best time but is not as well known as he should be,” argues
photographic historian Vicki Goldberg. This book will change that. Early in his career, Karales began a photo-essay
documenting Rendville, Ohio, an important stop on the Underground Railroad during the Civil War and one of the few
racially integrated communities in America in the late 1950s. These pictures demonstrate his striking ability to capture
the essential qualities of a community, are reminiscent of images made for the Farm Security Administration in the
1930s, and reflect Karales’ state of mind as he grappled with the racial issues that were to preoccupy him and America
for many years to come.
Karales worked for Look from 1960 until it ceased publication in 1971. Among many important assignments for the
magazine, Karales documented Martin Luther King and the 50 mile, five-day Selma (Alabama) march in 1965. 15 minutes
before the end of the march, the sky darkened and Karales’ wide-angle shot of the protesters silhouetted against the
horizon has since become an emblem of the march and has insured the photographer’s place in this tumultuous period
of American history. Through this new publication we discover that Karales’ stature as a photojournalist and social
documentary photographer par excellence is based on much more than one iconic image from Selma.
James Karales was born in Canton, Ohio, in 1930. In 1955, after earning his degree in Fine Arts from Ohio University,
he came to New York and worked as an assistant to the renowned W. Eugene Smith. As a photojournalist, Karales won
numerous awards, among them the Picture of the Year and the Overseas Press Club Award. His photographs are in
numerous collections including the High Museum in Atlanta, the International Center of Photography, and the Museum
of Modern Art, both in New York. Karales died in 2002
Howard Greenberg and Bob Shamis (eds.)
James Karales
JAMES KARALES
Texts by Vicki Goldberg, Howard Greenberg and
Sam Stephenson
Book design by Gregory Wakabayashi
176 pages
11 × 9 in. / 28 × 23 cm
116 black-and-white photographs
Tritone
Clothbound hardcover with a dust-jacket
€ 54.00 / £ 45.00 / US$ 64.00
ISBN 978-3-86930-444-1
25

The Howard Greenberg Library
Bob Shamis (ed.)
Leon Levinstein
American street photographer Leon Levinstein is much admired within the photographic community, but little known
outside of it. Solo exhibitions at the National Gallery of Canada in 1995 and the Metropolitan Museum of Art in New
York in 2010 brought him to the attention of many, but his dynamic and original work is yet to achieve the recognition
it deserves. Levinstein’s fearless and unsentimental black-and-white images, whether shot in New York City, Coney
Island, Haiti, Mexico or India, possess, in Metropolitan Museum of Arts Curator of Photographs, Jeff Rosenheim’s words,
“graphic virtuosity—seen in raw, expressive gestures and seemingly monumental bodies—balanced by an unusual
compassion for his off-beat subjects.” In 1975, at the age of 65, Levinstein received a grant from the John Simon
Guggenheim Foundation. His intention, in his own words, was to photograph “as wide a spectrum of the American
scene as my experience and vision will allow.” This long-awaited book fulfils this ambitious goal.
Born in West Virginia in 1910, Leon Levinstein moved to New York in 1946 and studied with Alexey Brodovitch, artistic
director of Harper’s Bazaar, and Photo League founder and teacher Sid Grossman, both important early advocates. By
1950, Levinstein was photographing strangers on the street, a practice he would continue for the next 35 years. He died
in 1988.
Bob Shamis (ed.)
Leon Levinstein
Texts by Jeff L. Rosenheim, Bob Shamis and Carrie Springer
Book design by Gregory Wakabayashi
320 pages
11 × 13.8 in. / 28 × 35 cm
170 black-and-white and 17 color plates
Tritone and four-color process
Clothbound hardcover with a dust-jacket
€ 68.00 / £ 58.00 / US$ 85.00
ISBN 978-3-86930-443-4
27

W. Eugene Smith
Jacob Riis
Henri Cartier-Bresson
Arthur Rothstein
Robert Capa
Weegee
28

The Howard Greenberg Library
Sam Stourdzé and Agnès Sire (eds.)
Howard Greenberg Collection
Howard Greenberg has been a gallery owner for more than thirty years. He is nowadays considered one of the pillars
of the New York photographic scene. While he is well known as a dealer, his rather private passion as a collector is now
revealed for the first time to a larger public. The Howard Greenberg Collection—which has been carefully assembled
over the last thirty years—counts around 500 photographs that distinguish themselves by their high print quality.
The unique collection reflects Howard Greenberg’s diverse fields of interest that range from the modern esthetic
approach of the 1920s and 1930s with the works of Edward Steichen, Edward Weston or the Czech School to
contemporary photographers such as Minor White, Harry Callahan and Robert Frank. A large part of the collection is
dedicated to the humanist photography genre, represented—among others—by Lewis Hine, David Seymour and Farm
Security Administration photographers like Walker Evans and Dorothea Lange, witnesses of the Great Depression of
the 1930s. More than anything the collection illustrates New York’s enormous influence on the history of photography
in the 20 th century: architecture and urban life are reflected in the photographs of Berenice Abbott, Weegee and Lee
Friedlander.
Agnès Sire became the Director of the Fondation Henri Cartier-Bresson in 2004, after twenty years spent at Magnum
Photos Paris office as Artistic Director.
Sam Stourdzé is the Director of the Musée de l’Elysée, Lausanne, and Editor in Chief of the magazine ELSE.
Co-published with the Fondation Henri Cartier-Bresson and the Musée de l’Elysée
Exhibition: Jewish Historical Museum, Amsterdam, 11 September to 30 November 2014
Sam Stourdzé and Agnès Sire (eds.)
Howard Greenberg Collection
English edition
With an interview with Howard Greenberg and Sam Stourdzé
Book design by Sarah Winter and Julia Melzner/Steidl Design
224 pages
6.8 × 9.2 in. / 17,2 × 23,3 cm
144 photographs
Four-color process
Hardcover with a tipped-in photo
€ 38.00 / £ 32.00 / US$ 48.00
ISBN 978-3-86930-736-7
29

Bruce Davidson
In Color
“I began to feel that color could articulate the grim reality in a way that black and white might not.”
Bruce Davidson
This volume presents Bruce Davidson’s personal selections from his lesser-known color archive. Ranging from a period
of fifty-six years and counting, these images are representative of the photographer’s color career. Assignments from
various magazines (Vogue, National Geographic, Life magazine) and commercial projects led him to photograph fashion
(early 1960s), the Shah of Iran with his family (1964), keepers of French monuments (1988), the supermodel Kylie Bax
(1997), and college cheerleaders (1989). He photographed in India and China, but also at home in New York, in
Chicago, and along the Pacific Coast Highway. In 1968, Michelangelo Antonioni invited him to document the making
of his film Zabriskie Point. Davidson also continued to pursue personal projects, e.g. photographing the Yiddish writer
and Nobel Prize laureate Isaac Bashevis Singer (1972–75), the New York City subway (1980), and Katz’s Delicatessen
(2004). Often staying on in a country after an official assignment, he documented Welsh coalfields, family holidays in
Martha’s Vineyard, and travelled through Patagonia and Mexico.
Born in 1933, Bruce Davidson began photographing at the age of ten in Oak Park, Illinois. Davidson studied at the
Rochester Institute of Technology and Yale University before being drafted into the army. After leaving military service
in 1957, he freelanced for Life and in 1958 became a member of Magnum Photos. Davidson’s work is held in many major
museum collections and his awards include a Guggenheim fellowship (1961) and the first National Endowment for the
Arts Grant in Photography (1967). In 2011 he was awarded an honorary doctorate in Fine Arts from the Corcoran
College of Art and Design. Steidl has published Davidson’s Circus (2007), Outside Inside (2010), Subway (2011),
and Black & White (2012).
Bruce Davidson
In Color
Edited by Bruce Davidson and Amina Lakhaney
Text by Bruce Davidson
Book design by Bruce Davidson,
Duncan Whyte and Gerhard Steidl
280 pages
11.6 × 11.4 in. / 29,5 × 29 cm
251 color photographs
Four-color process
Clothbound hardcover with a dust-jacket
€ 78.00 / £ 68.00 / US$ 95.00
ISBN 978-3-86930-564-6
31

NEW RELEASE
Bruce Davidson
Subway
“Go back into the subway and look beyond the graffiti. Lift up your heads and look around, see what
Bruce has revealed—the beauty in the subway population, the enormous amount of color below
and above ground, the varieties and pleasures to be seen from the subway. The shrill insistence
of the noise in our ears and of the graffiti to our eyes does not end the catalogue of effects the
subway has on our senses. Bruce Davidson has reopened and rewritten that catalogue with this
magnificent series of photographs. Light, color, humanity, affection, and hope can be added to our
impressions of the New York subway system.”
Henry Geldzahler
In 1980 Bruce Davidson began photographing the New York subway system, venturing regularly into this intoxicating,
sometimes dangerous subterranean world. At first Davidson photographed in black and white, but he soon realised
color was necessary to depict the intensity of this graffiti-covered landscape. Originally published in 1986, this updated
Steidl edition of Subway is printed from new scans of Davidson’s Kodachrome slides and features additional images.
Born in 1933, Bruce Davidson began photographing at the age of ten in Oak Park, Illinois. Davidson studied at the
Rochester Institute of Technology and Yale University, before being drafted into the army. After leaving military service
in 1957, Davidson freelanced for LIFE and in 1958 he became a member of Magnum. Davidson’s awards include a
Guggenheim fellowship and the first National Endowment for the Arts in Photography. Steidl has published Davidson’s
England / Scotland 1960 (2005), Circus (2007) and Outside Inside (2010).
Bruce Davidson
Subway
Edited by Bruce Davidson and Amina Lakhaney
Texts by Fred Braithwaite, Bruce Davidson and
Henry Geldzahler
Book design by Bruce Davidson,
Duncan Whyte and Gerhard Steidl
140 pages
11.6 × 11.4 in. / 29,5 × 29 cm
121 photographs
Four-color process
Hardcover with dust jacket
€ 58.00 / £ 52.00 / distributed in the USA by Aperture
ISBN 978-3-86930-294-2
33

NEW REVISED EDITION
Bruce Davidson
England / Scotland 1960
In 1960, after an intense year photographing the notorious Brooklyn street gang “The Jokers,” Bruce Davidson decided
to remove himself from the tension and depression of that work. He received an assignment to photograph Marilyn
Monroe during the making of John Houston’s The Misfits in the Nevada desert, and then travelled to London on
commission for Queen magazine. Published by Jocelyn Stevens, Queen was devoted to British lifestyle and Davidson
was charged, with no specific agenda, to spend a couple of months touring England and Scotland to create a visual
portrait of the two countries.
England / Scotland 1960 offers a poetic insight into the heart of English and Scottish cultures. Reflecting a post-war
era in which the revolutions of the 1960s had not quite yet entered the mainstream, Davidson’s photographs reveal
societies driven by difference—the extremes of city and country life, of the landed gentry and the common people.
Published for the first time in its entirety in 2005, this new edition has a larger ideal format initially chosen by Davidson
for his Outside Inside (2010), and now the standard size for his future publications with Steidl.
Born in 1933, Bruce Davidson began photographing at the age of ten in Oak Park, Illinois. Davidson studied at the
Rochester Institute of Technology and Yale University, before being drafted into the army. After leaving military service
in 1957, he freelanced for Life and in 1958 became a member of Magnum Photos. Davidson’s work is held in many major
museum collections and his awards include a Guggenheim fellowship (1961) and the first National Endowment for the
Arts in Photography (1967). Steidl has published Davidson’s Circus (2007), Outside Inside (2010), Subway (2011)
and Black & White (2012).
Bruce Davidson
England / Scotland 1960
Edited by Bruce Davidson and Michael Mack
Texts by Bruce Davidson and Mark Haworth-Booth
Book design by Bruce Davidson,
Duncan Whyte and Gerhard Steidl
144 pages
11.6 × 11.4 in. / 29,5 × 29 cm
116 black-and-white photographs
Tritone
Clothbound hardcover with a tipped-in photo
€ 42.00 / £ 32.00 / US$ 54.00
ISBN 978-3-86930-553-0
35

David Bailey
Bailey’s East End
“The idea for a book on the East End formed sometime in the 1980s. The London Docks had already closed down or
were starting to. I chose to shoot mainly in the districts of Silvertown and Canning Town. I have over the years spent
many weekends shooting whatever took my fancy. The other two times I had bursts of photographic energy in the East
End were in the 1960s and from about 2004 to 2010. These were my three key periods to draw pictures from, instead
of just trolling through the last fifty years of archives.
In the late 1940s and early 1950s I heard a quote on the radio, ‘Go west, young man.’ At the time I didn’t give it much
thought. Later I assumed it was from America and that it went back to the middle of the nineteenth century, when America’s
west coast was opening up to great wealth and opportunities. The cockneys should have listened, but they didn’t. They
went east like their ancestors before them. The ones that moved east out of ‘Old Nichol’ went to Whitechapel, then on
to Stepney and Bow, then to what is now called Newham and later to Barking, Dagenham and onto Essex.
My mother was from Bow, my father it seems was from Hackney, my grandfather from Bethnal Green. Before him they
all were from Whitechapel as far as records show.” David Bailey
David Bailey, born in London in 1938, is one of the most successful photographers of his generation, and his career,
in and beyond fashion photography, spans fifty years. Steidl has published Bailey’s Democracy (2005), Havana (2006),
NY JS DB 62 (2007), Is That So Kid (2008), Eye (2009), and Delhi Dilemma (2012).
Volume 1 Volume 2
David Bailey
Bailey’s East End
BAILEY’S
EAST END
Text by David Bailey
Book design by David Bailey,
Duncan Whyte and Gerhard Steidl
Vol. 1: 96 pages / Vol. 2: 176 pages / Vol. 3: 192 pages
10.2 × 13 in. / 26 × 33 cm
620 photographs
Tritone and four-color process
Three hardcover books in a slipcase
€ 148.00 / £ 125.00 / US$ 175.00
ISBN 978-3-86930-534-9
STEIDL
Volume 3
Slipcase
37

Andrew Savulich
THE CITY
New York spot news and street photography 1980–1995
“If there’s one thing you can say about my work, it’s that it is compulsive, repetitive … obsessive.”
Andrew Savulich
Social and cultural transition is usually hard to gauge. New York in the 1980s and the first half of the 1990s was clearly
a different place than it is now. The city was more violent and more street weird. Times Square was still wonderfully
sleazy. Andrew Savulich is a photographer living and working in New York City. His work is a unique mix of spot news
and street photography—capturing scenes of crime as well as everyday life. The startling immediacy of the moment
prevails in his black-and-white images on which he provides handwritten captions. What at first seems like objective
commentary soon reveals the photographer’s dry ironic tone, at times bordering on black humour.
Andrew Savulich was born in Wilkes Barre, Pennsylvania, in 1949 and moved to New York in 1975. Starting out as a
landscape architect, a construction worker, and eventually a freelance photographer he joined the New York Daily News
in 1993 where he still works. His photographs have been published in Spy, The Independent, Tempo, Photonews, Art
News and Artforum, among others, and are in the permanent collections of the Metropolitan Museum of Art and the ICP
in New York. Savulich has exhibited in museums and galleries including Fabrik Fotoforum Hamburg, Camera Work
Gallery (San Francisco), and the Toronto Photographers Gallery. He was awarded a National Endowment for the Arts
Fellowship Grant in Photography in 1986 and an Ernst Haas Photographer Work Grant in 1992.
ANDREW SAVULICH
THE CITY
NEW YORK SPOT NEWS
AND STREET PHOTOGRAPHY 1980–1995
Andrew Savulich
THE CITY
New York spot news and street photography 1980–1995
With an essay by Brendan Bernhard
Book design by Andrew Savulich and Gerhard Steidl
176 pages
10.8 × 11.6 in. / 27,5 × 29,5 cm
125 black-and-white photographs
Tritone
Clothbound hardcover with dust-jacket
€ 38.00 / £ 30.00 / US$ 48.00
ISBN 978-3-86930-690-2
STEIDL
39

Ken Schles
Night Walk
Twenty-five years after the printing of his seminal 1988 book, Invisible City, Ken Schles revisits his archive and fashions
a narrative of lost youth: a delirious, peripatetic walk in the evening air of an irretrievable Downtown New York as he saw
and experienced it. Night Walk is a substantive and intimate chronicle of New York’s last pre-internet bohemian outpost,
a stream of consciousness portrayal that peels back layers of petulance and squalor to find the frisson and striving of
a life lived amongst the rubble. Here, Schles embodies the flâneur as Sontag defines it, as a “connoisseur of empathy,”
“cruising the urban inferno, the voyeuristic stroller who discovers the city as a landscape of voluptuous extremes.” We
see in Night Walk a new and revelatory Ulysses for the 21 st century: a searching tale of wonder and desire, life and love
in the dying hulk of a ruined American city.
Ken Schles was born in Brooklyn, New York, in 1960 and has been making photographic books for over a quarter of a
century. He studied photography at the Cooper Union for the Advancement of Science and Art with William Gedney
and was a student of the legendary Lisette Model.
Ken Schles
Night Walk
Texts by Ken Schles, T.S. Eliot
Book design by Ken Schles
162 pages
9.1 × 6.8 in. / 23,2 × 17,3 cm
107 black-and-white photographs
Quadratone
Clothbound hardcover with dust-jacket
€ 38.00 / £ 30.00 / US$ 48.00
ISBN 978-3-86930-692-6
41

Ken Schles
Invisible City
“The real image of New York is rarely clear to anyone living in it, except as tenacious sensation. …
Ken Schles’ Invisible City is a picture book that comprehends both the shambles and the thrall.”
Guy Trebay, The Village Voice
For a decade, Ken Schles watched the passing of time from his Lower East Side neighborhood. His camera fixed the
instances of his observations, and these moments became the foundation of his invisible city. Friends and architecture
come under the scrutiny of his lens and, when sorted and viewed in the pages of this book, a remarkable achievement
of personal vision emerges.
Twenty-five years later, Invisible City still has the ability to transfix the viewer. A penetrating and intimate portrayal of a
world few had entrance to—or means of egress from—Invisible City stands alongside Brassai’s Paris de Nuit and van
der Elsken’s Love On The Left Bank as one of the 20 th century’s great depictions of nocturnal bohemian experience.
Documenting his life in New York City’s East Village during its heyday in the tumultuous 1980s, Schles captured its look
and attitude in delirious and dark verité. Long out of print, this “missing link” in the history of the photographic book is
now once again made available. Using scans from the original negatives and Steidl’s five-plate technique to bring out
nuance and detail never seen before in print, this masterful edition transcends the original, bringing this underground
cult classic into the 21 st century for a new generation to discover.
Ken Schles was born in Brooklyn, New York, in 1960 and has been making photographic books for over a quarter of a
century. He studied photography at the Cooper Union for the Advancement of Science and Art with William Gedney
and was a student of the legendary Lisette Model.
Ken Schles
Invisible City
Texts by Lewis Mumford, Jorge Luis Borges, Franz
Kafka, George Orwell, Jean Baudrillard
Book design by Ken Schles and Jack Woody
80 pages
9.1 × 6.8 in. / 23,2 × 17,3 cm
62 black-and-white photographs
Quadratone
Clothbound hardcover with dust-jacket
€ 34.00 / £ 28.00 / US$ 40.00
ISBN 978-3-86930-691-9
43

Raymond Depardon
MANICOMIO
Secluded Madness
“In 1977, I met Franco Basaglia, director of the manicomico (lunatic asylum) at the hospital in Triest, who was also the
leader of an alternative psychiatric movement. Taking advantage of the chaotic political situation in Italy at the time, he
started to close several psychiatric hospitals with a group of doctors, and had ‘Law 180’ passed in 1978, which resulted
in the definitive closure of the asylums. Franco encouraged me to take photographs of this reality, ‘If not, they will not
believe us,’ he told me. With more than a hundred thousand people interned in psychiatric asylums all over Italy, the
situation was indeed dramatic. He also introduced me to directors of other asylums in Venice, Naples, Arezzo and Turin.
For four years, until the closure of the hospital on the island of San Clemente very close to Venice, I photographed
these places of pain to preserve them in memory and to pay tribute to Franco Basaglia—who died from a sudden illness
in 1980. My film about San Clemente came out in 1982, but it’s only now, thirty years later —after a long pause—that
I have finally edited and designed the photographic work that was begun all those years ago.” Raymond Depardon
Raymond Depardon, born in Villefranche-sur-Saône in 1942, belongs to a generation of French photographers reluctant
to over-interpret its subjects. Depardon developed a profound love for the Middle East and the desert, recurrent themes
in his later work. In 1967 an encounter with Gilles Caron led to the founding of Gamma, through which they were
assigned to the most troubled parts of the world. In 1973 Depardon became Gamma’s director. From 1975 to 1977
he travelled in Chad and received a Pulitzer Prize in 1977. The next year Depardon left Gamma to become a Magnum
associate, then a full member in 1979, when he also received a George Sadoul Prize for his film Numéro Zéro.
Depardon’s numerous awards include the Robert Capa Gold Medal, the César Award for Best Documentary and a
nomination for an Academy Award. His books with Steidl include Villes/Cities/Städte (2007) and Manhattan Out (2008).
Raymond Depardon
MANICOMIO
Secluded Madness
Book design by Bernard Fischer
and Gerhard Steidl
224 pages
11.6 × 7.9 in. / 29,5 × 20 cm
218 black-and-white photographs
Tritone
Flexible hardcover
€ 38.00 / £ 32.00 / US$ 48.00
ISBN 978-3-86930-535-6
45

Tom Wood
Landscapes
These three volumes of Tom Wood’s new work, Landscapes, are drawn from the artist’s extensive unseen and unpublished
landscape work. The first volume concentrates on Wood’s photographs made in response to the West of Ireland, County
Mayo, the landscape of his birthplace and childhood and an area he has returned to as an artist almost every year since
1975. Taken over decades, views of this wild and remote landscape, many of them glimpsed from the car, bus or train during
his journeys there, are combined with fragile fragments of surviving family photographs, video stills, and intimate and
affectionate portraits of day-to-day life within a rural community.
The second volume consists of Wood’s landscapes predominantly made within Merseyside, where he lived and worked
for 25 years, from 1978–2003. In this more urban environment, his landscapes encompass pictures of people’s homes
and gardens, parks, wastelands, and the river Mersey. Wood moved to Wales in 2003 to address what he has referred to
as “the matter of landscape.” His open and experimental approach to photography means he is constantly pushing its formal
and conceptual possibilities.
Selected from the photographs he has been making in Wales, the third volume is the most formally abstract of the three
books and includes many photographs taken with a panoramic camera—complex, optically rich pictures with multiple
points of view and focus.
Tom Wood was born in 1951 in County Mayo in the west of Ireland. He lived and worked on Merseyside between 1978
and 2003 before he moved to his current home in North Wales. Wood has published numerous books, including Bus
Odyssey, People, All Zones Off Peak and Looking for Love. He has had solo and group exhibitions worldwide and his work
is part of the collections of major museums. Steidl recently published his two-volume Men and Women.
TOM WOOD MERSEYSIDE
TOM WOOD WEST OF IRELAND
TOM WOOD NORTH WALES
Vol. 1: Merseyside
Book 2: West of Ireland
Book 3: North Wales
TOM WOOD LANDSCAPES
Steidl
Tom Wood
Landscapes
Edited by Peter Finnemore and Mark Durden
Text by Mark Durden and Alfredo Cramerotti
Vol. 1: 160 pages
Vol. 2: 192 pages
Vol. 3: 176 pages
11.4 × 7,9 in. / 29 × 20 cm
220 photographs
Four-color process
Three clothbound hardcover books with dust-jackets
housed in a slipcase
€ 88.00 / £ 78.00 / US$ 98.00
ISBN 978-3-86930-742-8
Slipcase
47

Stephen Dupont
Generation AK:
The Afghanistan Wars 1993–2012
Generation AK: The Afghanistan Wars 1993–2012 is a retrospective selection of images of the country where Dupont
has covered everything from civil war and the rise of the Taliban in the 1990s, to the launch of Operation Enduring
Freedom and the ongoing war on terrorism. Dupont completed much of this work on self-funded trips and as part of
one of the last small independent photographic agencies, Contact Press Images, of which he has been a member since
1997. In 2008 he survived a suicide bombing while traveling with an Afghan opium eradication team near Jalalabad.
Stephen Dupont, born in Sydney, Australia, in 1967, is an award-winning photojournalist, documentary filmmaker, and
war correspondent. He is internationally recognized for his work in some of the world’s most dangerous areas, including
Afghanistan, Burma, Cambodia, Iraq, Papua New Guinea, Rwanda, Somalia, and Zaire.
Stephen Dupont
Generation AK:
The Afghanistan Wars 1993–2012
Photos, texts and book design by Stephen Dupont
320 pages
10.8 × 14.4 in. / 27,5 × 36,5 cm
260 color photographs
Four-color process
Hardcover
€ 78.00 / £ 65.00 / US$ 88.00
ISBN 978-3-86930-727-5
49

50 Stephen Dupont

Stephen Dupont
51

Luke Powell
Afghan Gold
While travelling overland to India from Europe in the fall of 1971, Luke Powell ran into the war between India and Pakistan,
and he spent the following winter in neighbouring Afghanistan. Powell was stunned by the beauty of the country,
the state of preservation of the culture, and by the Afghans’ ability to be totally self-sustaining. He returned nearly every
year until 1978, when he left the country three days before a Communist coup. Powell’s ability to transform raw 35 mm
film into refined printed images grew during 15 years when he printed his work with the legendary Dye Transfer Process.
The Afghan Folio exhibition travelled to over 120 museums and galleries in North America and Europe, during the years
when the Russians were occupying Kabul. In early 2000 the Taliban government invited Luke Powell to come back to
Afghanistan, and later that year the Northern Alliance allowed him to travel alone in areas under their control. Through
2003 Powell took photographs for the United Nations Demining Program for Afghanistan and other UN agencies. In
Afghan Gold Luke Powell has tried to separate art from journalism and show only the beautiful, traditional side of
Afghanistan. In the text, published in a separate volume, Powell acts as a spokesman for an essentially peace-loving
people who have been at war for the last three decades, placing the images in an unusually broad historical context.
Luke Powell was born in 1946. He lives in Liverpool, Nova Scotia.
Clothbound hardcover
Slipcase
Luke Powell
Afghan Gold
Texts and photographs by Luke Powell
Book design by Luke Powell and Gerhard Steidl
Volume I: 224 pages (photos)
Volume II: 56 pages (text)
16.5 × 12.2 in. / 42 × 31 cm
206 photographs
Four-color process
Clothbound hardcover book with tipped-in photo, together
with a text booklet housed in a handmade slipcase
€ 98.00 / £ 95.00 / US$ 145.00
ISBN 978-3-86930-648-3
Text book
53

Joakim Eskildsen
American Realities
In 2010, more Americans lived below the poverty line than at any time since 1959, when the U.S. Census Bureau
began collecting this data. In 2011, Kira Pollack, Director of Photography at TIME, commissioned photographer Joakim
Eskildsen to capture the growing crisis, affecting nearly 46.2 million Americans. Based on census data, the places with
the highest poverty rates were chosen when Eskildsen, together with journalist Natasha del Toro, traveled to New
York, California, Louisiana, South Dakota and Georgia over seven months to document the lives of the people behind
the statistics. The people Joakim Eskildsen has portrayed—people who struggle to make ends meet, who have lost their
jobs or homes and often live in unhealthy conditions—usually remain invisible in the American society to which the myth
of the American Dream is still very strong. Many of the people held there was no such dream anymore—merely the
American Reality.
Joakim Eskildsen is a Danish photographer based in Berlin. He has published four books, and is best known for his
book The Roma Journeys (Steidl 2007).
Joakim Eskildsen
American Realities
Texts by Joakim Eskildsen, Natasha del Toro and Barbara Kiviat
Book design by Joakim Eskildsen
120 pages
8.25 × 7.25 in. / 20,9 × 18,4 cm
51 photographs
Four-color process
Clothbound hardcover
€ 32.00 / £ 24.00 / US$ 39.95
ISBN 978-3-86930-734-3
55

Poor
Poor
Rich
Rich (zigzag-fold)
56

NEW EXPANDED EDITION
Jim Goldberg
Rich and Poor
“Having thirty years to look back at these images, I felt like I was able to look a this work with a
critical distance for the first time. I’m now able to separate my own impulses with the overarching
history/context of what was happening in the 70’s and 80’s.”
Jim Goldberg
From 1977 to 1985, Goldberg photographed the wealthy and destitute of San Francisco, creating a visual document
that has since become a landmark work. Through the combination of text and photographs, Rich and Poor’s mass
appeal was instantly recognizable. In 1984 the series was exhibited alongside Robert Adams and Joel Sternfeld in the
“Three Americans” exhibition at MoMA, and was published the following year by Random House.
Out of print since 1985, Jim Goldberg’s Rich and Poor has been completely re-designed and expanded by the artist
for Steidl. Available for the first time in hardcover, Rich and Poor builds upon the classic combination of photographs
and handwriting and adds a surplus of vintage material and contemporary photographs that have never been published
or exhibited. The photographs in Rich and Poor constitute a shocking and gripping portrait of America during the 70’s
and 80’s that remains just as relevant today.
Jim Goldberg was born in New Haven, Connecticut, in 1953. He has been working with experimental storytelling for
over thirty years with major projects including Rich and Poor (1977–85), Raised by Wolves (1985–95), and Open
See (2003–present). He joined Magnum Photos in 2002. He has been awarded three NEA grants, a Guggenheim
Fellowship, the Henri Cartier-Bresson Award (2007), and the Deutsche Börse Photography Prize (2011).
Jim Goldberg
Rich and Poor
New expanded edition with a handmade
zigzag-fold panorama booklet
Book design by Jim Goldberg
256 pages
11 × 8.5 in / 27,4 × 21,6 cm
158 photographs
Four-color process
Clothbound hardcover with dust-jacket
€ 48.00 / £ 38.00 / US$ 65.00
ISBN 978-3-86930-688-9
Clothbound hardcover
Dust jacket
57

John Gossage
Looking up Ben James—A Fable
“It is spring 2008 and my friend, photographer and book collector John Gossage, is coming to the
UK. We have planned to embark upon a minor road trip together. All John requests is that I drive
and that we visit some ‘typical Parr seaside locations.’ No problem.”
Martin Parr
Martin Parr and John Gossage’s British coastal trip covered spots like Georgian Clifton (Bristol), Severn Bridge (Wales),
and Caerau, the mining village near Cardiff where photographer Robert Frank had made his famous report and met the
miner Ben James in 1953. The road took them further north to reach Porthmadog and Blaenau Ffestiniog in North
Wales, ending in Liverpool, Morecambe and smaller towns in the Lake District. The outcome are shots of street scenes,
backyards, gardens, sceneries and very few people on the way, silent testimonies of small, unexpected details of everyday
life in a world that is not visited by many, let alone photographed. As Parr concludes in his introductory text: “I am
amazed that the collective vision of this volume is so familiar, but entirely alien. It restores my faith in photography to know
that a mature and original photographer like John Gossage can see the things I just did not notice.”
John Gossage, born in New York in 1946, now residing in Washington, D.C., briefly studied with Lisette Model and
Alexey Brodovitch from 1960 to 1961. In the late 1960s he learned Telecaster guitar from Roy Buchanan and Danny
Gatton, giving up professional music in 1973 and returning to photography. From 1974 through 1990 he had various
exhibitions at Leo Castelli Gallery in New York. From 1990 on he has been concentrating almost exclusively on
publications, producing twenty-seven different books and boxes on specific bodies of photographic work.
John Gossage
Looking up Ben James—A Fable
Text by Martin Parr
Book design by John Gossage
192 pages
13 × 16.3 in. / 33 × 41 cm
133 photographs (115 b/w, 18 color)
Tritone and four-color process
Clothbound hardcover with dust-jacket
€ 48.00 / £ 35.00 / US$ 65.00
ISBN 978-3-86930-589-9
59

John Cohen
Here and Gone
Bob Dylan, Woody Guthrie & the 1960s
John Cohen was a founding member of the New Lost City Ramblers, one of the folk revival’s most authentic and
respected musical groups. In the 1960s he made a series of photographs of the last years of Woody Guthrie’s life, and
early portraits of Bob Dylan on his arrival in New York, depicting two titans of American music at opposite ends of their
careers. In the process, Cohen portrayed one of the great moments of American folk music history.
The book contains other images from the 1960s including the music scenes at Washington Square and on MacDougal
Street in Greenwich Village, images of Jerry Garcia and the musicians in San Francisco’s “Family Dog,” as well as the
psychedelic “Sky River Rock” festival.
In 1970, Dylan requested Cohen make another set of color photographs of him with a “camera that could take photographs
from a block away.” By then, he had become world-famous. Bob was seen walking unrecognized on the streets
of the city and at a farm in upstate NY. The photographs were used in Dylan’s album “Self Portrait.”
John Cohen, born in 1932 in New York, is a photographer, filmmaker and musician. A MFA graduate from Yale University
School of Fine Arts, Cohen was active in the artistic circles of late 1950s and early 1960s New York, and worked with
Robert Frank on his film “Pull My Daisy” (1959). Steidl has published Cohen’s Past Present Peru (2010) and The High &
Lonesome Sound. The Legacy of Roscoe Holcomb (2012).
John Cohen
Here and Gone
Bob Dylan, Woody Guthrie & the 1960s
Includes a 1968 interview with Bob Dylan
Book design by John Cohen and Gerhard Steidl
152 pages
9.45 × 9.45 in. / 24 × 24 cm
119 photographs
Four-color process
Hardcover
€ 38.00 / £ 32.00 / US$ 48 .00
ISBN 978-3-86930-604-9
61

Woody Guthrie
Bob Dylan
62

Jack Elliot, Woody Guthrie
Bob Dylan
63

Bob Dylan
Bob, Rufus and Sonya
64

Bob Dylan
65

Philip Brookman
Redlands
“I asked what he thought of California. He said the beauty didn’t fool him. So I told him to visit
Redlands and spend some time with the fruit pickers, and then stop by the rail yards after sunset
to blow the seeds off dandelions and watch them float away in the wind. He wrote that down in
his notebook.”
Redlands weaves together an intimate sequence of photographs and a short story by Philip Brookman, set in California,
Mexico, and New York City during the unsettled decades of the 1960s and 1970s. Brookman uses fiction and images
from his own photographic diaries to create a first-person account of Kip, an artist who wanders back and forth between
farmworkers and poets—between California and New York—seeking to question the meaning of his mother’s death.
When Kip learns that he can’t trust the eyewitness accounts of his sister, he picks up a camera to find meaning in his
own experience. By juxtaposing the oppositional strategies of fiction and documentary practice to find an invented
narrative, Redlands questions the veracity of logical observation and embraces the poetry of the real world.
Philip Brookman is a curator, photographer, filmmaker, and writer. He is Chief Curator and Head of Research at the
Corcoran Gallery of Art, Washington, D.C. Brookman’s books, essays, and documentaries are about issues of modern
photography, media, culture, family, and visual arts. Brookman has organized major exhibitions with photographers
Robert Frank, Jim Goldberg, Sally Mann, and Gordon Parks, among others. He is the author of Helios: Eadweard
Muybridge in a Time of Change.
Philip Brookman
Redlands
Photos, text and book design
by Philip Brookman
208 pages
6 × 9 in. / 15,2 × 22,9 cm
94 photographs
Four-color process
Hardcover
€ 38.00 / £ 30.00 / US$ 45.00
ISBN 978-3-86930-686-5
67

Arthur Elgort
The Big Picture
This is Arthur Elgort’s first comprehensive book, showing his world-renowned fashion imagery alongside his personal
work. The book spans Elgort’s five-decade career and illustrates his longevity as an emulated fashion photographer. His
lively and casual shooting style is significantly influenced by a lifelong love of music and dance, particularly jazz and ballet.
Elgort’s 1971 debut in British Vogue created a sensation in the fashion world where his soon-to-be iconic “snapshot”
style and emphasis on movement and natural light transcended norms of fashion photography. Elgort subsequently
rose to fame working for such distinguished magazines as American, French and Italian Vogue, Interview, GQ, Life and
Rolling Stone and shooting advertising campaigns for fashion labels including Chanel, Valentino and Yves Saint Laurent.
Arthur Elgort was born in 1940 and raised in New York City. He attended Stuyvesant High School and Hunter College
where he initially studied painting before switching to photography, which he took to naturally. Elgort’s numerous books
include Personal Fashion Photographs (1983) and the bestseller Models Manual, released during the supermodel
boom in 1994. Elgort has also directed two films, Texas Tenor: The Illinois Jacquet Story (1992), and the documentary
Colorado Cowboy (1993) which portrays legendary cowboy Bruce Ford and won the award for Best Cinematography
at the Sundance Film Festival in 1994. In 2011, Elgort received the Board of Directors’ Special Tribute Award from the
Council of Fashion Designers of America.
Arthur Elgort
The Big Picture
Foreword by Grace Coddington
Essay by Martin Harrison
Book design by Marianne Houtenbos and Aoife Wasser
424 pages
10 × 12.7 in. / 24,5 × 32 cm
280 photographs
Four-color process
Clothbound hardcover with dust jacket
€ 78.00 / £ 68.00 / US$ 88.00
ISBN 978-3-86930-543-1
69

70 Arthur Elgort

Arthur Elgort
71

Horst von Harbou
Metropolis
Fritz Lang’s Metropolis from 1927 is the undisputed prototype of science fiction films in the twentieth century. A
collection of images by the still photographer Horst von Harbou, bequeathed by Brigitte Helm who had appeared in the
film as a seventeen-year-old, has re-emerged at an auction in Berlin in late 2010. Edition 7L Paris, the new owner of
the originals, has now printed an identical facsimile of the original album which was once given to Brigitte Helm as a
souvenir by von Harbou and his wife.
Metropolis displays the photographs and some of their reverse sides which feature hand-written notes. The images
exclusively show scenes from the film during its making and off-camera action and mainly feature the young actress. They
not only offer a rare insight into Lang’s film but have been crucial in reconstructing missing scenes from it.
Horst von Harbou was born in 1879 in Hutta, Posen, and died in 1953 in Potsdam-Babelsberg. Very little is known about
von Harbou, except for the films on which he worked as a still photographer: these include Mensch ohne Namen (1932),
Starke Herzen im Sturm (1937) and Augen der Liebe (1951).
Horst von Harbou
Metropolis
Book design by Karl Lagerfeld and Gerhard Steidl
88 pages
9.1 × 6.7 in. / 23 × 17 cm
35 photographs
Four-color process
Clothbound hardcover photo album
€ 38.00 / £ 32.00 / US$ 48.00
ISBN 978-3-86930-369-7
73

Karl Lagerfeld
The Glory of Water
“Rome has a very unique atmosphere. In my life, I have already been to Rome over 740 times,
I feel part of it … Rome is eternal, therefore, there is no better place: Rome has changed and has
not changed.”
Karl Lagerfeld
Rome would be unthinkable without its fountains. They play a fundamental role in this ancient city’s history and to date
have largely contributed to its beauty. The Fontana di Trevi acts like a magnet to the Roman tourist, often being their
first destination of their visit. Rome has many famous fountains but also many that are almost secret and hardly known
at all but are just as beautiful and interesting.
With his camera, Karl Lagerfeld has embarked on a dialogue between the past and the future, the result being a series
of 50 daguerreotypes. The daguerreotype process – an almost forgotten technique mastered by only a few specialized
artists nowadays – was the first photographic process to permanently fix an image onto a medium. The surface of a
daguerreotype is similar to that of a mirror, with the image made directly on the silvered surface. Depending on the
angle viewed, the image can change from a positive to a negative and adapt an almost three-dimensional appearance.
Karl Lagerfeld’s photobook is a modern and colorful interpretation of the traditional monochromatic Daguerreotypeplates
masterfully rendered on paper by Steidl.
Karl Lagerfeld, fashion designer, book dealer and publisher, began working as a photographer in 1987. Lagerfeld has
received the Lucky Strike Design Award from the Raymond Lewy Foundation, the Kulturpreis from the German Photographic
Society, and the ICP Trustees Award from the International Center of. His book The Little Black Jacket (Steidl
2012) is an international bestseller. The photographs from this series are shown in a world-touring exhibition. Lagerfeld
recently published Reklame. Frühe Werbung auf Plakaten, a collector’s box presenting his exquisite poster collection
and including reprints of some of the most sought-after reference books regarding early advertisement design.
Karl Lagerfeld
The Glory of Water
Introduction by Karl Lagerfeld
Book design by Karl Lagerfeld
and Gerhard Steidl
112 pages
12.6 x 13.2 in. / 32 x 33,5 cm
50 photographs
Four-color process with a serigraphy
high-gloss varnish
Clothbound hardcover with a tipped-in
photo, housed in a slipcase
€ 88.00 / £ 70.00 / US$ 125.00
ISBN 978-3-86930-708-4
Book
Slipcase
75

Karl Lagerfeld
Cassina as Seen by Karl
The Italian furniture manufacturing company CASSINA invited Karl Lagerfeld to choose his favorite pieces of furniture
for an unusual photographic mise-en-scène: “I had never ‘worked’ on a project like this before. To visually reinterpret
examples of perfect design is completely new for me, and therefore stimulating, exciting even“.
Under Lagerfeld’s lens, well-known chairs, tables and chaise-longues by Modernist legends such as Le Corbusier,
Rietveld, Jeanneret and Perriand condense to their absolute, abstract essence. In his inimitably sleeky but sophisticated
photographs, Lagerfeld reveals the form in Formalism. Here, furniture is seen in a rather untypical, decontextualized
mode of presentation, detached from its usual environment, isolated and decently lit like a sculpture. The result is a tenderly-chosen
compendium of 21 images that cautiously respects the artistic intentions of the designers while at the same
time adding up aesthetically.
Karl Lagerfeld, fashion designer, book dealer and publisher, began working as a photographer in 1987. Lagerfeld has
received the Lucky Strike Design Award from the Raymond Lewy Foundation, the Kulturpreis from the German Photographic
Society, and the ICP Trustees Award from the International Center of. His book The Little Black Jacket (Steidl
2012) is an international bestseller. The photographs from this series are shown in a world-touring exhibition. Lagerfeld
recently published Reklame. Frühe Werbung auf Plakaten, a collector’s box presenting his exquisite poster collection
and including reprints of some of the most sought-after reference books regarding early advertisement design.
Book
Karl Lagerfeld
Cassina as seen by Karl
Book design by Karl Lagerfeld
and Gerhard Steidl
64 pages
11.4 x 14.6 in. / 29 x 37 cm
21 high glossy photographs tipped in by
hand into the book pages
Slipcase
Four-colour process
Clothbound hardcover in a
handmade slipcase
€ 88.00 / £ 70.00 / US$ 125.00
ISBN 978-3-86930-738-1
77

Robert Polidori
Selected Works
Beirut. Tripoli. Havana. Chernobyl. New Orleans. Rio. Amman. Versailles. Over the course of thirty years, Robert Polidori
has travelled the world photographing places with names so familiar we feel we know them already. On the occasion
of his first museum retrospective in the United States, the artist has selected more than one hundred photographs for
this volume that challenge our preconceptions, mining both the accoutrement and the psychology of space for what they
tell us—and for what they withhold—about history, memory, identity, and time. The catalogue to this exhibition is now
published as a book.
Robert Polidori was born in Montréal in 1951 and lives in New York City. His work has been the subject of exhibitions
in New York, London, Brazil, Montreal, among other places. He received the World Press Photo Award in 1997, the
Alfred Eisenstaedt Award for Magazine Photography in 1999 and 2000, and Communication Arts awards in 2007 and
2008. In 2006, Polidori’s series of photographs of New Orleans after Hurricane Katrina was exhibited at the Metropolitan
Museum of Art. His bestselling books Havana (2003), Zones of Exclusion—Pripyat and Chernobyl (2003), After the
Flood (2006), Parcours Muséologique Revisité (2009) and Some Points in Between…Up Till Now (2010) are published
by Steidl. Selected Works is published on the occasion of his first career retrospective in the United States,
exhibited at the Faulconer Gallery, Grinnell College.
Robert Polidori
Selected Works
Text by Daniel Strong
Book design by Robert Polidori, Sabine Hahn/Steidl Design
228 pages
11.4 × 12.6 in. / 29 × 32 cm
107 photographs
Four-color process
Hardcover
€ 48.00 / £ 38.00 / US$ 58.00
ISBN 978-3-86930-698-8
79

Tim Roth
Gabriel Byrne
Ed Harris
80

NEW RELEASE
Sam Taylor-Johnson
Crying Men
Crying Men is a series of photographic portraits of famous film actors. Taylor-Johnson makes portraits of her subjects
as actors; she shoots them in role, asking each to perform and cry for the camera and demands the actor’s investment
in the process. These are no passive sitters.
Each of the resulting images is distinct; one actor recalls the hieratic clarity of a Byzantine saint whose tears appear
decorative. Other images are of heroic crying where stoic restraint has broken down, there are some that display the
voluptuous crying of medieval saints, there are images of cathartic crying, quiet tears of regret and grief, and yet whilst
being moved by these intimate revelatory images we simultaneously know that the emotional display is being playacted.
Sam Taylor-Johnson’s film and photographic works are distinguished by their subversive creation of enigmatic
situations full of latent but explosive energy.
The portraits include Tim Roth, Gabriel Byrne, Laurence Fishburne, Woody Harrelson, Michael Gambon, Jude Law,
Hayden Christiansen, Ryan Gosling, Robert Downey Jr., Paul Newman, Ed Harris, Benicio Del Toro, Willem Dafoe, and
Kris Kristofferson.
Sam Taylor-Johnson (formerly Taylor-Wood) is a British artist and filmmaker. Originally a sculptor, she began working
in the mediums of photography, film, and video in the early 1990s and was considered a pivotal figure of the YBA
movement. Taylor-Johnson has had numerous group and solo exhibitions, including the Venice Biennale (1997), where
she won the Illy Café Prize for Most Promising Young Artist. Other important solo shows include the Hayward Gallery
(2002) and BALTIC Gateshead (2006). Her first feature as a director was 2009 with the critically acclaimed “Nowhere
Boy,” which was based on the life of the adolescent John Lennon and was nominated for 4 BAFTAs including Best
British Film and Outstanding Debut for her directorial debut. Taylor-Johnson is now in pre-production on her forthcoming
hugely anticipated second feature film, E. L. James’s “Fifty Shades of Grey.”
Sam Taylor-Johnson
Crying Men
Book design by Miles Murray Sorrell FUEL
56 pages
11.75 × 15 in. / 30 × 38 cm
24 color plates
Four-color process
Clothbound hardcover with a tipped-in photo
€ 58.00 / £ 48.00 / US$ 78.00
ISBN 978-3-86521-039-5
81

NEW RELEASE
Sam Taylor-Johnson
Still Lives
One of the leading artists of her generation, Sam Taylor-Johnson is acclaimed for her compelling psychological portraits
in photography, film and video. Her work is distinguished by an ironic and subversive use of these media to create
enigmatic situations replete with latent but explosive energy. Compulsively examining and dissecting the contemporary
psyche and the place of the individual within the social group, she displays the vulnerability and fragility of the human
body and self.
This publication has been conceived as two books to combine both the traditional elements of a museum catalogue and
the vibrant possibilities of an artist’s book. Many of the now familiar images of the artist’s most iconic works are
reproduced alongside previously unpublished images from her own archives, including personal, reportage and
documentary images. The artist has asked musicians and writers who have inspired her work to contribute text to
accompany images of works from the last ten years.
Sam Taylor-Johnson (formerly Taylor-Wood) is a British artist and filmmaker. Originally a sculptor, she began working
in the mediums of photography, film, and video in the early 1990s and was considered a pivotal figure of the YBA
movement. Taylor-Johnson has had numerous group and solo exhibitions, including the Venice Biennale (1997), where
she won the Illy Café Prize for Most Promising Young Artist. Other important solo shows include the Hayward Gallery
(2002) and BALTIC Gateshead (2006). Her first feature as a director was 2009 with the critically acclaimed “Nowhere
Boy,” which was based on the life of the adolescent John Lennon and was nominated for 4 BAFTAs including Best
British Film and Outstanding Debut for her directorial debut. Taylor-Johnson is now in pre-production on her forthcoming
hugely anticipated second feature film, E. L. James’s “Fifty Shades of Grey.”
Book 1
Book 2
Sleeve
Sam Taylor-Johnson
Still Lives
Texts by Nick Cave, Peter Doroshenko,
James Fox, Harland Miller, Rufus Wainwright
and Ossian Ward, and an interview
with the artist by Annushka Shani
Book design by Steidl Design
Two books housed in a sleeve
9.25 × 11.75 in. / 23,4 × 29,9 cm
Book 1: 80 pages with 60 color and b/w plates
Hardcover
Book 2: 112 pages with 100 color and b/w plates
Softcover
€ 48.00 / £ 42.00 / US$ 65.00
ISBN 978-3-86521-323-5
83

Mona Kuhn
Private
“Nothing ever comes to an end at the desert. Everything is interconnected, from a small particle of
dust to the species to the cosmos. There is a dynamic essence of hope simmering all over its thin
linear surface. The desert allows me to abandon time and space, it awakens my soul to a vast inner
freedom. Within this nudity, and in this sharp light, I search for the suspended points which
reconcile us in mysterious ways.”
Mona Kuhn
For her fifth book with Steidl, Mona Kuhn has entered the heart of the American desert and returned with a sequence
of pictures that is seductive, enigmatic and a little unsettling. Private proposes a world in which concrete reality and the
imaginary are one. Plants and animals on the edge of survival, sun-drenched landscapes and wind-sculpted earth are
intercut with a series of nudes that push Kuhn’s renowned sensitivity to human form into unexpected directions. The
result is a book somewhere between the poetry of TS Eliot, the cinema of Robert Altman, and a lucid dream.
Mona Kuhn was born in São Paulo, Brazil, in 1969 of German descent and is currently based in Los Angeles. She received
her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute in 1996.
She is currently an independent scholar at The Getty Research Institute in Los Angeles. Kuhn’s first monograph, Photographs
(Steidl 2004), was followed by Evidence (2007), Native (2010), and Bordeaux Series (2011). Her work has
been exhibited and/or included, among others, in the collections of The J. Paul Getty Museum, The Los Angeles County
Museum of Art, The Museum of Photographic Art in San Diego, and The International Center of Photography in NYC.
In Europe, her work has been exhibited at the Royal Academy of Art in London, England, at Deichtorhallen in Hamburg,
Germany, and the Leopold Museum in Vienna, Austria.
Mona Kuhn
Private
Photos, text and book design by Mona Kuhn
112 pages
11.7 × 12.2 in. / 29,7 × 31 cm
74 color photographs
Four-color process
Clothbound hardcover with a dust-jacket
€ 45.00 / £ 38.00 / US$ 58.00
ISBN 978-3-86930-709-1
85

Jitka Hanzlová
Cotton Rose
Jitka Hanzlová has traversed contexts, identities and cultures in a quest for the meaning of belonging that lies at the
heart of her images.
The photographs in Cotton Rose were taken in the Gifu Prefecture of Japan. Hanzlová strongly resisted the long
tradition of travel journals written about Japan, showing a foreign and exotic country.
Since Jitka Hanzlová defected from the Communist regime in Czechoslovakia in 1982 she has sought to explore her
experiences through photography, producing a body of work at once poetic and truthful. Hanzlová’s photography
is in constant pursuit of the relationship between the individual and the context in which people live. It scrutinizes
the ways in which home and surroundings indelibly shape identity. Drawing on her own life story, Hanzlová’s photographs
also speak of a more universal longing for a sense of place. Her photographic voice has always been a
muted and gentle mirror of her sympathetic approach.
Jitka Hanzlová, born 1958 in the former CSSR/Czech Republic, escaped to Germany in 1982. Between 1987 and
1994 she studied visual communication at Essen University with focus on photography. She has been awarded
several photography awards, including the BMW—Paris Photo Prize 2007. Venues for solo exhibitions of her work
have included, among others, the Museum Folkwang, Essen, Fotomuseum Winterthur, Stedelijk Museum, Amsterdam,
Deichtorhallen Hamburg, Fundacion MAPFRE, Madrid, and the National Gallery of Edinburgh.
Jitka Hanzlová
Cotton Rose
Text by Ulf Erdmann Ziegler
Book design by Jitka Hanzlová
112 pages
7.1 × 10 in. / 18 × 25,5 cm
46 photographs
Four-color process
Hardcover half-linen bound
€ 38.00 / £ 32.00 / US$ 48.00
ISBN 978-3-86930-127-3
87

Martine Fougeron
Teen Tribe
A World with Two Sons
Teen Tribe is a series of intimate portraits of Martine Fougeron’s two adolescent sons and their tribe of friends growing
up in New York and France. Begun in 2005, Fougeron has followed the lives of her sons Nicolas and Adrien from the
ages of thirteen and fourteen respectively as they entered adulthood. The book pictures adolescence as a transformative
state, caught between childhood and adulthood, between the feminine and masculine, between innocence and
burgeoning self-identity. As both mother and photographer, Fougeron combines a tender transparency for her subject
with a more distanced view of the world of teenagers. Teen Tribe is a visual diary of her sons’ domestic lives arranged
chronologically, capturing the different rites of passage and personal challenges they encounter over time. Inspired by
Dutch paintings of domestic scenes, particularly those of Vermeer, as well as by cinematic compositions, Fougeron’s
work is both a sensual biography of two boys, and a depiction of the universal process of growing up to which all can
relate.
Martine Fougeron was born in Paris in 1954 and studied at Wellesley College and l’Institut d’Études Politiques de
Paris. For the past sixteen years she has lived with her two sons in New York. After a successful career as creative
director of a perfumery, Fougeron turned to photography, studying at the International Center of Photography in New
York. Her work on her two sons has been exhibited internationally and is held in major public and private collections
including the Museum of Fine Arts in Houston and the Philadelphia Museum of Art. Fougeron is a regular contributor
to The New Yorker and The New York Times Magazine.
MARTINE FOUGERON
TEEN TRIBE
Martine Fougeron
Teen Tribe
A World with Two Sons
Essay by Lyle Rexer
Interview by Robert A. Schafer, Jr.
Book design by Martine Fougeron and Gerhard Steidl
144 pages
11 × 9.8 in. / 28 × 25 cm
85 photographs
Four-color process
Hardcover
€ 48.00 / £ 42.00 / US$ 58.00
ISBN 978-3-86930-545-5
89

Mauro D’Agati
Distrito Federal
In December 2012, Mauro D’Agati escaped the Art Basel event at Miami Beach in agony and headed south. Distrito
Federal is the outcome of almost two months spent in Mexico City. The book represents a cross section of life in the
pitiless Mexican capital, which has one of the highest police officer to resident ratios in the world.
Like in Napule Shot, one of his former books, D’Agati tells the city’s story through a variety of characters and locations—
wrestlers, weddings, local bands, coroners, and gangs of drugged-up youngsters, the Colonia Centro on the roofs of
the city or the degraded Colonia Juarez Pantitlán with the highest crime rate in the country.
Distrito Federal unfolds the blunt but sometimes beautiful picture of a society deadened by drugs, violence and constant
fight for survival.
Mauro D’Agati, born 1968 in Palermo, began working as a professional photographer in 1995, from the outset covering
many Sicilian jazz festivals, art and theatrical events. He has contributed to international magazines including
Stern, El Pais, Geo, and many Italian magazines such as Internazionale, L’Espresso, Venerdi di Repubblica. Steidl
has published Palermo Unsung (2009), Alamar (2010), Napule Shot (2010) and Sit Lux et Lux Fuit (2012).
Mauro D’Agati
Distrito Federal
Photos, text and book design by Mauro D’Agati
396 pages
11.6. × 8 in. / 29,5 × 20,2 cm
241 color photographs
With a 24 page magazine “Alarma!”
Four-color process
Imitation leather hardcover with a dust-jacket
€ 68.00 / £ 58.00 / US$ 88.00
ISBN 978-3-86930-722-0
91

Gautier Deblonde
Atelier
Gautier Deblonde has photographed artists’ studios in America, Europe, and Asia for the past eight years. He is
particularly drawn to the studio as a subject, capturing the work in progress with all the traces of creation, but without
the artists themselves. As documentary photographs, the images are rich in detail—full of sculptures half finished,
brushes scattered on the floor, and shelves of inspirational material. Though the artists are conspicuously absent, there’s
a lingering sense of their presence, as if magic lies in every tool, waiting to be brought to life. Left alone in the space,
it feels as if time stops.
Atelier provides a privileged glimpse behind the scenes to the source of artistic creation. Seventy studios have been
captured in panorama, including the private spaces of Georg Baselitz, Wim Delvoye, and Ai Weiwei among others.
Photographed methodically, the compositions appear together as a meditative study on the studio, leaving the viewer
to interpret the artist’s intention and imagine the space come to life.
Born and raised in France, Gautier Deblonde moved to London in 1991 to work as a photographer and videographer.
His photographs have been exhibited in major museums such as Tate Britain and National Portrait Gallery, London.
Recent projects include True North (2009), a series about Svalbard in the High Arctic exhibited at Galerie du Jour
Agnès B in Paris, and Still Life: Ron Mueck at Work (2013), a documentary film commissioned by the Fondation Cartier.
Gautier Deblonde
Atelier
Book design by Pascal Dangin
176 pages
12.5 × 15 in. / 38 × 30,6 cm
70 plates
Four-color process
Hardcover with acetate dust jacket
€ 88.00 / £ 78.00 / US$ 98.00
ISBN 978-3-86930-732-9
93

Noah Baumbach
Frances Ha, A Noah Baumbach Picture
Frances Ha is a modern comic fable that captures the trials and tribulations of a young woman trying to make it in
New York City. Like an endearing comedy of errors, Frances throws herself headlong into her dreams, even as their
possible reality diminishes. Directed by Noah Baumbach, the film is a beautiful homage to classic French cinema, but
its character feels quintessentially New York.
Capturing the romantic spirit of the film in print, Frances Ha tells the story through moments. Edited down to one frame
per scene, the book follows a strict structure laying out 688 stills. When assembled in sequence, the images recreate
the story and achieve the same cinematic quality in print. Continuity is key to the structure, as the visual dialogue
reveals moments full of expression and arresting honesty. On the printed page, the beautiful black-and-white stills
appear timeless and pay homage to the oft forgotten art of cinematography.
Noah Baumbach is an Academy Award nominated writer and director whose films include The Squid and the Whale,
Margot at the Wedding, and Greenberg, among others.
Noah Baumbach
Frances Ha, A Noah Baumbach Picture
Edit and book design by Pascal Dangin
784 pages
9 × 11.5 in. / 23 × 29,3 cm
688 frames
Duotone process
Hardcover with dust jacket
€ 78.00 / £ 68.00 / US$ 95.00
ISBN 978-3-86930-731-2
95

Edward Ruscha
Catalogue Raisonné of the Paintings
Volume 6: 1998–2003
This sixth volume of Edward Ruscha: Catalogue Raisonné of the Paintings documents the 227 paintings, and studies
for paintings, made between 1998 and 2003. Though a number of these works refer in some degree to Ruscha’s output
of the past two decades, the period inaugurates two major series—the “Metro Plots,” which diagram streets in Los
Angeles and American cities, and the celebrated “Mountain” paintings. A third series, loosely grouped, takes books as
its subject. This period is also notable for the appearance of the first of the “Course of Empire” paintings, with which
the artist would represent the United States at the 51 st Venice Biennale in 2005. As in previous volumes, included are
numerous documentary photographs, a selection of Ruscha’s sketchbook pages, and complete bibliographic references
and exhibition histories.
Ed Ruscha was born in Omaha, Nebraska, in 1937 and grew up in Oklahoma City, Oklahoma. He moved to Los
Angeles in 1956 and attended Chouinard Art Institute from 1956 to 1960. Since then his work has been exhibited
internationally and is represented in major museums and private collections throughout the world.
Co-published with Gagosian Gallery, New York
Edward Ruscha
Catalogue Raisonné of the Paintings
Volume 6: 1998–2003
Edited by Robert Dean
With an essay by Thomas Crow
Book design by Simon Johnston after an original
design concept by Bruce Mau Design
570 pages
9.5 × 11.4 in. / 24 × 29 cm
Four-color process
Clothbound hardcover housed in a slipcase
€ 165.00 / £ 145.00 / US$ 198.00
ISBN 978-3-86930-740-4
Clothbound hardcover
Slipcase
97

Richard Serra
Early Work
This publication focuses on the early work of Richard Serra, one of the most influential artists working today. The works
included in this volume represent the beginning of the artist’s innovative, process-oriented experiments with non -
traditional materials, such as vulcanized rubber, neon, and lead, in addition to key early examples of his work in steel and
a selection of the artist’s films from this period.
The interplay of gravity and material that was introduced early in Serra’s career set the stage for his ongoing engagement
with the spatial and temporal properties of sculpture. This monograph aims to reconsider the groundbreaking practices
and ideas that so firmly situate Serra in the history of 20 th -century art. The publication includes a text by Hal Foster, in
addition to a selection of archival texts and photographs from the years 1966 to 1972.
Richard Serra was born in San Francisco in 1938. Since the 1960’s he has exhibited extensively throughout the world.
In addition, Serra has created a number of site-specific sculptures in public and private venues in both North America
and Europe. Serra’s books at Steidl include Sculpture 1985–1998 (1999), The Matter of Time (2005), Te Tuhirangi
Contour (2005) and Notebooks (2011). He lives in New York and Nova Scotia.
Richard Serra
Early Work
Text by Hal Foster
Includes archival texts and photographs
from the years 1966 to 1972
Book design by McCall Associates
340 pages
9.5 × 11.8 in. / 24 × 30 cm
200 photographs
Tritone and four-color process
Hardcover
€ 68.00 / £ 54.00 / US$ 88.00
(distributed in North America and Canada by D.A.P.)
ISBN 978-3-86930-716-9
99

100

Jim Dine
Tools
“When I was born, I came home to my grandfather’s house. His name was Morris Cohen. He was
my mother’s father. I lived with him for three years until my parents built a small little house and we
moved away. But from the time I was born until he died when I was 19, I either spoke to him or saw
him every day. He owned a hardware store that catered to plumbers, electricians, woodworkers, contractors.
It was an early version of a contractors’ supply store. It was called ‘The Save Supply Company.’
He was a very large man, and he felt he could do anything with his hands. He made tables, he
fixed automobiles, he was an electrician, and he was lousy at all of it. But through sheer force of will,
he forged ahead.”
Jim Dine
Born in 1935 in Cincinnati, Ohio, Jim Dine completed a Bachelor of Fine Arts at Ohio University in 1957 and has since
become one of the most profound and prolific contemporary artists. Dine’s unparalleled career spans fifty years, and his
work is held in numerous private and public collections. His books at Steidl include Birds (2001), The Photographs, so
far (2003) and Hot Dream (52 Books) (2008).
Jim Dine
Tools
Texts by Jim Dine
Book design by Jim Dine and Gerhard Steidl
96 pages
11.6 × 12.2 in. / 29,5 × 31 cm
44 black-and-white photographs and 1 color photograph
Tritone and four-color process
Clothbound hardcover with a dust-jacket
€ 48.00 / £ 42.00 / US$ 58.00
ISBN 978-3-86930-647-6
101

102

Al Taylor
Pass the Peas and Can Studys
This publication focuses on two bodies of work by Al Taylor, Pass the Peas and Can Studys. Although distinctly
individual, both of these series examine Taylor’s ongoing explorations of the circle. Instigated by curiosity, the artist
studies the inside and outside of circular shapes and investigates their multi-dimensional possibilities. Taylor playfully
explores these permutations in his Pass the Peas series from 1991–92. In addition to completing an array of drawings,
he used tubular materials such as hula-hoops, garden hose, and plastic-coated cable to create three-dimensional spirals
and coils, interlocking loops, and dissected circles that were mounted on the wall, left freestanding, or hung by wires
from the ceiling to activate changing perspectives. The artist’s investigations into the infinite possibilities of a circle
were further pursued during 1993 in his Can Studys series, when he expanded his “research” by exploring the play of
light that would theoretically be reflected off of the exterior—or projected out of the interior of cylindrical forms.
This catalogue is published on the occasion of the exhibition Al Taylor: Pass the Peas and Can Studys which took
place at David Zwirner, New York, from 7 September to 27 October 2012.
Al Taylor was born in Springfield, Missouri, in 1948, and studied at the Kansas City Art Institute. He moved to New York
in 1970, where he would continue to live and work until his death in 1999. His work is found in a number of prominent
public collections, including The Museum of Modern Art, New York, the National Gallery of Art, Washington, and the
Centre Georges Pompidou, Paris. A retrospective of the artist’s prints opened at the Pinakothek der Moderne, Munich,
in September 2010, and travelled to the Louisiana Museum of Modern Art, Humlebæk, Denmark, in spring 2011.
Al Taylor
Pass the Peas and Can Studys
Text by Klaus Kertess
Book design by Yolanda Cuomo Studio, New York City
144 pages
9 × 11.4 in. / 23 × 29 cm
90 images
Four-color process
Hardcover
€ 38.00 / £ 32.00 / US$ 45.00
ISBN 978-3-86930-715-2
103

104

Stan Douglas
Stan Douglas
Stan Douglas is the third annual publication celebrating the winner of the Scotiabank Photography Award, Canada’s
largest contemporary photography award for an established Canadian artist.
During the celebrated career of this year’s award winner Stan Douglas (starting in 1983), photography has played a
vital role in his artistic development. This publication highlights the significance of the photographic image in the critical
and historical reception of Stan Douglas’ approach to art and media. The stories, sites and events that Douglas explores
are populist, literate and timely. Frequently, his photographs describe the overlooked histories of cultural identity,
displacement and injustice that reveal an uncanny resemblance to present-day events. This is achieved through an
insightful attention to photography as both medium and subject. Folding the spectator into the visual culture of memory
and oblivion that photographs evoke initiates profound observations about the ubiquity of photography in contemporary
culture. The photographs of Stan Douglas affirm the validity and volatility of the photographic medium at this
decisive moment in the history of art and photography.
Stan Douglas, born in 1960, is a visual artist who lives and works in Vancouver. Since the late 1980s his films, videos
and photographs have been seen in exhibitions internationally, including Documentas IX, X and XI and three Venice
Biennales (1990, 2001, 2005). Douglas’s work has been the subject of numerous solo exhibitions at prominent institutions
worldwide. Major museum collections which hold works by the artist include the Art Gallery of Ontario, Toronto;
Centre Georges Pompidou, Paris; Museum of Contemporary Art, Chicago; The Museum of Modern Art, New York;
National Gallery of Canada, Ottawa; Solomon R. Guggenheim Museum, New York, and the Tate Gallery, London. Stan
Douglas is currently Core Faculty in the Graduate Department of the Art Center College of Design in California.
Co-published with Scotiabank
Stan Douglas
Stan Douglas
Texts by Dieter Roelstraete and Robert Bean
Book design by Barr Gilmore
228 pages (including two gatefolds)
12 × 9.75 in. / 30,5 × 24,8 cm
159 photographs
Four-color process and duotone
Hardcover
€ 65.00 / £ 50.00 / US$ 80.00
ISBN 978-3-86930-748-0
105

Tree and Picnic Table, 2006
Tree and Picnic Table, 2009
106

Sharon Ya’ari
Leap Toward Yourself
“I like being able to observe something over a long period of time, unselfconsciously admiring the
complex circumstances by which it had come into being. The images have a story, usually one
related to existence and near-extinction.”
Sharon Ya’ari
This book presents photographs spanning Sharon Ya’ari’s entire creative career, focusing on his recent works. It is
published in conjunction with a major exhibition of Ya’ari’s work at the Tel Aviv Museum of Art, featuring a comprehensive
selection of his photographs. Sharon Ya’ari does not seek unusual moments, special places or unique subjects. His
photographs offer an intimate look at the commonplace and familiar, making the viewer take pause and observe closely.
He does not depict climactic moments; rather, he stops and photographs things that appear to him along the way,
thereby conferring permanence on a particular time and place. Ya’ari’s images summon a multilayered reading, combining
local, historical references on the one hand and conceptual references to the medium of photography and to the history
of art on the other.
Sharon Ya’ari was born in Israel in 1966 and is a photographer based in Tel Aviv. His works are included in the collections
of important museums such as the Israel Museum Jerusalem, the Tel Aviv Museum of Art, The Jewish Museum,
New York, Harvard University (The Schwartz Art Collection), the Herzelya Museum of Art, Israel, and the Ella Fontanals-
Cisneros Collection, and are frequently exposed in museums and galleries worldwide.
Co-published with the Tel Aviv Museum of Art
Exhibition: Tel Aviv Museum of Art, Tel Aviv, 5 November 2013 to 22 March 2014
Sharon Ya’ari
Leap Toward Yourself
With a preface by Suzanne Landau and
an interview with Vered Maimon
Texts by Shimon Adaf and Urs Stahel
Book design by Michael Gordon
264 pages
8.5 × 10.6 in. / 21,5 × 27 cm
173 photographs
Four-color process
Hardcover
€ 48.00 / £ 42.00 / US$ 58.00
ISBN 978-3-86930-723-7
107

108

Ernst Haas
On Set
This volume considers the film stills of Ernst Haas, one of the most accomplished photographers of the twentieth century,
transgressing the borders between static photography and the moving image. Haas worked with a variety of directors—from
Vittorio de Sica to John Huston, Gene Kelly and Michael Cimino—covering movie genres from suspense
(The Third Man; The Train) to the Western (The Oregon Trail; Little Big Man), and from comedy (Miracle in Milan; Love
and Death) to musicals (West Side Story; Hello Dolly). While the photographic reference system known as the film still
has existed since the birth of cinema, inherent to the genre are precisely those parameters that are essential qualities
of Haas’ photo graphy, and which interact in a striking manner with his images made independently of film. On the one
hand, we find photo graphs documenting shoots and depictions of individual scenes. On the other hand, it is Haas’
clear ambition to inscribe a temporal dimension into these images; to impose filmic principles into the stills which,
viewed in a sequence, generate movement and narrative. Indeed, so great was his mastery of color, light, and motion
that Haas was frequently called upon to photograph large group actions—from the battle scenes of Charge of the Light
Brigade and the dances of West Side Story to the ski-slopes of Downhill Racer. While adding a fascinating new take
on the sets and the stars he photographed, Ernst Haas’ On Set will also introduce readers to a little-known but crucial
dimension in the work of this celebrated photographer.
Ernst Haas was born in Vienna in 1921 and took up photography after World War II. His early work on returning Austrian
prisoners of war brought him to the attention of Life Magazine, from which he courageously declined a job as staff
photographer in order to maintain his independence. At the invitation of Robert Capa, Haas joined Magnum in 1949,
developing close associations with Capa, Werner Bishof and Henri Cartier-Bresson. He began experimenting with
color, and went on to become the premier color photographer of the 1950s. In 1962 New York’s Museum of Modern
Art mounted its first solo exhibition of his color photography. Haas’ books were legion, with The Creation (1971) selling
350.000 copies. Ernst Haas received the Hasselblad Award in 1986, the year of his death.
Ernst Haas
On Set
Edited and with an introduction
by John P. Jacob
Essay by Walter Moser
Book design by John P. Jacob and
Bernard Fischer / Steidl Design
424 pages
9.8 × 9.8 in. / 25 × 25 cm
420 photographs
Four-color process
Hardcover housed in a sleeve
€ 68.00 / £ 58.00 / US$ 85.00
ISBN 978-3-86930-587-5
Sleeve
Book
109

110

Håkan Ludwigson
Balls and Bulldust
“They come here for the cowboy romance, but after months in the heat and dust they give up.
Some might stay for a couple of seasons.”
A Northern Territory station manager
Balls and Bulldust is a rich collection of images that explores life and work among the cattlemen in the Northern Territory
in Australia. It is not another cowboy story, rather one about men and women working very hard, and seeking some kind
of solitude and sense of space in the midst of harsh conditions. For some, life in Australia’s outback is a life-long routine.
The young are attracted by its romanticism, which is—more often than not—shattered by reality’s hardships. The red dust
covering this vast scrubby landscape and filling the air is prevalent in Ludwigson’s images. Days can be blistering hot
and temperatures at nights may sometimes fall below zero. People sleep on “swags” on the ground for weeks. The food
is drab and the men are in their saddles twelve hours a day mustering herds of cattle, branding and castrating young
bulls.
Håkan Ludwigson, who is one of the world’s leading commercial photographers, spent three months with the cattlemen
of the Australian outback early in his career, and returned to his native Sweden with a body of work that became Balls
and Bulldust in 2012. The work was first exhibited at Strandverket Konsthall on Marstrand in Sweden in 2012. The exhibition
was curated by Hasse Persson.
Håkan Ludwigson was born on the Swedish west coast in the small town of Vänersborg where he started his career
as a press photographer at the local newspaper in 1965. He later made a name for himself through magazine work for
European publications and advertising assignments for leading car companies, mixed with personal projects. In 1988
Ludwigson became a contract photographer for Condé Nast Traveler in New York. Today he is seen as one of the most
versatile photographic artists at the magazine with a personal vision that has earned him followers all over the world.
Håkan Ludwigson
Balls and Bulldust
Texts by Håkan Ludwigson, Hasse Persson and Glen McLaren
Book design by Andrew Cowie / C52 graphic design ab
270 pages
11.8 × 11.8 in. / 29,5 × 29,5 cm
170 photographs
Four-color process
Clothbound hardcover with a tipped-in photo
€ 68.00 / £ 58.00 / US$ 78.00
ISBN 978-3-86930-707-7
111

112

François-Marie Banier
Never stop dancing
“People are like letters of a secret alphabet. There is a secret within them, a treasure they always
carry with them. A person’s character, this tiny little thing that lets them stand out profoundly,
cannot be better embraced than with a photographic portrait.”
François-Marie Banier
The distinctive iconography of François-Marie Banier’s latest body of work, Never stop dancing, stems from his unconditional
interest in every single subject. Predominantly shot in Paris, New York, Brazil and Africa within the last couple of years, this
book celebrates the good old days of analogue photography as much as human beings in all their diversity. Banier’s dictum
that “everybody is a piece of art” has materialized in this volume glooming in neatly printed black and white.
François-Marie Banier was born in Paris in 1947. A novelist and playwright, he has also been taking photographs of
public figures and anonymous people in the street since the 1970s. In 1991, the Centre Pompidou in Paris exhibited
his photographic works for the first time, and further exhibitions have since been organized throughout Europe, in Asia
and in America. The Maison Européenne de la Photographie in Paris presented a retrospective in 2003, exhibiting his
“written” and “painted” photographs for the first time. He lives and works in Paris.
François-Marie vv
François-Marie Banier
Never stop dancing
FRANÇOIS- MARIE BANIER
Book design by Gerhard Steidl
160 pages
9.5 × 13 in. / 24 × 33 cm
140 photographs
Tritone
Clothbound hardcover
€ 48.00 / £ 35.00 / US$ 68.00
ISBN 978-3-86930-577-6
113

114

Martin d’Orgeval
Découpages
In Martin d’Orgeval’s fifth monograph, Découpages, the land lies dry, bleak and deserted. No humans pass through
this almost phantasmal and blurred terra incognita, captured in mellow black and white. However, the young Frenchman
does not present nightmarish sceneries in his imaginary country. It is just his unmitigated attention to shapes and
shades, lines and surfaces that challenges our ingrained viewing habits. Embedded in d’Orgeval’s clean but warm
encounter with the world’s objects, the reader embarks on an exceptional and touching journey to an unknown territory.
Through documentary style, in reshaping the landscape into natural processed drawings and “decoupages” (cut-outs),
d’Orgeval rediscovers what William Henry Fox Talbot, the English inventor of photography, coined The Pencil of Nature,
his famous book from 1844–46, and gives this concept a new existence.
Martin d’Orgeval was born in 1973 in Paris, where he still lives and works. His work has been exhibited in France, USA,
England, Germany, Italy and China, in particular at Maison Européenne de la Photographie, Paris; Musée de la Chasse
et de la Nature, Paris; Villa Oppenheim, Berlin; Museo Archeologico Nazionale, Naples; Galerie Hussenot, Paris;
Adamson Gallery, Washington; Pace Gallery, Beijing. Découpages is d’Orgeval’s fourth book with Steidl.
MARTIN D’ORGEVAL
DÉCOUPAGES
Martin d’Orgeval
Découpages
Text by Martin d’Orgeval
Book design by Martin d’Orgeval
64 pages
9 × 11 in. / 23 × 28 cm
31 photographs
Tritone
Hardcover
€ 38.00 / £ 22.00 / US$ 45.00
ISBN 978-3-86930-579-0
115

116

Khalid Bin Hamad Bin Ahmad Al-Thani
Here is My Secret
Much of Qatar appears to be a desert stretching in all directions—a seemingly lifeless landscape of low, barren sand
plains and rolling dunes. Yet within this desolateness are signs of life and things of beauty which Al-Thani—who has
perhaps examined the Qatari landscape more closely than any other photographer—reveals for the first time to an
international audience. The photos in Here is My Secret were taken in 2008 and 2009, when Al-Thani traversed Qatar,
his only companions a Toyota four-wheel drive and his Leica camera. Eschewing human change on the landscape, Here
is My Secret is a poetic contemplation on nature and an illustration of the larger cultural transformation that Qatar is
currently undergoing.
Khalid Bin Hamad Bin Ahmad Al-Thani, born in 1980 in Doha, describes photography as a “language without subtitles”
and his project is to establish a unique and authentic Qatari photographic language. With a degree in business from
Qatar University, Al-Thani has now focused his attention on the Qatari desert, his ambition being to reveal its unacknowledged
beauty to the general public.
Khalid Bin Hamad Bin Ahmad Al-Thani
Here is My Secret
Foreword by His Highness Sheikh Hamad Bin Khalifa Al-Thani,
Emir of Qatar
Book design by Khalid Bin Hamad Bin Ahmad Al-Thani,
Duncan Whyte, and Gerhard Steidl
120 pages
11.6 × 8.9 in. / 29,5 × 22,5 cm
82 photographs
Four-color process
Clothbound hardcover with dust jacket
€ 38.00 / £ 29.80 / US$ 4 8.00
ISBN 978-3-86930-344-4
117

118

Aline Diépois and Thomas Gizolme
Abstrakt Zermatt
In the valleys, from the high summits that surround Zermatt, the gigantic movement of the glacier is frozen, like an
irreversible snapshot. Here, the seasons pass one after the other, but have no power over a history that has fallen to
pieces. The rare human silhouettes and color are incorporated into this immobile flux like annexes to the autarkic oxygen
of Zermatt as a place. The imprint of plants appears to be mineral and gigantic, the summits and perspectives are turned
upside down, the immobility of stone and ice resembles a fossilized tumult, a flow of ages. The almost total effacing of
intention in these photographs lets other things appear—as if by imposition—in the glacial mist or the pastel intoxicated
by altitude: a form of nature in which texture and matter take on the aspect of puzzles, fractals, the interweaving of crystals
and of gypsum.
These ups and downs of mute logic and unthought-of mirror-games have laid down their principles for the composition
of a book, reinforcing this choice by using over-aged rolls of film whose texture, matured by the coldness of wintry
mountains, has worked alone, with its specifically intimate process. Since the image has been captured in this form of
withdrawal, its pictorial force comes across as a natural element: a contemplated, integral secret.
Aline Diépois and Thomas Gizolme live and work together in Paris. Both artistic directors and photographers, they
share their time between advertising or editorial commissions and personal projects. Their first book, Dust Book, was
released by Steidl in 2009.
Aline Diépois and Thomas Gizolme
Abstrakt Zermatt
Book design by Aline Diépois and Thomas Gizolme
96 pages
9 × 11.8 in. / 23 × 30 cm
73 photographs
Four-color process
Clothbound hardcover with dust jacket
€ 38.00 / £ 30.00 / US$ 45.00
ISBN 978-3-86930-580-6
119

120

Nicolas Faure
Heavenwards
Engel sind im Bild
Heavenwards is Nicolas Faure’s answer to Rainer Maria Rilke’s question in the first Duino Elegy (1912): “Who, if I
cried out, would hear me among the Angelic Orders?” At first sight Faure’s photographs seem to show nothing but
forests, rivers and light, but in each picture there is something hiding—a human being, an animal or perhaps even an
angel as the book’s subtitle suggests. In Rilke’s words, “Perhaps there remains some tree on a slope that we can see
again each day: there remains to us yesterday’s street, and the thinned-out loyalty of a habit that liked us, and so stayed,
and never departed.”
Nicolas Faure was born in Switzerland in 1949 and since 2000 has taught at the Ecole cantonale d’art in Lausanne.
A self-taught artist, Faure has exhibited and published widely; Steidl released his Landscape A in 2006.
Nicolas Faure
Heavenwards
Engel sind im Bild
Text by André Vladimir Heiz
Book design by Nicolas Faure, François Rappo
and Gerhard Steidl
96 pages
13.8 × 10.9 in. / 35 × 27,8 cm
44 photographs
Four-color process
Clothbound hardcover
€ 58.00 / £ 42.00 / US$ 68.00
ISBN 978-3-86930-126-6
121

122

Gleb Kosorukov
Heroes of Labour
or 100 from the Stakhanov mine
“In some ways miners are modern saints. They know that one day they might not come back from
the mine. Responsible for civilization’s biggest energy resource, their job is to some extent a
sacrifice in the name of humankind.”
Gleb Kosorukov
On 31 August 1935 Alexej Stakhanov, a jackhammer operator at Central-Irmino coal mine, mined a record 102 tonnes
of coal in 5 hours and 45 minutes (14 times his daily quota). The launch of an unprecedented state-run campaign for
popularising extraordinary labour achievements made Stakhanov a Soviet hero par excellence. Soon after, his portrait
appeared on the cover of Time Magazine. For the first time ever a worker was elevated to worldwide fame for his
performance at work. Since then the term “Stakhanovism” has defined ecstatic labour and over-accomplishment at
work as a form of heroism.
On the 74 th anniversary of Stakhanov’s achievement, Gleb Kosorukov began a photographic research project on the
identity of modern miners as an archetype of the working class, affected by the changing value of material labour and
decline of social justice. He took 100 portraits of miners during shift changes at the biggest mine in Europe, located in
Eastern Ukraine, which bears the name of Stakhanov. Due to the neoliberal pressure of global capitalism and the radical
changes in the nature of the labour market, Ukrainian mines are closing apace, more than 100,000 miners stand to
loose their jobs within the next five years. Gleb Kosorukov’s work is an attempt to examine what is left of the miner-myth
in the image of the worker-heroes of today.
Gleb Kosorukov was born in a closed city—a secret scientific centre for strategic nuclear research in Urals, Russia. After
completing a degree in nuclear physics at the National Research Nuclear Physics University in Moscow, he worked as
a photographic journalist, covering Russia’s transition period for The New York Times and The Guardian. In 2000 he
moved to Paris where he worked shooting fashion editorials. Currently, his multimedia art and documentary projects occupy
all of his time.
Gleb Kosorukov
Heroes of Labour
or 100 from the Stakhanov mine
Text by Gleb Kosorukov
Book design by Gleb Kosorukov and Gerhard Steidl
192 pages
9.5 × 13 in. / 24 × 33 cm
100 photographs
Four-color process
Clothbound hardcover with dust jacket
€ 68.00 / £ 58.00 / US$ 85.00
ISBN 978-3-86930-689-6
123

124

Koto Bolofo and Claudia Van Ryssen-Bolofo
The Prison
Having left South Africa at the age of four as a political refugee with his parents, photographer Koto Bolofo returned to
his home country with his wife in 1992, two years after Nelson Mandela had been released from prison. Bolofo got free
access to the notorious and by now deserted prison of Robben Island, where Mandela had been held for the majority
of the twenty-seven years of his confinement in a cell of barely 6 square metres in Section B. The photographer and
his wife eagerly began documenting the site’s abandoned interiors and surroundings, dreading the prison’s potential
closure. It was converted into a well-frequented museum in 1997 and included on the World Heritage List by UNESCO
in 1999.
The black-and-white photographs of this volume conspicuously favor close-up depictions of details as opposed to
general views: leftover items, barbed wire fences, spacious dormitories viewed through a spyhole, the key in the lock
to Mandela’s cell which is so tiny it cannot be taken as a whole—all this is conveying the gloomy sense of claustrophobia
and suppression that characterise the place. The camera is constantly searching for the few rays of light that penetrate
the ubiquitous grimness and silence of cruelty.
Koto Bolofo was born in South Africa in 1959 and raised in Great Britain. Bolofo has photographed for magazines
such as Vogue, Vanity Fair and GQ and made short films for the Berlinale and the Venice Film Festival. He has created
advertising campaigns for companies including Hermès, Louis Vuitton and Dom Pérignon. Bolofo lives in the Vendée,
France, and his books with Steidl include Lord Snowdon, Dreams, Horse Power, Venus Williams, I Spy with my Little
Eye, Something beginning with S, Vroom! Vroom!, La Maison and Grande Complication.
Koto Bolofo and Claudia Van Ryssen-Bolofo
The Prison
Text by Kristine Miller Guest and Koto Bolofo
Book design by Koto Bolofo, Rukminee Guha Thakurta,
Gerhard Steidl and Sabine Hahn/Steidl Design
288 pages
11.4 × 14.5 in. / 29 × 37 cm
105 photographs
Four-color process
Clothbound hardcover with a tipped-in photo
€ 58.00 / £ 48.00 / US$ 68.00
ISBN 978-3-86930-600-1
125

126

Koto Bolofo
Rolls-Royce
Rolls-Royce, a world-renowned iconic brand and symbol of all that is British, Koto Bolofo goes behind the scenes and
examines in minute detail the making of the car that is the first choice of film stars and heads of state. Given carte blanche
by Rolls-Royce, Koto photodocuments the painstaking craftsmanship that goes into the creation of these superlative vehicles.
Beautifully portraying the use of technology in this state-of-the-art manufacturing plant which still puts a heavy emphasis
on artisan crafts. This visual diary pays tribute to Rolls-Royce and stays true to the words of Sir Henry Royce,
“Strive for perfection in everything you do.” Koto Bolofo’s keen eye for detail and ability to see beyond the obvious, creatively
captures the construction of these magnificent cars in a way that can only be described as perfection.
Koto Bolofo was born in South Africa in 1959 and raised in Great Britain. Bolofo has photographed for magazines
such as Vogue, Vanity Fair and GQ and made short films for the Berlinale and the Venice Film Festival. He has created
advertising campaigns for companies including Hermès, Christian Dior, Louis Vuitton and Dom Pérignon. Bolofo lives
in the Vendée, France, and his books with Steidl include Lord Snowdon, Dreams, Horse Power, Venus Williams, I Spy
with my Little Eye, Something beginning with S, Vroom! Vroom!, La Maison and Grande Complication.
Koto Bolofo
Rolls-Royce
Book design by Koto Bolofo, Gerhard Steidl
and Sabine Hahn/Steidl Design
208 pages
11.4 × 14.6 in. / 29 × 37 cm
181 photographs
Four-color process
Clothbound hardcover with a tipped-in photo
€ 78.00 / £ 65.00 / US$ 88.00
ISBN 978-3-86930-645-2
127

128

NEW RELEASE
Hans van der Meer
European Fields: The Landscape of Lower League Football
At the beginning of the 1995 football season, Hans van der Meer set out to take a series of football photographs that
avoided the clichéd traditions of modern sports photography. In an attempt to record the game in its original form—a
field, two goals and 22 players—he sought matches at the bottom end of the amateur leagues, the opposite end of the
scale to the Champions’ League. And he avoided the enclosed environment of the stadium and tight telescopic details
and hyperbole of action photography. Preferring neutral lighting, framing and camera angles, he chose instead to pull
back from the central subject of the pitch, locating the playing field and its unfolding action within a specific landscape
and context. He was heavily influenced by the old tradition of photography in which a wide view of the action often resulted
in elements of the locality being present in the image.
Van der Meer began by focusing on sites within the Netherlands and in 1998 he published Dutch Fields, followed by
a DVD, Flemish Fields, in 2000. His European odyssey has since taken him from small towns in the remote regions of
Europe—from Bihariain in Romania to Björkö in Sweden, from Torp in Norway to Alcsóörs in Hungary, from Bartkowo
in Poland to Beire in Portugal—and to the fringes of the major conurbations of Greece, Finland, England, France,
Germany, Scotland, Switzerland, Holland, Slovakia, Denmark, Ireland, Wales, the Czech Republic, Belgium, Spain and
Italy. These acute and subtle observations of the poetry and absurdity of human behavior connect the game of football
to the basic futility of the human condition. The small tragicomedies are dwarfed by the serenity and permanence of the
natural or manmade world that surrounds them but in their pathos can be found the original passion and humanity of
the game.
Hans van der Meer was born in Leimuiden in the Netherlands in 1955. He has published numerous books. His work is
included in major international collections and he has had solo exhibitions in venues such as the National Museum for
Photography, Film and Television in the UK, the Stedelijk Museum Amsterdam, the Centro Português de Fotografia,
Porto, National Museum of Modern Art in Kyoto. He is a contributing editor of Useful Photography.
Hans van der Meer
European Fields: The Landscape of Lower League Football
Essay by Simon Kuper
Edited by Hans van der Meer and Michael Mack
Designed by Hans van der Meer and Catherine Lutman
176 pages
10.5 × 15 in. / 26,8 × 38 cm
87 photographs
Four-color process
Hardcover
€ 38.00 / £ 32.00 / US$ 48.00
ISBN 978-3-86930-767-1
129

Gabriele Basilico
Fouad Elkoury
Robert Polidori
Klavdij Sluban
130

Nouhad Makdissi (ed.)
Beirut Mission. Photos 2009–2011
In 1991, Gabriele Basilico and Fouad Elkoury were part of a group of six international photographers on a mission to
Beirut city centre at the end of the Lebanon war. Beirut was put on the international photography map thanks to these
pictures. In 2008, Fouad Elkoury proposed a new mission.
With Beirut going through a unique period of change, it was essential to document the urban development by producing
a photographic archive of quality, revealing the mission of Beirut itself as “one of the world’s most complex, legendary,
ever-vibrant, ever-troubled cities.” Four photographers were selected to compile Beirut Mission, according to complementarities
in their approach and experience. Fouad Elkoury and Klavdij Sluban were invited in 2009 and again in 2010;
Robert Polidori came in 2010, and Gabriele Basilico in 2011.
Gabriele Basilico, born in Milan in 1944, began working as a photographer in 1973 focussing on city and urban landscapes
and went to Beirut for the first time right after the war in 1991 to take part in a photographic mission. His works
were exhibited around the world, as e.g. at Venice Biennale in 1996, 2007 and 2012, at the Stedelijk Museum in 2000
and at the San Francisco MoMa in 2008. He died in early 2013.
Fouad Elkoury was born in Paris in 1952. He began his artistic career photographing Beirut during the civil war. In
1997 Elkoury co-founded the Arab Image Foundation in Beirut, which archives and promotes photography from the surrounding
region. He has exhibited extensively, e.g. at the MEP in Paris and the Venice Biennale.
Robert Polidori was born in Montreal in 1951 and lives in New York City. His work has been the subject of exhibitions
in New York, London, Brazil, Montreal, among other places. In 2006, Polidori’s series of photographs of New Orleans
after Hurricane Katrina was exhibited at the Metropolitan Museum of Art. He published several books with Steidl.
Klavdij Sluban was born in Paris in 1963. He has worked as a photographer since 1992 and focussed on projects about
teenagers and young prisoners in different parts of the world. Sluban has held exhibitions at the Centre Pompidou and
the Institut du Monde Arabe in Paris.
Co-published with Solidere, Beirut
Nouhad Makdissi (ed.)
Beirut Mission. Photos 2009–2011
Texts by Nouhad Makdissi
Book design by Gerhard Steidl and Sabine Hahn
Vol. I
Vol. II
Vol. III
Vol. I: Gabriele Basilico, 64 pages
Vol. II: Fouad Elkoury, 64 pages
Vol. III: Robert Polidori, 64 pages
Vol. IV: Klavdij Sluban, 64 pages
Vol. V: Texts and illustrations, 24 pages
8.1 × 9.8 in. / 20,6 × 25 cm
208 photographs
Tritone and four-color process
Five softcover books housed in a slipcase
€ 45.00 / £ 36.00 / US$ 55.00
ISBN 978-3-86930-699-5
Vol. IV
Vol. V
Slipcase
131

132

Domingo Milella
Domingo Milella
“It’s hard to talk about photography without facing issues of time, memory and death—not as
stereotypical archetypes, but as challenging and malleable entities of culture and nature.”
Domingo Milella
This first published monograph by Domingo Milella is a photographic journey from his hometown in the outskirts of Bari
in southern Italy, taking us to Mexico City, Cairo, Ankara, Anatolia, Sicily, Tunisia, and as far as Mesopotamia. Milella’s
subject is cities and their borders, cemeteries and villages, caves and homes, tombs and hieroglyphs—in short, signs
of man’s presence on earth. His interest is the overlap between civilisation and nature, and how landscape and architecture
are invested with individual and collective memory. These photographs emerge from and challenge classical
ideas of landscape in art history, and seek an alternative iconography in which an almost forgotten past coexists with
the present. Says Milella: “Making images doesn’t only mean documenting or taking photographs. It’s also a possibility
for contemplation and recollection. Building an image of the past is to face the present, and activate the possibility
of the future.”
Domingo Milella was born in 1981 in Bari, Italy, and today divides his time between his hometown and New York. At
the age of eighteen Milella moved to New York to study photography at the School of Visual Arts (BFA 2005), where
Stephen Shore was one of his teachers. Milella has worked with Massimo Vitali, and Thomas Struth has been an
influential mentor. Since 2001, he has been developing his landscape project. Milella has exhibited at Brancolini Grimaldi
(Rome and London), Tracy Williams, Ltd. (New York), Foam Photography Museum (Amsterdam), the Venice Biennale
and Les Rencontres d’Arles.
Exhibition: Tracy Williams, Ltd., New York, 1 November to 21 December 2013
Domingo Milella
Domingo Milella
Essay by Francesco Zanot
Book design by Domingo Milella and Gerhard Steidl
84 pages
14.3 × 11.3 in. / 36,4 × 28,8 cm
55 photographs
Four-color process
Clothbound hardcover
€ 58.00 / £ 48.00 / US$ 78.00
ISBN 978-3-86930-487-8
133

134

Noah Purifoy
High Desert
“A Note to the Viewer
This book is divided into three separate parts: The photographs, the photographic chronology and
the text. The advantages of this format is to give you, the viewer, at least three options. You can
proceed chronologically from the beginning of the book to the end, thereby grasping the artist’s
full intent to inform, entertain and intrigue. Or you may casually thumb through the book spotting
only those details that give meaning to each piece. Or you may flip the pages rapidly just to get a
bird’s eye view of the content. Or perhaps, you may discover some aspects of the book that we
overlooked altogether.
Nevertheless no matter what option a viewer chooses to take, it is our desire that each of you get
so close to the piece that you see the smoke from its breath as it comes alive.”
Noah Purifoy, April 1997
Born in Snow Hill, Alabama, in 1917, sculptor Noah Purifoy lived and worked most of his life in Los Angeles and Joshua
Tree, California, where he died in 2004. First director of the Watts Towers Art Center in the 1960s, Purifoy dedicated
himself to the found object—creating artwork made entirely from junked materials—and to using art as a tool for social
change. In 1989, Purifoy moved his practice to the Mojave Desert, creating a ten-acre Outdoor Desert Art Museum of
Assemblage Sculpture on the desert floor. The Noah Purifoy Foundation maintains and preserves Purifoy’s museum and
legacy. Recent group exhibitions include Pacific Standard Time: Crosscurrents in Painting and Sculpture: 1950–1970,
J. Paul Getty Museum; Now Dig This! Art and Black Los Angeles 1960–1980, Hammer Museum, Los Angeles, and
MoMA PS1, New York; and Civic Virtue: The Impact of the Los Angeles Municipal Art Gallery and the Watts Towers
Arts Center, Watts Towers Art Center, Los Angeles. In Spring 2015, the Los Angeles County Museum of Art (LACMA)
will present a traveling Noah Purifoy Retrospective.
Sleeve Book 1 Book 2
Book 3
Noah Purifoy
High Desert
Text by Noah Purifoy
Book concept and text by Noah Purifoy
Book 1: 160 pages
Book 2: 16 pages
Book 3: 24 pages
8.5 × 11 in. / 21,6 × 27,9 cm
Four-color process
3 softcover books housed in a sleeve
€ 48.00 / £ 42.00 / US$ 58.00
ISBN 978-3-86930-595-0
135

Vol. 1
Vol. 1
Vol. 2
136

Nicolas Pages and Benoît Peverelli (eds.)
Balthus—The Last Studies
“For every painting involving a model, I organise a photo session preceding the work. As I don’t
see well enough anymore in order to draw I help myself with polaroid ‘sketches.’ Thus, everything
begins with a struggle with the camera as I obviously don’t master its technique … Then we try
out different poses.”
Balthus
Balthus—The Last Studies is an undisclosed corpus of nearly two thousand photographs produced during the last ten
years of the painter’s life. They are the preliminary studies for his last three major paintings. His hands incapacitated by
old age, Balthus resorted to the camera as a sort of prosthesis, at once eye, hand and pencil, thus reassuming the
mysterious ritual of sketching, for him the one and only way to approach and define the mental image from which the
painting’s composition would proceed. As a substitute for drawing, these never before seen photographs fully participate
in the slow, painstaking practice which had been Balthus’s for nearly a century. As such, they give a major insight
into the painter’s endless quest of beauty.
Balthus was born in Paris in 1908 as Balthazar Kłossowski de Rola. The godson of Reiner Maria Rilke—who also gave
him his artist’s name—, he was patronised by the same from his early age. Although an outsider to the different trends
and currents of his contemporaries, he quickly established himself as a major artist. From 1961 to 1976 he was the
director of the Villa Medici in Rome. Balthus died on 18 February 2001 at The Grand Chalet in Rossinière, Switzerland.
Vol. 1
Box
Nicolas Pages and Benoît Peverelli (eds.)
Balthus—The Last Studies
With texts by Balthus, Setsuko
Kłossowski de Rola, and
Anna Whali
Book design by Nicolas Pages,
Benoît Peverelli, and Gerhard Steidl
Vol. 1: 1256 polaroid photos,
224 pages
Two clothbound hardcover books
housed in a handmade, clothbound box
Limited edition of 1,000 sets for trade
and 500 archive copies
€ 480.00 / £ 400.00 / US$ 610.00
ISBN 978-3-86930-685-8
Vol. 2: 99 polaroid photos,
224 pages
18 × 14 in. / 45,7 × 35,5 cm
Five-color process
Vol. 2
137

Punk City (Venezia / Italy, 2012)
Fledermaus (Venezia / Italy, 2012)
Leiermann (Venezia / Italy, since 2010)
Disportraits (Milano–Torino / Italy 2008-2009)
Das Meisterstück (worldwide, since 2007)
Purple Desk (Vaticano, Roma/Italy, 2004-2008)
138

Germano Celant (ed.)
Matthias Schaller
Matthias Schaller is a retrospective of Schaller’s photography in book form, presenting all his major bodies of work
from the last thirteen years such as the series “Studio Gursky” (2000), documenting Andreas Gursky’s Düsseldorf studio;
“Die Mühle” (2001–02), showing the studio-home of Bernd and Hilla Becher; the private offices of the government
of the catholic church (Roman Curia) in “Purple Desk” (2004-2008), paint palettes of the most renown painters
of the last 200 years in “Das Meisterstück” (since 2007); “Controfacciata” (2008), color-drained images of the interiors
of Venetian palaces. Further his works on astronaut suits “Disportraits” (2008-2009), Venetian mirrors “Leiermann”
(since 2010), radar images taken in the Gran Canal in “Fledermaus” (2012) and photographs from vinyl records of
Punk music between 1976 and 1978 in “Punk City” (2012). Presenting thumbnail images of all these series and a bibliography,
this book is the perfect entry-point to Schaller’s oeuvre and a comprehensive summary of it.
Matthias Schaller was born in Dillingen/Donau, Germany, in 1965, and today lives in Venice/Italy and New York City.
Schaller studied cultural anthropology in Göttingen, Hamburg and Siena. He was a DAAD fellow in Rome and has
exhibited internationally in solo shows at institutions including Fondazione Giorgio Cini, Biennale d’Arte in Venice, the
Picasso Museum in Münster, and Museu de Arte Moderna in Rio de Janeiro. Steidl has published Schaller’s The Mill
(2007), Controfacciata (2008) and Purple Desk (2009).
Germano Celant is an internationally acclaimed author and curator acknowledged for his theories on Arte Povera.
Celant has curated numerous exhibitions at many of the world’s most prominent institutions, and has authored
hundreds of publications, both books and catalogues. He is currently director of Fondazione Prada in Milan, curator
of Fondazione Aldo Rossi in Milan and curator of Fondazione Emilio and Annabianca Vedova in Venice. In 2013,
Celant received the Agnes Gund Curatorial Award.
Germano Celant (ed.)
Matthias Schaller
Text by Germano Celant
Book design by Dario Zannier
386 pages
9.6 × 13 in. / 24,5 × 33 cm
574 photographs
Four-color process
Clothbound hardcover with dust jacket
€ 65.00 / £ 54.00 / US$ 78.00
ISBN 978-3-86930-323-9
139

140

Jock Sturges
Fanny
“Central to my work in photography is the notion that the more one knows, generally about life and
art and more specifically about who the person before your camera is, the better are your chances
of winning through to successful work. Learning what is significant takes time. Truth is shy.”
Jock Sturges
Fanny is an extended portrait of a young girl’s transition from child to woman. Made over a period of 23 years, the
images are at once beautiful in their detail of light and identity and also frankly anthropological in their descriptive effect.
A naturist since birth, Fanny’s comfort with nudity and her natural self has allowed Sturges to draw an engaging portrait
of the evolution of a human being with few social distractions. His access to the girl’s and woman’s character is direct
and fascinating. Long known for his extended portraits of children and adolescents, this work is strong evidence of
Sturges’ permanent commitment to the people in his work.
Jock Sturges is a fine art photographer living in Seattle, Washington. His work is included in the collections of The
Museum of Modern Art and the Metropolitan Museum of Art in New York, The Bibliothèque Nationale in Paris and the
Museum of Modern Art in Frankfurt/Germany. His published works include The Last Day of Summer (1992), Radiant
Identities (1994), 25 Years (1994), Evolutions of Grace (1994), Jock Sturges (1996), Jock Sturges—New Work
1996–2000 (2000), Notes (2005) and Mit Jock Sturges Familiär (2012).
Jock Sturges
Fanny
Edited with Walter Keller
Introduction by Walter Keller
Book design by Jock Sturges and Bernard Fischer
200 pages
14.3 × 11.3 in. / 36,4 × 28,7 cm
139 black-and-white and 31 color photographs
Tritone and four-color process
Clothbound hardcover with dust jacket
€ 80.00 / £ 65.00 / US$ 95.00
ISBN 978-3-86930-694-0
141

Simon Starling
Roni Horn
Ai Weiwei
John Baldessari
Bruce Nauman
Jeff Wall
142

Jason Schmidt
Artists II
Artists II is the second volume of Jason Schmidt’s ongoing photographic documentation of today’s most significant
artists. From young to old, emerging to career-peaking, world-famous or as-of-yet-known, the creative forces that the
New York-based photographer has managed to capture over a period of 12 years has come to serve as perhaps the
most incisive look into the art world as it stands today. Artists II captures 166 artists, including John Baldessari,
Ai Weiwei, Glenn Ligon and Cindy Sherman, in their studios or work environments and the resultant images reveal the
context in which the art was made or conceived and the artists in their most intimate moment—in the process of creation.
A text by each artist in their own words accompanies each photograph: some are literal descriptions of the encounter,
others are poetic or enigmatic; each is a window into their artistic methods and perspectives. The strength of this artists
series lies not solely in its individual compositions but in its value as a comprehensive archive of contemporary artistic
practice. Situated between portraiture and landscape, Schmidt’s photographs show art and artist in a constant moment
of transformation.
Jason Schmidt was born in 1969 in New York, and graduated from Columbia University in 1991 with a degree in art
history. His photographs have been exhibited at the Museum of Contemporary Art (Los Angeles), The Martin Z. Marguiles
Collection (Miami), Deitch Projects (New York), and elsewhere. Schmidt’s photographs have appeared in The New
York Times Magazine, Vanity Fair, Harper’s Bazaar, The New Yorker, and V Magazine, among others. Schmidt lives and
works in New York City. Edition 7L published Schmidt’s Artists in 2007.
Jason Schmidt
Artists II
Edited by Alix Browne and Christopher Bollen
Texts by Jason Schmidt and various artists
Book design by Greg Foley, Pierre Consorti, Zachary Ohlman
180 pages
11.7 × 11.8 in. / 29,7 × 30 cm
166 photographs
Four-color process
Clothbound hardcover
€ 58.00 / £ 48.00 / US$ 70.00
ISBN 978-3-86930-632-2
143

144

Sébastien Lifshitz
AMATEUR
“Those amateur images slipped out of family albums to randomly go out into the world, offering
themselves to those who care to take them on, made me realize what really fascinates me about
photography: the longevity of its traces, the manifestation of forgotten lives. In his book Camera
Lucida, Roland Barthes called it the ‘that-has-been.’ I hold the proof of those people’s existence
in my hands.”
Sébastien Lifshitz
Amateur consists of four volumes and unites a vast collection of amateur photographs assembled by filmmaker
Sébastien Lifshitz over the last twenty years. Found on, flea markets all over the world and in photo galleries or on the
net, they are divided into four themes: the uncanny, empty places, blurs and beachsides. Every volume revolves around
one of those recurring themes, playing with the different frames, the changes of light, movement and subject in order
to create an immense poetic collage.
Sébastien Lifshitz was born in Paris in 1968. After studying art history, he began working in the world of contemporary
art in 1990, assisting curator Bernard Blistène at the Centre Pompidou, and photographer Suzanne Lafont. In 1994, he
turned to filmmaking with equal attention to fiction and documentary. His films received numerous awards such as the
Prix Jean Vigo and the Kodak Award, twice the Berlin Film Festival’s Teddy, and the Cesar 2013 for his last feature “The
Invisibles.” Sébastien Lifshitz has just finished the documentary film “Bambi” which was selected at the Berlinale 2013.
Sébastien Lifshitz
Amateur
Volume 1 Volume 2
Volume 1: Superfreak
Volume 2: Under the sand
Volume 3: Someone was here
Volume 4: Flou
Book design by Sébastien Lifshitz and Gerhard Steidl
Vol. 1: 96 pages/ Vol. 2: 88 pages
Vol. 3: 112 pages/Vol. 4: 96 pages
7.9 × 8 in. / 20 × 20,3 cm
486 photographs
Four-color process
Four otabind broschures in a box
€ 58.00 / £ 48.00 / US$ 68.00
ISBN 978-3-86930-739-8
Volume 3 Volume 4
145

146

Robert Voit
New Trees
Robert Voit has discovered a new species of plant that he calls “new trees”—cellular phone antennae of steel,
fibreglass and plastic, camouflaged as trees. This unusual new life form can be found all over the world. There are pine
trees, palm trees, cypresses, cacti and various deciduous trees. Some are in the desert or in newly planted forests;
others are in fields and parking lots, next to highways and in housing developments. Voit has photographed these
trees in the US, South Africa and Europe, creating a peculiar arboretum where reality and illusion are blurred.
Robert Voit, born in Erlangen in 1969, lives in Munich. He studied under Gerd Winner at the Academy of Fine Arts in
Munich and under Thomas Ruff at the Düsseldorf Art Academy. Voit has exhibited at the Fotomuseum and Haus der
Kunst in Munich, at the Nuremberg Kunsthalle and at the Deichtorhallen in Hamburg, among other institutions.
Robert Voit
New Trees
Text by Christoph Schaden
Book design by Robert Voit and Gerhard Steidl
152 pages
10 × 12.2 in. / 25,5 × 31,1 cm
67 photographs
Four-color process
Clothbound hardcover
€ 58.00 / £ 45.00 / US$ 68.00
ISBN 978-3-86521-825-4
147

148

Maria Sewcz
inter esse
Berlin 1985–87
As a young photographer Maria Sewcz created a series of radical photographs of Berlin’s east side. The Reichstag,
Rathaus, Alexanderplatz, Thälmann Memorial and the border with the west marked the limits of her urban topography.
Made from 1985 to 1987, these bold images capture a cold and irreconcilable rage with the status quo at this period
of transition. inter esse is a Berlin tale in which recent German history finds expression. Expressed in dynamic
movements through constant changes of perspective, the story has no interest in subordinating one individual’s
perception to so-called “historical necessities.”
Maria Sewcz, born in 1960 and raised in Northern Germany, submitted the portfolio inter esse as her thesis at the
Academy of Visual Arts in Leipzig in 1987.
Maria Sewcz
inter esse
Berlin 1985–87
MARIA SEWCZ
inter esse
Edited by Inka Schube
Book design by Sarah Winter
and Katharina Staal
80 pages
11.6 × 9.3 in. / 29,5 × 23,6 cm
35 black-and-white photographs
Tritone
Clothbound hardcover with a tipped-in photo
€ 38.00 / £ 30.00 / $ 48.00
ISBN 978-3-86521-788-2
149

150

Harf Zimmermann
BRAND WAND
“Though these pictures appear like magnificent modern paintings, they are in fact a deeper
unconscious social artistic expression of an urban re-development that historical events since the
Gründerzeit have fermented and brought to the surface.”
Robert Polidori
The soaring, rigid walls of the tenement blocks torn open by the bombing of World War II dominated the German
streetscapes of the 1950s. Fire walls, originally integrated in the building and serving as fire shields, suddenly became
visible and turned into outer walls. That is how the originally rather technical term got a new meaning: Firewalls as walls
spared by the fire.
Those long brick walls often adjoin to vast vacant lots once taken up by buildings that were never reerected after the
war. Windows—sometimes bricked up again—cover the walls without any rational order, bearing witness to the troublesome
moments of Germany’s history, just like smut, traces of bullets, shrapnel holes, the outlines of previous buildings,
and provisional repairs. The remarkable housing boom following the fall of East Germany whitewashed most of the
scars and overgrew the occasional graffiti and advertisements originally decorating those walls. A look behind them
reveals—like a negative form of the same cast—the imprint of the building’s story.
Harf Zimmermann was born in Dresden, Germany, in 1955 and grew up in East Berlin. He studied journalism and later
photography with Arno Fischer at the HGB in Leipzig. In 1990, he co-founded the photo-agency Ostkreuz in Berlin.
Zimmermann works for international magazines and industry and is based in Berlin.
Harf Zimmermann
BRAND WAND
Texts by Robert Polidori and Harf Zimmermann
Book design by Harf Zimmermann and
Sabine Hahn / Steidl Design
128 pages
14.8 × 11.7 in. / 37,5 × 29,6 cm
74 photographs
Four-color process
Clothbound hardcover with dust jacket
€ 78.00 / £ 65.00 / US$ 98.00
ISBN 978-3-86930-628-5
151

Photo by Koto Bolofo

BACKLIST
153

BACKLIST
Abbott, Berenice
Documenting Science
Clothbound hardcover with a tippedin
photo
29,5 × 31 cm, 180 pp
93 photographs, tritone
€ 48.00 / £ 38.00 / US$ 65.00
ISBN 978-3-86930-431-1
Abbott, Berenice
The Unknown Berenice Abbott
5 clothbound hardcover books
in a handmade slipcase
29,5 × 31,5 cm, 1117 pp
Tritone and four-color process
€ 285.00 / £ 240.00 / $ 350.00
ISBN 978-3-86930-650-6
A-chan
Off Beat
Otabind softcover
19 × 24 cm, 64 pp
45 photographs, tritone
€ 20.00 / £ 16.00 / US$ 25.00
ISBN 978-3-86930-416-8
A-chan
Vibrant Home
Otabind softcover
23,5 × 28 cm, 104 pp
68 color photographs
€ 20.00 / £ 16.00 / US$ 25.00
ISBN 978-3-86930-415-1
Achermann, Beda
Big Time—Männervogue, 1984–1989
Softcover in a slipcase
26,3 × 35 cm, 384 pp
300 photographs, four-color process
€ 65.00 / £ 54.00 / US$ 85.00
ISBN 978-3-86930-638-4
Adams, Bryan
Exposed
Clothbound hardcover
24,9 × 33,3 cm, 304 pp
Tritone and four-color process
€ 68.00 / £ 54.00 / $ 88.00
ISBN 978-3-86930-500-4
Adams, Bryan
Wounded: The Legacy of War
Clothbound hardcover
23,9 × 32 cm, 192 pp
Tritone
€ 58.00 / £ 48.00 / $ 68.00
ISBN 978-3-86930-677-3
Adams, Robert
Gone?
Clothbound hardcover with
dust jacket
25,4 × 25,4 cm, 128 pp
118 tritone photographs
€ 49.50 / £ 44.00 / US$ 69.95
ISBN 978-3-86521-917-6
Adams, Robert
Tree Line
Clothbound hardcover with
dust jacket
25,6 × 27,6 cm, 128 pp
Tritone
€ 35.00 / £ 30.00 / US$ 50.00
ISBN 978-3-86521-956-5
Adams, Robert
The Place We Live
Three clothbound hardcovers in a
slipcase
24,6 × 30 cm, 632 pp
Tritone and four-color process
€ 148.00 / £ 125.00 / $ 185.00
ISBN 978-3-86930-533-2
Abdessemed, Adel
I am Innocent
Clothbound hardcover with dust
jacket
26 × 35 cm, 260 pp
€ 40.00 / £ 30.00 / US$ 48.00
ISBN 978-3-86930-541-7
Aldridge, Miles
Other Pictures
Clothbound hardcover with a tippedin
photo, housed in a slipcase
39 × 27 cm, 140 pp
94 color photographs
€ 68.00 / £ 54.00 / US$ 85.00
ISBN 978-3-86930-437-3
154

BACKLIST
Alvermann, Dirk
Algeria
Softcover
10,8 × 18 cm, 224 pp
162 photographs, tritone
€ 18.00 / £ 15.00 / US$ 28.00
ISBN 978-3-86930-255-3
Bacigalupo, Martina
Gulu Real Art Studio
Clothbound hardcover
20 × 24,1 cm, 112 pp
Four-color process
€ 38.00 / £ 30.00 / $ 45.00
ISBN 978-3-86930-696-4
Bailey, David
Bailey’s Democracy
Clothbound hardcover
26 × 33 cm, 160 pp
47 tritone plates
€ 44.00 / £ 30.00 / US$ 55.00
ISBN 978-3-86521-192-7
Bailey, David
Havana
Leatherbound hardcover
26 × 33 cm, 176 pp
Four-color process
€ 45.00 / £ 30.00 / US$ 55.00
ISBN 978-3-86521-270-2
Bailey, David
Is That So Kid
Hardcover
26 × 33 cm, 72 pp
51 tritone plates
€ 40.00 / £ 30.00 / US$ 65.00
ISBN 978-3-86521-632-8
Bailey, David
NY JS DB 62
Hardcover
26 × 33 cm, 72 pp
3 color and 24 tritone plates
€ 40.00 / £ 28.00 / US$ 50.00
ISBN 978-3-86521-414-0
Bailey, David
Pictures that Mark Can Do
Clothbound hardcover
26 × 33 cm, 176 pp
164 color plates
€ 45.00 / £ 30.00 / US$ 55.00
ISBN 978-3-86521-367-9
Bailey, David
8 Minutes
Clothbound hardcover
26 × 33 cm, 264 pp
Four-color process
€ 44.00 / £ 40.00 / US$ 68.00
ISBN 978-3-86521-864-3
Bailey, David
Flowers, Skulls, Contacts
Leatherbound hardcover with
a tipped-in photo
26 × 33 cm, 300 pp
€ 56.00 / £ 49.00 / US$ 75.00
ISBN 978-3-86930-128-0
Bailey, David
Eye
Clothbound hardcover
26 × 33 cm, 188 pp
3 color plates, 89 tritone plates
€ 48.00 / £ 44.00 / US$ 75.00
ISBN 978-3-86521-708-0
Bailey, David
Dehli Dilemma
2 clothbound hardcover,
housed in a sleeve
25,9 × 33 cm, 438 pp
Four color-process
€ 98.00 / £ 88.00 / $ 125.00
ISBN 978-3-86930-991-0
Balet, Catherine
Strangers in the Light
Clothbound hardcover with
dust jacket
28 × 28,5 cm, 96 pp
85 photographs, four-color process
€ 28.00 / £ 24.00 / US$ 36.00
ISBN 978-3-86930-285-0
155

BACKLIST
Baltz, Lewis
Rule Without Exception / Only
Exceptions
2 otabind softcovers housed in a sleeve
23,8 × 33,3 cm, 368 pp
260 photographs, duotone/four-color
€ 65.00 / £ 50.00 / US$ 80.00
ISBN 978-3-86930-110-5
Baltz, Lewis
Texts
Clothbound hardcover with foil
embossing and a bookmark,
with an acetate dust jacket
13,5 × 21 cm, 160 pp
€ 24.00 / £ 20.00 / US$ 30.00
ISBN 978-3-86930-436-6
Baltz, Lewis
Candlestick Point
Clothbound hardcover
32,2 × 24,5 cm, 128 pp
50 photographs, 72 tritone and
12 color plates
€ 58.00 / £ 48.00 / US$ 72.00
ISBN 978-3-86930-109-9
Baltz, Lewis
Venezia Maghera
16 photo-serigraphies signed and
numbered in a handmade crate
39,9 × 59,9 cm
Four-color screen-printing
€ 7,500.00 / £ 6,300.00 / $ 9,600.00
ISBN 978-3-86930-313-0
Banier, François-Marie
Perdre la tête
Hardcover
18 × 24,7 cm, 256 pp
160 tritone plates
€ 26.00 / £ 20.00 / US$ 35.00
ISBN 978-3-86521-234-4
Banier, François-Marie
Grandes Chaleurs
Clothbound hardcover
24 × 30 cm, 144 pp
109 tritone plates
€ 45.00 / £ 35.00 / US$ 59.90
ISBN 978-3-86521-822-3
Bartos, Adam
Darkroom
Hardcover
29 × 37,1 cm, 80 pp
Four-color process
€ 65.00 / £ 50.00 / $ 80.00
ISBN 978-3-86930-332-1
Beuys, Joseph; Staeck, Klaus
Honey is flowing in all directions
Clothbound
21 × 29,6 cm, 104 pp
93 duotone plates
€ 24.50 / £ 17.50 / US$ 29.95
ISBN 978-3-88243-538-2
Bolofo, Koto
Große Komplikation / Grand
Complication
Three clothbound hardcovers housed
in a slipcase
29 × 37 cm, 274 pp
€ 98.00 / £ 89.00 / US$ 125.00
ISBN 978-3-86930-055-9
Bolofo, Koto
Horse Power
Clothbound hardcover
29 × 37 cm, 144 pp
197 photographs, four-color process
€ 75.00 / £ 59.00 / US$ 99.00
ISBN 978-3-86930-129-7
Bolofo, Koto
La Maison
11 hardcover books, bound in craft
paper with tipped-in photos, housed
in a slipcase
18 × 23,2 cm, 864 pp
€ 175.00 / £ 149.00 / US$ 238.00
ISBN 978-3-86521-912-1
Bolofo, Koto
Lord Snowdon
Clothbound hardcover
29 × 37 cm, 208 pp
166 color photographs
€ 75.00 / £ 59.00 / US$ 99.00
ISBN 978-3-86930-329-1
156

BACKLIST
Bolofo, Koto
Venus Williams
Clothbound hardcover with dust
jacket, 29,7 × 34 cm, 100 pp
90 color and b/w plates
€ 42.00 / £ 30.00 / US$ 60.00
ISBN 978-3-86521-602-1
Bolofo, Koto
Vroom! Vroom!
Hardcover
29 × 37 cm, 96 pages
84 color plates
€ 58.00 / £ 52.00 / US$ 75.00
ISBN 978-3-86521-961-9
Brohm, Joachim
Areal
Clothbound hardcover
20,4 × 26,6 cm, 264 pp
206 color plates
€ 35.00 / £ 22.50 / US$ 35.00
ISBN 978-3-88243-878-9
Burtynsky, Edward
China
Clothbound hardcover
38,1 × 30,5 cm, 180 pp
80 color plates
€ 65.00 / £ 45.00 / US$ 85.00
ISBN 978-3-86521-130-9
Burtynsky, Edward
Oil
Clothbound hardcover
37,5 × 29,5 cm, 140 pp
100 color plates
€ 98.00 / £ 85.00 / US$ 128.00
ISBN 978-3-86521-943-5
Burtynsky, Edward
Quarries
Clothbound hardcover
38,1 × 30,4 cm, 176 pp
80 color plates
€ 68.00 / £ 60.00 / US$ 88.00
ISBN 978-3-86521-456-0
Burtynsky, Edward
Water
Clothbound hardcover
36,7 × 29 cm, 228 pp
Four-color process
€ 98.00 / £ 85.00 / $ 128.00
ISBN 978-3-86930-679-7
Callahan, Harry
Seven Collages
Clothbound hardcover
28 × 32,4 cm, 32 pp
7 tritone plates
€ 28.00 / £ 22.00 / US$ 34.00
ISBN 978-3-86930-140-2
Clarke, Brian
WORK
Seven clothbound hardcover books
housed in a slipcase
25,4 × 36,5 cm
€ 180.00 / £ 150.00 / US$ 249.90
ISBN 978-3-86521-633-5
Close, Chuck
Sribble Book: Self Portrait
Two handbound books in a slipcase
27,9 × 34,3 cm
Nine-color process
€ 85.00 / £ 70.00 / $ 98.00
ISBN 978-3-86521-492-8
Cohen, John
The High & Lonesome Sound
Hardcover with a DVD and CD
21 × 26 cm, 272 pp
158 photographs, tritone
€ 45.00 / £ 35.00 / US$ 58.00
ISBN 978-3-86930-254-6
D’Agati, Mauro
Alamar
Clothbound hardcover
29,5 × 25 cm, 156 pp
87 color plates
€ 45.00 / £ 35.00 / US$ 59.95
ISBN 978-3-86521-954-1
157

BACKLIST
D’Agati, Mauro
Sit Lux et Lux Fuit
Clothbound hardcover
19 × 28,5 cm, 346 pp
€ 48.00 / £ 38.00 / $ 65.00
ISBN ISBN 978-3-86930-488-5
D’Agati, Mauro
Palermo Unsung
Hardcover
22 × 30 cm, 104 pp
55 tritone plates
€ 45.00 / £ 39.50 / US$ 60.00
ISBN 978-3-86521-918-3
Davidson, Bruce
Black & White
Five clothbound books, with tipped-in
photos, housed in a slipcase
29,5 × 29 cm, 704 pp,
561 tritone plates
€ 248.00 / £ 220.00 / US$ 345.00
ISBN 978-3-86930-432-8
Davidson, Bruce
Outside Inside
Three clothbound hardcover books
housed in a slipcase
23 × 30 cm, 944 pp
Tritone
€ 185.00 / £ 158.00 / US$ 195.00
ISBN 978-3-86521-908-4
De Pietri, Paola
To Face
Clothbound hardcover
33 × 26,9 cm, 112 pp
Four-color process
€ 58.00 / £ 48.00 / $ 65.00
ISBN 978-3-86930-342-0
Dean, Tacita
Darmstädter Werkblock
Softcover, signed and numbered by
the artist
6 × 15,3 cm, 80 pp
80 color plates
€ 85.00 / £ 70.00 / US$ 100.00
ISBN 978-3-86521-703-5
Dean, Tacita
Seven Books Grey
Seven softcover books in a slipcase
19,2 × 26 cm, 488 pp
Four-color process
€ 78.00 / £ 65.00 / US$ 98.00
ISBN 978-3-86930-299-7
Depardon, Raymond
Manhattan Out
Clothbound hardcover
29,5 × 20,5 cm, 120 pp
97 tritone plates
€ 30.00 / £ 25.00 / US$ 49.50
ISBN 978-3-86521-704-2
diCorcia, Philip-Lorca
Hustlers
Hardcover
33 × 44 cm, 160 pp
66 photographs, four-color process
€ 98.00 / £ 78.00 / US$ 128.00
ISBN 978-3-86930-617-9
Dine, Jim
Donkey in the Sea before Us
Hardcover with dust jacket
11,5 × 17 cm, 56 pp
24 color images
€ 12.00 / £ 10.00 / US$ 18.00
ISBN 978-3-86930-451-9
Dine, Jim
Birds
Clothbound hardcover
29,5 × 31,5 cm, 88 pp
36 tritone plates
€ 49.00 / £ 35.00 / US$ 50.00
ISBN 978-3-88243-240-4
Dine, Jim
Entrada Drive
Clothbound hardcover
29,5 × 31,5 cm, 48 pp
44 tritone plates
€ 50.00 / £ 35.00 / US$ 70.00
ISBN 978-3-86521-080-7
158

BACKLIST
Dine, Jim
The Photographs,
So Far (vols. 1-4)
Four books housed in
a slipcase, 21,3 × 28,5 cm
1046 pp, 548 plates
€ 150.00 / £ 100.00 / US$ 150.00
ISBN 978-3-88243-905-2
Dine, Jim
Hot Dream (52 books)
52 hardcover books housed in a
cardboard box, 17 × 23,5 cm
b/w, tritone and four-color process
€ 380.00 / £ 327.00 / US$ 480.00
ISBN 978-3-86521-693-9
Dine, Jim
This Goofy Life of Constant Mourning
Clothbound flexible hardcover
21,5 × 25 cm, 296 pp
181 color plates
€ 70.00 / £ 48.00 / US$ 80.00
ISBN 978-3-88243-967-0
Dine, Jim
Night Fields, Day Fields—Sculpture
Softcover
23 × 28 cm, 144 pp
75 photographs, four-color process
€ 35.00 / £ 29.00 / US$ 42.00
ISBN 978-3-86930-204-1
Dine, Jim
This Is How I Remember Now
Hardcover
21 × 24,5 cm, 350 pp
Four-color process
€ 48.00 / £ 33.00 / US$ 70.00
ISBN 978-3-86521-603-8
Dine, Jim
Hello Yellow Glove
Softcover
21 × 28 cm, 64 pp
€ 20.00 / £ 16.00 / US$ 30.00
ISBN 978-3-86930-484-7
Dine, Jim
Printmaker’s Document
Clothbound hardcover
18 × 27,5 cm, 280 pp
Four-color process
€ 30.00 / £ 25.00 / $ 38.00
ISBN 978-3-86930-644-5
Doisneau, Robert
From Craft to Art
Hardcover
17 × 24 cm, 160 pp
Tritone
€ 38.00 / £ 34.00 / US$ 55.00
ISBN 978-3-86930-025-2
D’Orgeval, Martin
The Soul
Clothbound hardcover
42 × 34,3 cm, 80 pp
Four color-process
€ 65.00 / £ 57.00 / US$ 88.00
ISBN 978-3-86930-072-6
Eggleston, William
Los Alamos
Three clothbound hardcover books
with tipped-in photos, housed in a
slipcase
31,5 × 32 cm, 432 pp
€ 248.00 / £ 220.00 / $ 345.00
ISBN 978-3-86930-532-5
Eggleston, William
Before Color
Hardcover
22,5 × 25,5 cm, 200 pp
Quadratone
€ 48.00 / £ 40.00 / US$ 65.00
ISBN 978-3-86930-122-8
Eggleston, William
At Zenith
Clothbound hardcover
34 × 25,9 cm, 88 pp
Four-color process
€ 48.00 / £ 38.00 / $ 68.00
ISBN 978-3-86930-710-7
159

BACKLIST
Elkoury, Fouad
Be ... Longing
Hardcover
18 × 24 cm, 160 pp
Four-color process and tritone
€ 28.00 / £ 25.00 / US$ 45.00
ISBN 978-3-86930-345-1
Elston, Annabel
Land
Paperbound hardcover with a tippedin
photo
29,5 × 24,5 cm, 112 pp
52 photographs, four-color process
€ 34.00 / £ 28.00 / US$ 40.00
ISBN 978-3-86521-744-8
Eneroth, Joakim
Swedish Red
Clothbound hardcover
17 × 25,6 cm, 48 pp
32 photographs, four-color process
€ 28.00 / £ 20.00 / US$ 35.00
ISBN 978-3-86521-613-7
Engström, JH
CDG / JHE
Hardcover
29,7 × 23 cm, 112 pp
66 color plates
€ 38.00 / £ 28.00 / US$ 48.00
ISBN 978-3-86521-538-3
Engström, JH
Haunts
Clothbound hardcover with dust
jacket, 24,2 × 30,5 cm, 216 pp
127 color and duotone plates
€ 50.00 / £ 35.00 / US$ 65.00
ISBN 978-3-86521-297-9
Epstein, Mitch
New York Arbor
Hardcover
36 × 30 cm, 96 pp
42 photographs, tritone
€ 58.00 / £ 38.00 / US$ 68.00
ISBN 978-3-86930-581-3
Epstein, Mitch
Berlin
Clothbound hardcover in a slipcase
24,5 × 29,5 cm, 72 pp
Four-color process
€ 45.00 / £ 36.00 / US$ 55.00
ISBN 978-3-86930-224-9
Epstein, Mitch
American Power
Clothbound hardcover with
dust jacket, 29,5 × 26,5 cm,
144 pp, 64 color plates
€ 58.00 / £ 48.00 / US$ 72.00
ISBN 978-3-86521-924-4
Fäldt, Tobias
Year One
Clothbound hardcover with
dust jacket
18,5 × 25 cm, 128 pp
120 color plates
€ 38.00 / £ 30.00 / US$ 45.00
ISBN 978-3-86521-537-6
Forsslund, Maja
Akt
Clothbound hardcover with a tippedin
photo on the back
29,5 × 23,6 cm, 80 pp
40 photographs, tritone
€ 48.00 / £ 38.00 / US$ 58.00
ISBN 978-3-86521-410-2
Franck, Martine
Women / Femmes
Clothbound hardcover with
a tipped-in photo
20,5 × 22,5 cm, 152 pp
€ 35.00 / £ 31.00 / US$ 50.00
ISBN 978-3-86930-149-5
Frank, Robert
The Americans
Clothbound hardcover with
dust jacket
20,9 × 18,4 cm, 180 pp
83 tritone plates
€ 30.00 / £ 20.00 / US$ 40.00
ISBN 978-3-86521-584-0
160

BACKLIST
Frank, Robert
Looking In: Robert Frank’s The
Americans – Expanded Edition
Hardcover, 24 × 29,2 cm, 528 pp
108 color, 168 tritone, 210 duotone
plates
€ 69.00 / £ 49.90 / US$ 85.00
ISBN 978-3-86521-806-3
Frank, Robert
Black White and Things
Softcover
20 × 20,7 cm, 80 pp
37 tritone plates
€ 22.00 / £ 18.00 / US$ 29.95
ISBN 978-3-86521-808-7
Frank, Robert
Come Again
Sewn softcover
21,5 × 28 cm, 48 pp
Color matt inks with polaroid varnish
€ 30.00 / £ 20.00 / US$ 40.00
ISBN 978-3-86521-261-0
Frank, Robert
Frank Films – The Film and Video
Work of Robert Frank
Softcover
17 × 24 cm, 304 pp
b/w photographs throughout
€ 32.00 / £ 27.00 / US$ 45.00
ISBN 978-3-86521-815-5
Frank, Robert
The Complete Film Works
Vol. 1: Pull My Daisy, The Sin of
Jesus, Me and My Brother
Three DVDs in a film-roll box
€ 78.00 / £ 75.00 / US$ 98.00
ISBN 978-3-86521-365-5
Frank, Robert
The Complete Film Works
Vol. 2: OK End Here, Conversations,
Liferaft Earth
Three DVDs in a film-roll box
€ 78.00 / £ 75.00 / US$ 98.00
ISBN 978-3-86521-525-3
Frank, Robert
The Complete Film Works
Vol. 3: Keep Busy, About me: A
Musical, S-8 Stones
Three DVDs in a film-roll box
€ 78.00 / £ 75.00 / US$ 98.00
ISBN 978-3-86521-591-8
Frank, Robert
The Complete Film Works / Volumes
4, 5, 6
Nine DVDs in film-roll boxes, housed
in a cardboard box
Nine films, 295 minutes
€ 98.00 / £ 80.00 / US$ 150.00
ISBN 978-3-86930-480-9
Frank, Robert
Pull My Daisy
Hardcover
13,7 × 20,2 cm, 64 pp
53 tritone plates
€ 17.50 / £ 14.00 / US$ 27.50
ISBN 978-3-86521-673-1
Frank, Robert
Pull my Daisy
DVD, text booklet and photomagazine
housed in a cardboard box
14,2 × 19,2 cm, 88 pp
€ 25.00 / £ 20.00 / $ 35.00
ISBN 978-3-86930-428-1
Frank, Robert
Henry Frank, Father Photographer
Clothbound hardcover
14 × 16,5 cm, 88 pp
Tritone
€ 24.00 / £ 20.00 / US$ 29.95
ISBN 978-3-86521-814-8
Frank, Robert
Me and My Brother
Softcover with DVD
25 × 32,5 cm, 56 pp
100 tritone plates
€ 40.00 / £ 28.00 / US$ 50.00
ISBN 978-3-86521-363-1
161

BACKLIST
Frank, Robert
New York to Nova Scotia
Hardcover
22,7 × 30,4 cm, 112 pp
27 duotone and 4 color plates
€ 25.00 / £ 17.50 / US$ 30.00
ISBN 978-3-86521-013-5
Frank, Robert
One Hour
Clothbound hardcover
10,5 × 15 cm, 96 pp
14 tritone plates
€ 18.00 / £ 12.50 / US$ 20.00
ISBN 978-3-86521-364-8
Frank, Robert
Paris
Hardcover with dust jacket
18,5 × 22 cm
108 pp, 69 tritone plates
€ 30.00 / £ 25.00 / US$ 45.00
ISBN 978-3-86521-524-6
Frank, Robert
Pangnirtung
Clothbound hardcover
23 × 30,5 cm, 40 pp
27 photographs, quadratone
€ 25.00 / £ 22.00 / US$ 32.00
ISBN 978-3-86930-198-3
Frank, Robert
Portfolio
Brochure in printed envelope
20,5 × 27,3 cm, 48 pp
40 tritone plates
€ 18.00 / £ 12.00 / US$ 20.00
ISBN 978-3-86521-813-1
Frank, Robert
Seven Stories
Seven stapled softback albums
housed in a slipcase
14 × 10 cm, 124 pp
93 color plates, four-color process
€ 25.00 / £ 20.00 / US$ 35.00
ISBN 978-3-86521-789-9
Frank, Robert
Storylines
Softcover
24,5 × 28 cm, 240 pp
225 duotone and 25 color photos
€ 35.00 / £ 25.00 / US$ 40.00
ISBN 978-3-86521-041-8
Frank, Robert
Tal Uf Tal Ab
Otabind softcover housed in a slipcase
20,5 × 25 cm, 40 pp
Tritone
€ 25.00 / £ 22.00 / US$ 28.00
ISBN 978-3-86930-101-3
Frank, Robert
You Would
Otabind softcover housed in a slipcase
20,5 × 25 cm, 48 pp
41 photographs, tritone and four-color
process
€ 25.00 / £ 22.00 / US$ 28.00
ISBN 978-3-86930-418-2
Frank, Robert
Park / Sleep
Otabind softcover, housed in a slipcase
20,5 × 25 cm, 72 pp
49 photographs, tritone and four-color
process
€ 25.00 / £ 22.00 / US$ 30.00
ISBN 978-3-86930-585-1
Frank, Robert
Zero Mostel reads a book
Hardcover
14,4 × 21,5 cm, 40 pp
36 tritone plates
€ 17.50 / £ 14.00 / US$ 27.50
ISBN 978-3-86521-586-4
Frank, Robert
Valencia
Colthbound hardcover
25,3 × 25,3 cm, 64 pp
€ 38.00 / £ 30.00 / $ 48.00
ISBN 978-3-86930-502-8
162

BACKLIST
Frank, Robert
Household Inventory Record
Hardcover
14 x 29 cm, 24 pp
Four-color process
€ 30.00 / £ 25.00 / $ 35.00
ISBN 978-3-86930-660-5
Fraser, Peter
A City in the Mind
Clothbound hardcover with foil
embossing
28,5 × 32 cm, 80 pp
50 color photographs
€ 48.00 / £ 34.00 / US$ 58.00
ISBN 978-3-86930-453-3
Galinsky, Michael
Malls Across America
Hardcover
25 × 30 cm, 128 pp
62 photographs, four-color process
€ 48.00 / £ 40.00 / US$ 58.00
ISBN 978-3-86930-547-9
Goldberg, Jim
Open See
Four volumes in a printed sleeve
16,5 × 26,1 cm, 200 pp
Tritone and four-color process
€ 40.00 / £ 36.00 / US$ 50.00
ISBN 978-3-86521-826-1
Goldblatt, David
On the Mines
Clothbound hardcover with foil
embossing
27,9 × 27,9 cm, 180 pp
€ 58.00 / £ 48.00 / 75.00
ISBN 978-3-86930-491-5
Goldblatt, David
The Transported of Kwandebele
Clothbound hardcover
35,6 × 25,4 cm, 80 pp
Tritone
€ 65.00 / £ 48.00 / $ 80.00
ISBN 978-3-86930-586-8
Gossage, John
The Thirty-Two Inch Ruler / Map of
Babylon
Clothbound with dust jacket
23,5 × 28,6 cm, 80 pp
180 color plates
€ 45.00 / £ 40.00 / US$ 68.00
ISBN 978-3-86521-710-3
Graham, Robert
Early Work 1963–1973
Clothbound hardcover with a tipped-in
image
20,3 × 25,4 cm, 128 pp
47 color images
€ 48.00 / £ 38.00 / US$ 65.00
ISBN 978-3-86930-985-9
Grass, Günter
Günter Grass Catalogue Raisonné 1
The Etchings
Hardcover with dust jacket
24 × 31 cm, 608 pp
303 illustrations
€ 98.00 / £ 70.00 / US$ 125.00
ISBN 978-3-86521-565-9
Grass, Günter
Günter Grass Catalogue Raisonné 2
The Lithographs
Hardcover with dust jacket
24 × 31 cm, 742 pp
356 illustrations
€ 98.00 / £ 70.00 / US$ 125.00
ISBN 978-3-86521-566-6
Guirey, Kadir
L’album d’Eddy
Hardcover
32,8 × 26,6 cm, 28 pp
91 photographs, four-color process
€ 34.00 / £ 28.00 / US$ 45.00
ISBN 978-3-86930-548-6
Gundlach, F.C.
The Photographic Work
Clothbound hardcover with a dust
jacket
24 × 29,5 cm
€ 65.00 / £ 48.00 / $ 88.00
ISBN 978-3-86521-594-9
163

BACKLIST
Hara, Cristóbal
Autobiography
Hardcover
18 × 24 cm, 96 pp
69 color plates
€ 30.00 / £ 20.00 / US$ 40.00
ISBN 978-3-86521-472-0
Hechenblaikner, Lois
Winter Wonderland
Clothbound hardcover
29,5 × 23,9 cm, 88 pp
Four-color process
€ 38.00 / £ 30.00 / $ 56.00
ISBN 978-3-86930-284-3
Herschdorfer, Nathalie
Beauty Work
Softcover
24,2 × 23,5 cm, 120 pp
145 photographs, four-color process
€ 15.00 / £ 12.00 / US$ 20.00
ISBN 978-3-86930-588-2
Holdsworth, Dan
Blackout
Clothbound hardcover with a tipped-in
photo
28,6 × 33 cm, 80 pp
33 color photographs
€ 48.00 / £ 38.00 / US$ 65.00
ISBN 978-3-86930-454-0
Horn, Roni
Another Water
Otabind softcover
19,7 × 30 cm, 112 pp
Four-color process
€ 38.00 / £ 35.00 / US$ 58.00
ISBN 978-3-86930-318-5
Horn, Roni
Haraldsdóttir, part two
Clothbound hardcover with
foil embossing, 20,8 × 26 cm, 144 pp
Four-color process and tritone
€ 85.00 / £ 70.00 / US$ 95.00
ISBN 978-3-86930-317-8
Horn, Roni
Cabinet of
Hardcover
30,5 × 35,6 cm
76 pp, 36 color plates
€ 65.00 / £ 40.00 / US$ 65.00
ISBN 978-3-88243-864-2
Horn, Roni
Her, Her, Her, & Her
Softcover
24 × 24 cm
128 pp, 120 duotone plates
€ 35.00 / £ 24.00 / US$ 45.00
ISBN 978-3-86521-035-7
Horn, Roni
Index Cixous
Softcover
14 × 20,5 cm, 116 pp
65 tritone and 15 color plates
€ 22.50 / £ 15.00 / US$ 30.00
ISBN 978-3-86521-135-4
Horn, Roni
This is Me, This is You
Hardcover
18,5 × 23 cm, 192 pp
96 color plates
€ 28.00 / £ 18.00 / US$ 25.00
ISBN 978-3-88243-798-0
Horn, Roni
bird
Clothbound hardcover
28,4 × 30,5 cm, 36 pp
20 color plates
€ 35.00 / £ 25.00 / US$ 50.00
ISBN 978-3-86521-669-4
Horn, Roni
Roni Horn aka Roni Horn
Two volumes housed in
a paper slipcase
19 × 24 cm, 430 pp
375 color plates
€ 50.00 / £ 42.00 / US$ 70.00
ISBN 978-3-86521-831-5
164

BACKLIST
Horn, Roni
Herdubreid at Home
Softcover
15,2 × 21,6 cm, 128 pp
60 color plates
€ 20.00 / £ 13.00 / US$ 25.00
ISBN 978-3-86521-457-7
Horn, Roni
AKA
Clothbound hardcover
28,4 × 30,5 cm, 36 pp
20 photographs, four-color process
€ 35.00 / £ 25.00 / US$ 50.00
ISBN 978-3-86930-133-4
Jacob, John P. (ed.)
Kodak Girl
Hardcover
21,7 × 26 cm, 336 pp
Four-color process
€ 58.00 / £ 48.00 / US$ 78.00
ISBN 978-3-86930-324-6
Keïta, Seydou
Photographs, Bamako, Mali,
1948–1963
Clothbound hardcover with
a tipped-in photo, 27,5 × 35,5 cm
412 pp, 400 tritone plates
€ 98.00 / £ 86.00 / US$ 148.00
ISBN 978-3-86930-301-7
Killip, Chris
Arbeit / Work
Clothbound hardcover with dust
jacket
28,5 × 26,5 cm,136 pp
84 tritone photographs
€ 38.00 / £ 28.00 / US$ 48.00
ISBN 978-3-86930-457-1
Killip, Chris
Seacoal
Clothbound hardcover with dust
jacket
27 × 23 cm, 112 pp
116 tritone plates
€ 38.00 / £ 32.00 / US$ 48.00
ISBN 978-3-86930-256-0
Kobal Foundation (ed.)
Glamour of the Gods
Softcover
25 × 31 cm, 288 pp
250 photographs, four-color process
€ 38.00 / £ 30.00 / US$ 45.00
ISBN 978-3-86521-682-3
Koudelka, Joseph
Roma
Clothbound hardcover with
dust jacket
32 × 24 cm, 224 pp
109 quadratone plates
€ 48.00 / £ 40.00 / US$ 60.00
ISBN 978-3-86930-388-8
Kuhn, Mona
Bordeaux
Clothbound hardcover
29,2 × 31 cm, 102 pp
Four-color process
€ 58.00 / £ 50.00 / US$ 78.00
ISBN 978-3-86930-308-6
Kuhn, Mona
Evidence
Clothbound hardcover
29,2 × 31,1 cm, 108 pp
33 tritone and 20 color plates
€ 40.00 / £ 28.00 / US$ 50.00
ISBN 978-3-86521-372-3
Kuhn, Mona
Photographs
Clothbound hardcover
26,5 × 28,5 cm, 108 pp
33 tritone and 20 color plates
€ 40.00 / £ 28.00 / US$ 50.00
ISBN 978-3-86521-008-1
Lagerfeld, Karl
Byzantine Fragments
Singer-stitched brochure housed in
a slipcase, 30 × 40 cm, 52 pp
25 photographs, 7-color process on
ivory parchment
€ 85.00 / £ 72.00 / US$ 110.00
ISBN 978-3-86930-246-1
165

BACKLIST
Lagerfeld, Karl
Metamorphoses of an American
Four clothbound hardcover books
housed in a slipcase
15,2 × 20 cm, 1144 pp
864 tritone plates
€ 65.00 / £ 45.00 / US$ 85.00
ISBN 978-3-86521-522-2
Lagerfeld, Karl / Roitfeld, Carine
The Little Black Jacket
Otabind softcover housed in a slipcase
29 × 37 cm, 280 pp
Quadratone
€ 78.00 / £ 65.00 / $ 98.00
ISBN 978-3-86930-446-5
Lagerfeld, Karl
Work in Progress
Softcover
20 × 25 cm, 192 pp
120 color photographs
€ 20.00 / £ 17.00 / US$ 25.00
ISBN 978-3-86930-261-4
Leaf, June
Record 1974/75
Clothbound hardcover
18,3 × 30 cm, 188 pp
Four-color process
€ 40.00 / £ 35.00 / US$ 59.95
ISBN 978-3-86930-045-0
Lebeck, Robert
Tokyo / Moscow / Leopoldville
Three hardcover books in a slipcase
21 × 29 cm, 576 pp
380 b/w plates
€ 65.00 / £ 55.00 / US$ 85.00
ISBN 978-3-86521-527-7
Leiter, Saul
Early Color
Clothbound hardcover
20 × 20 cm, 168 pp
Four-color process
€ 48.00 / £ 42.00 / US$ 65.00
ISBN 978-3-86521-139-2
Leutwyler, Henry
Ballet
Clothbound hardcover
22 × 30 cm, 436 pp
€ 65.00 / £ 50.00 / US$ 88.00
ISBN 978-3-86930-544-8
Lynch, David
Works on Paper
Hardcover in a sleeve
28,5 × 39,5 cm, 528 pp
Four-color process
€ 145.00 / £ 125.00 / US$ 195.00
ISBN 978-3-86930-130-3
Maisel, David
Black Maps
Hardcover with dust jacket
29,5 × 29,5 cm, 240 pp
115 photographs, duotone and fourcolor
process
€ 65.00 / £ 55.00 / US$ 85.00
ISBN 978-3-86930-537-0
Maggs, Arnaud
Arnaud Maggs
Papercovered hardcover
30,5 × 24,2 cm, 216 pp
200 photographs, four-color process
and duotone
€ 65.00 / £ 50.00 / US$ 80.00
ISBN 978-3-86930-591-2
Marchand, Yves / Meffre, Romain
Gunkanjima
Clothbound hardcover
38 × 29 cm, 80 pp
60 photographs, four-color process
€ 65.00 / £ 50.00 / US$ 88.00
ISBN 978-3-86930-546-2
Mark, Mary Ellen
Falkland Road: Prostitutes
of Bombay
Clothbound hardcover
32,6 × 28,4 cm, 106 pp
65 color plates
€ 55.00 / £ 40.00 / US$ 75.00
ISBN 978-3-86521-128-6
166

BACKLIST
Meiselas, Susan
Carnival Strippers
Clothbound hardcover
27,3 × 23,4 cm, 164 pp
78 tritone plates
€ 40.00 / £ 28.00 / US$ 50.00
ISBN 978-3-88243-954-0
Meiselas, Susan
In History
Hardcover
17,7 × 24,7 cm, 264 pp
200 b/w and color plates
€ 50.00 / £ 40.00 / US$ 75.00
ISBN 978-3-86521-685-4
Michals, Duane
A Visit with Magritte
Flexible hardcover
15,5 × 20,5 cm, 64 pp
Four-color process
€ 24.00 / £ 22.00 / US$ 32.00
ISBN 978-3-86521-987-9
Michener, Diana
Sweethearts
Softcover
17 × 11,5 cm, 224 pp
Four-color process
€ 15.00 / £ 14.00 / US$ 22.00
ISBN 978-3-86521-713-4
Michener, Diana
Figure Studies
Softcover sewn with red thread,
housed in a black slipcase
29 × 37 cm, 64 pp
Quadratone
€ 28.00 / £ 24.00 / US$ 39.50
ISBN 978-3-86930-213-3
Mikhailov, Boris
Salt Lake
Hardcover
40 × 30 cm, 80 pp
65 tritone plates
€ 68.00 / £ 45.00 / US$ 65.00
ISBN 978-3-88243-815-4
Mikhailov, Boris
Maquette Braunschweig
Hardcover
24 × 34 cm, 272 pp
Four-color process
€ 48.00 / £ 43.00 / US$ 68.00
ISBN 978-3-86521-834-6
Mofokeng, Santu
The Black Photo Album
Clothbound hardcover
18,5 × 27,2 cm, 100 pp
Tritone
€ 34.00 / £ 28.00 / $ 45.00
ISBN 978-3-86930-310-9
Morath, Inge
First Color
Clothbound hardcover
25 × 32 cm, 336 pp
Four-color process
€ 38.00 / £ 34.00 / US$ 49.95
ISBN 978-3-86521-930-5
Morris, Christopher
Americans
Clothbound hardcover with dust
jacket
20 × 23 cm, 200 pp
117 color photographs
€ 34.00 / £ 27.00 / US$ 38.00
ISBN 978-3-86930-448-9
Morris, Christopher
My America
Clothbound hardcover
20 × 23 cm, 180 pp
112 color plates
€ 35.00 / £ 27.00 / US$ 38.00
ISBN 978-3-86521-201-6
Munkacsi, Martin
Martin Munkacsi
Hardcover
24 × 29 cm, 416 pp
318 tritone plates
€ 58.00 / £ 45.00 / US$ 78.00
ISBN 978-3-86521-269-6
167

BACKLIST
Nádas, Péter
Own Death
Clothbound hardcover
18,5 × 26,2 cm, 288 pp
161 color plates
€ 40.00 / £ 28.00 / US$ 50.00
ISBN 978-3-86521-010-4
Nozolino, Paulo
bone lonely
Hardcover
18 × 26 cm, 72 pp
Four-color process
€ 34.00 / £ 32.00 / US$ 50.00
ISBN 978-3-86521-861-2
Nozolino, Paulo
Far Cry
Clothbound hardcover
24,8 × 32 cm, 136 pp
78 tritone plates
€ 45.00 / £ 30.00 / US$ 60.00
ISBN 978-3-86521-122-4
Nozolino, Paulo
Makulatur
Singer-stiched brochure
18 × 26 cm, 20 pp
Tritone
€ 24.00 / £ 21.00 / US$ 35.00
ISBN 978-3-86930-327-7
Odermatt, Arnold
Karambolage
Clothbound hardcover
27,9 × 32,5 cm, 408 pp
Tritone
€ 58.00 / £ 48.00 / $ 75.00
ISBN 978-3-88243-866-6
Odermatt, Arnold
On Duty
Clothbound hardcover
27,9 × 32,5 cm, 336 pp
Four-color process
€ 65.00 / £ 54.00 / $ 80.00
ISBN 978-3-86521-336-5
Odermatt, Arnold
Off Duty
Clothbound hardcover
27,9 × 32,5 cm, 360 pp
Tritone and four-color process
€ 65.00 / £ 54.00 / $ 80.00
ISBN 978-3-86521-796-7
Olsson, Mikael
Södrakull Frösakull
Clothbound hardcover with French
fold jacket printed recto/verso
25 × 26 cm 208 pp
Four-color process
€ 58.00 / £ 48.00 / US$ 72.00
ISBN 978-3-86930-059-7
Orri
Interiors
Clothbound hardcover
144 pages with a 16-page text booklet
29,7 × 31 cm, 144 pp
72 color photographs
€ 48.00 / £ 38.00 / US$ 68.00
ISBN 978-3-86930-375-8
Packham, Monte
Concentric Circles
A Chronicle of Steidl Publishers
Clothbound hardcover
17 × 23 cm, 160 pp
€ 20.00 / £ 17.00 / US$ 27.50
ISBN 978-3-86930-024-5
Parr, Martin (ed.)
The Protest Box
Five books and a text booklet in
a cardboard box
Limited edition of 1,000 boxed sets
€ 380.00 / £ 338.00 / US$ 500.00
ISBN 978-3-86930-124-2
Parke, Trent
The Christmas Tree Bucket, Trent
Parke’s Family Album
Clothbound hardcover
27,5 × 22,4 cm, 128 pp
61 color photographs
€ 38.00 / £ 45.00 / US$ 30.00
ISBN 978-3-86930-206-5
168

BACKLIST
Parke, Trent
Minutes to Midnight
Clothbound hardcover
29,5 × 25 cm, 96 pp
48 photographs, tritone
€ 38.00 / £ 45.00 / US$ 30.00
ISBN 978-3-86930-205-8
Parks, Gordon
A Harlem Family 1967
Hardcover with dust jacket
25 × 29 cm, 112 pp
100 photographs, tritone
€ 28.00 / £ 22.00 / US$ 38.00
ISBN 978-3-86930-602-5
Parks, Gordon
Collected Works
Five hardcover books in a slipcase
25 × 29 cm, 1084 pp
1,328 photographs, tritone and
four-color process
€ 185.00 / £ 148.00 / US$ 285.00
ISBN 978-3-86930-530-1
Paulsen, Susan
Wilmot
Hardcover
28 × 28 cm, 248 pp
320 photographs, four-color process
€ 48.00 / £ 35.00 / US$ 65.00
ISBN 978-3-86930-565-3
Paulsen, Susan
Sarah Ryhmes with Clara
Clothbound hardcover
23,5 × 27 cm, 128 pp
Four-color process
€ 40.00 / £ 34.00 / US$ 48.00
ISBN 978-3-86930-244-7
Pol, Andri
Where is Japan
Hardcover
24,2 × 30 cm, 320 pp
Four-color process
€ 56.00 / £ 48.00 / US$ 80.00
ISBN 978-3-86521-993-0
Polidori, Robert
After the Flood
Clothbound hardcover
38,6 × 30 cm, 320 pp
300 color plates
€ 75.00 / £ 50.00 / US$ 90.00
ISBN 978-3-86521-277-1
Polidori, Robert
Parcours Muséologique Revisité
Three hardcover books housed in a
slipcase, 29 × 29 cm
744 pp, 480 color plates
€ 98.00 / £ 85.00 / US$ 124.90
ISBN 978-3-86521-702-8
Polidori, Robert
Points in between...Up till now
Hardcover
25 × 30 cm, 192 pp
Four-color process
€ 38.00 / £ 32.00 / US$ 48.00
ISBN 978-3-86521-994-7
Prinz, Bernhard
Latifundia
Hardcover
22,8 × 27,9 cm, 180 pp
114 color plates
€ 45.00 / £ 35.00 / US$ 58.00
ISBN 978-3-86521-487-4
Rautert, Timm
No Photographing (English)
Clothbound hardcover with a belly
band, 22 × 28 cm, 156 pp
Four-color process and duotone
€ 38.00 / £ 32.00 / US$ 48.00
ISBN 978-3-86930-322-2
MacGill, Peter / Steidl, Gerhard (eds.)
Rodchenko
Clothbound hardcover with dust jacket
24,5 × 33 cm, 104 pp
39 photographs, four-color process
€ 40.00 / £ 32.00 / US$ 58.00
ISBN 978-3-86930-245-4
169

BACKLIST
Rovner, Michal
Fields
Hardcover
21 × 16 cm, 400 pp
Four-color process
€ 30.00 / £ 20.00 / US$ 40.00
ISBN 978-3-86521-216-0
Rubins, Nancy
Work
Two clothbound hardcover and a
softcover in a slipcase
24 × 32 cm, 528 pp
€ 125.00 / £ 100.00 / $ 175.00
ISBN 978-3-86930-493-9
Ruetz, Michael
Eye on Infinity
Hardcover
29,5 × 29,5 cm, 252 pp
112 tritone plates
€ 48.00 / £ 35.00 / US$ 70.00
ISBN 978-3-86521-766-0
Ruetz, Michael
Eye on Time
Hardcover with dust jacket
29,7 × 21 cm, 360 pp
290 tritone plates
€ 48.00 / £ 35.00 / US$ 70.00
ISBN 978-3-86521-577-2
Ruscha, Ed
Los Angeles Apartments
Clothbound hardcover with a tippedin
photograph
20,5 × 25,5 cm, 160 pp
80 photographs, tritone
€ 38.00 / £ 30.00 / US$ 48.00
ISBN 978-3-86930-596-7
Rowell, Margit
Ed Ruscha, Photographer
Clothbound hardcover with a tippedin
photograph
20,5 × 25,5 cm, 184 pp
214 photographs, tritone
€ 38.00 / £ 30.00 / US $ 48.00
ISBN 978-3-86521-206-1
Ruscha, Ed
THEN & NOW
Slipcased
45 × 32 cm, 152 pp
Four-color process
€ 120.00 / £ 80.00 / US$ 175.00
ISBN 978-3-86521-105-7
Ruscha, Ed
Catalogue Raisonné of the Paintings,
Volume 1: 1958–1970
Clothbound hardcover
24 × 29 cm, 436 pp
Four-color process
€ 160.00 / £ 110.00 / US$ 200.00
ISBN 978-3-88243-972-4
Ruscha, Ed
Catalogue Raisonné of the Paintings,
Volume 2: 1971–1982
Clothbound hardcover housed in a
slipcase, 24 × 29 cm, 526 pp
Four-color process
€ 160.00 / £ 110.00 / US$ 200.00
ISBN 978-3-86521-138-5
Ruscha, Ed
Catalogue Raisonné of the Paintings,
Volume 3: 1983–1987
Clothbound hardcover housed in a
slipcase, 24 × 29 cm, 558 pp
Four-color process
€ 160.00 / £ 110.00 / US$ 210.00
ISBN 978-3-86521-368-6
Ruscha, Ed
Catalogue Raisonné of the Paintings,
Volume 4: 1988–1992
Clothbound hardcover housed in a
slipcase, 24 × 29 cm, 526 pp
Four-color process
€ 148.00 / £ 135.00 / US$ 219.90
ISBN 978-3-86521-833-9
Ruscha, Ed
Catalogue Raisonné of the Paintings,
Volume 5: 1993–1997
Clothbound hardcover housed in
a slipcase, 24 × 29 cm, 504 pp
Four-color process
€ 165.00 / £ 138.00 / US$ 220.00
ISBN 978-3-86930-251-5
170

BACKLIST
Salvesen, Britt
New Topographics
Clothbound hardcover
30 × 23,9 cm, 256 pp
Tritone and four-color process
€ 45.00 / £ 38.00 / $ 55.00
ISBN 978-3-86521-827-8
Schaller, Matthias
The Mill
Hardcover
29 × 23,5 cm, 120 pp
55 color plates
€ 50.00 / £ 35.00 / US$ 65.00
ISBN 978-3-86521-378-5
Schaller, Matthias
Purple Desk
Clothbound hardcover with
dust jacket, 25 × 29 cm
72 pp, 30 color plates
€ 38.00 / £ 32.00 / US$ 49.90
ISBN 978-3-86521-597-0
Schoen, Geza / Steidl, Gerhard
Paper Passion Perfume
50 ml perfume in a glass bottle, presented
in a cut-out book and housed
in a handmade cardboard box
11,5 × 16 cm
€ 85.00 / £ 68.00 / $ 98.00
ISBN 978-3-86930-501-1
Schorr, Collier
Neighbors / Nachbarn
Forest and Fields, Volume 1.
Hardcover
32 × 26 cm, 88 pp
58 tritone plates
€ 38.00 / £ 25.00 / US$ 45.00
ISBN 978-3-86521-303-7
Schorr, Collier
Blumen
Forest and Fields, Volume 2.
Hardcover
25 × 31,4 cm, 104 pp
53 color and b/w plates
€ 35.00 / £ 35.00 / US$ 50.00
ISBN 978-3-86521-687-8
Schorr, Collier
There I Was
Hardcover
25 × 31,4 cm, 72 pp
Four-color process
€ 27.50 / £ 20.00 / US$ 40.00
ISBN 978-3-86521-616-8
Serra, Richard / Reinartz, Dirk
Te Tuhirangi Contour
Clothbound hardcover
24 × 22 cm, 76 pp
40 duotone plates
€ 28.00 / £ 20.00 / US$ 35.00
ISBN 978-3-86521-014-2
Serra, Richard
Notebooks
Five books housed in a cardboard box
Limited edition of 1,050, signed and
numbered by the artist
€ 420.00 / £ 350.00 / US$ 550.00
ISBN 978-3-86930-253-9
Sheikh, Fazal
Ladli
Clothbound hardcover
26,7 × 33 cm, 140 pp
70 tritone plates
€ 25.00 / £ 17.50 / US$ 30.00
ISBN 978-3-86521-381-5
Sheikh, Fazal
Portraits
Clothbound hardcover with
dust jacket
19,7 × 25 cm, 304 pp
142 photographs, quadratone
€ 48.00 / £ 42.00 / US$ 65.00
ISBN 978-3-86521-819-3
Sheikh, Fazal
Moksha
Clothbound hardcover
26,7 × 33 cm, 220 pp
170 tritone plates
€ 65.00 / £ 45.00 / US$ 85.00
ISBN 978-3-86521-125-5
171

BACKLIST
Sheikh, Fazal
The Circle
Clothbound hardcover
17 × 22,5 cm, 114 pp
108 tritone plates
€ 30.00 / £ 20.00 / US$ 40.00
ISBN 978-3-86521-599-4
Sheikh, Fazal
Ether
Clothbound hardcover
21 × 32 cm, 88 pp
Four-color process
€ 38.00 / £ 30.00 / $ 45.00
ISBN 978-3-86930-653-7
Sigal, Ivan
White Road
Two books housed in a box
18,5 × 25,5 cm, 472 pp
225 tritone photographs
€ 65.00 / £ 50.00 / US$ 88.00
ISBN 978-3-86930-538-7
Signer, Roman
Travel Photos
Hardcover
24 × 30 cm, 240 pp
Four-color process
€ 38.00 / £ 25.00 / US$ 45.00
ISBN 978-3-86521-282-5
Signer, Roman
Karpaten / Carpathians
Softcover
23 × 16,5 cm, 120 pp
€ 24.00 / £ 18.00 / $ 34.00
ISBN 978-3-86930-489-2
Singh, Dayanita
File Room
Softcover
24 × 32 cm, 88 pp
70 photographs, tritone
€ 30.00 / £ 25.00 / US$ 38.00
ISBN 978-3-86930-542-4
Singh, Dayanita
Dream Villa
Hardcover
10 × 20 cm, 136 pp
Four-color process
€ 28.00 / £ 24.00 / US$ 38.00
ISBN 978-3-86521-985-5
Soth, Alec
Dog Days Bogotá
Hardcover
21,5 × 22,5 cm, 60 pp
50 color plates
€ 25.00 / £ 22.00 / US$ 34.00
ISBN 978-3-86521-451-5
Soth, Alec
Sleeping by the Mississippi
Clothbound hardcover with
a tipped-in photo
28,5 × 27,5 cm, 120 pp
Four-color process
€ 40.00 / £ 35.00 / US$ 54.00
ISBN 978-3-86521-753-0
Soth, Alec
Niagara
Hardcover with a tipped-in photo
23 × 26,5 cm, 144 pp
Four-color process
€ 48.00 / £ 35.00 / US$ 65.00
ISBN 978-3-86521-233-7
Staeck, Klaus / Steidl, Gerhard
Beuys Book
Hardcover with foil embossing
16,5 × 24 cm, 736 pp
455 photographs, four-color process
and duotone
€ 28.00 / £ 22.00 / US$ 35.00
ISBN 978-3-86521-914-5
Staeck, Klaus
Pornografie
Softcover
20 × 25 cm, 392 pp
295 b/w plates
€ 35.00 / £ 24.00 / US$ 45.00
ISBN 978-3-88243-124-7
172

BACKLIST
Sternfeld, Joel
On This Site
Clothbound hardcover with a tipped-in
photo
30,5 × 25,4 cm, 112 pp
50 color plates
€ 48.00 / £ 42.00 / US$ 65.00
ISBN 978-3-86930-434-2
Sternfeld, Joel
American Prospects
Colthbound hardcover
39 × 30,5 cm, 160 pp
€ 88.00 / £ 75.00 / distributed in the
US by DAP
ISBN 978-3-88243-915-1
Sternfeld, Joel
Sweet Earth: Experimental Utopias in
America
Clothbound hardcover
30,5 × 25,5 cm, 136 pp
60 color plates
€ 60.00 / £ 40.00 / US$ 65.00
ISBN 978-3-86521-124-8
Sternfeld, Joel
Walking the High Line
Clothbound hardcover with dust
jacket
26 × 21,5 cm, 72 pp
29 photographs
€ 28.00 / £ 25.00 / US$ 30.00
ISBN 978-3-86521-982-4
Sternfeld, Joel
First Pictures
Clothbound with a tipped-in photo
29,5 × 24,5 cm, 320 pp
Four-color process
€ 48.00 / £ 42.00 / US$ 78.00
ISBN 978-3-86930-309-3
Sternfeld, Joel
iDubai
Clothbound hardcover
20,3 × 25,4 cm, 160 pp
70 color plates
€ 28.00 / £ 24.00 / US$ 38.00
ISBN 978-3-86521-916-9
Sternfeld, Joel
When it Changed
Softcover
22,3 × 15 cm, 144 pp
54 color plates
€ 25.00 / £ 17.50 / US$ 35.00
ISBN 978-3-86521-278-8
Sternfeld, Joel
Stranger Passing
Clothbound hardcover with a tippedin
photo
34 × 29 cm, 132 pp
€ 65.00 / £ 50.00 / $ 88.00
ISBN 978-3-86930-499-1
Subotzky, Mikhael
Retinal Shift
Clothbound hardcover
19 × 26 cm, 300 pp
€ 38.00 / £ 30.00 / $ 48.00
ISBN 978-3-86930-539-4
Taylor-Johnson, Sam
Birth of a Clown
Clothbound hardcover with dust
jacket
23 × 33 cm, 48 pp
45 photographs, four-color process
€ 34.00 / £ 28.00 / US$ 40.00
ISBN 978-3-86521-853-7
Teller, Juergen
Nackig auf dem Fußballplatz
Softcover
27,3 × 20,4 cm, 184 pp
9 color plates and 1 duotone plate
€ 25.00 / £ 18.00 / US$ 30.00
ISBN 978-3-88243-963-2
Teller, Juergen
Nürnberg
Clothbound hardcover
35 × 28 cm, 120 pp
60 color plates
€ 75.00 / £ 50.00 / US$ 90.00
ISBN 978-3-86521-132-3
173

BACKLIST
Teller, Juergen
Pictures and Text
Two hardcovers housed in a slipcase
21,5 × 26,2 cm, 192 pp
€ 48.00 / £ 40.00 / US$ 65.00
ISBN 978-3-86930-320-8
Teller, Juergen
The Keys to the House
Clothbound hardcover with dust
jacket
24 × 30 cm, 160 pp
€ 45.00 / £ 39.00 / US$ 65.00
ISBN 978-3-86930-383-3
Teller, Juergen / Jacobs, Marc
Marc Jacobs Advertising 1998-2009
Clothbound hardcover with
dust jacket
30 × 38 cm, 576 pp
700 color plates
€ 88.00 / £ 78.00 / US$ 120.00
ISBN 978-3-86521-715-8
Teller, Juergen
Märchenstüberl
Hardcover
27 × 21 cm, 144 pp
140 color plates
€ 22.00 / £ 14.00 / US$ 25.00
ISBN 978-3-88243-863-5
Tuggener, Jakob
Fabrik
Clothbound hardcover with
dust jacket
22,8 × 30,9 cm, 62 pp
95 photographs, tritone
€ 65.00 / £ 45.00 / US$ 85.00
ISBN 978-3-86521-493-5
Tunbjörk, Lars
I Love Borås!
Hardcover in a slipcase
27,4 × 34,4 cm, 168 pp
175 color plates
€ 75.00 / £ 50.00 / US$ 90.00
ISBN 978-3-86521-296-2
Walther, Artur (ed.)
African Photography from The
Walther Collection
Three clothbound hardcovers housed
in a slipcase
1208 pp
€ 198.00 / £ 165.00 / $ 250.00
ISBN 978-3-86930-655-1
Wessel, Henry
Waikiki
Clothbound hardcover with
a tipped-in photo and dust jacket
29,5 × 29,5 cm, 60 pp
25 photographs, tritone
€ 58.00 / £ 50.00 / US$ 85.00
ISBN 978-3-89630-300-0
Wessel, Henry
Incidents
Clothbound hardcover
29,5 × 29,5 cm, 64 pp
Tritone
€ 38.00 / £ 30.00 / $ 48.00
ISBN 978-3-86930-697-1
Wetzel, Gereon / Adolph, Jörg
How to Make a Book with Steidl
DVD, documentary, 90 min
Original version: English / German
with subtitles
€ 25.00 / £ 22.00 / US$ 34.95
ISBN 978-3-86930-119-8
Wiedenhöfer, Kai
Confrontier
Hardcover with foil embossing
23 × 33 cm, 184 pp
128 photographs, four-color process
€ 40.00 / £ 32.00 / US$ 58.00
ISBN 978-3-86930-550-9
Wiedenhöfer, Kai
The Book of Destruction
Clothbound hardcover with
dust jacket
22,7 × 30,5 cm, 160 pp
94 photographs, four-color process
€ 34.00 / £ 30.00 / US$ 48.00
ISBN 978-3-86930-207-2
174

BACKLIST
Wood, Tom
Men and Women
Two hardcover books in a sleeve
19,8 × 25,5 cm, 344 pp
268 photographs, duotone and fourcolor
process
€ 68.00 / £ 58.00 / US$ 78.00
ISBN 978-3-86930-570-7
Wylie, Donovan
British Watchtowers
Hardcover
30,3 × 23,5 cm, 72 pp
49 color plates
€ 40.00 / £ 27.50 / US$ 50.00
ISBN 978-3-86521-499-7
Wylie, Donovan
Maze
Two hardcover books and
a singer-stitched booklet, housed in
a slipcase, 29,5 × 23,5 cm
206 pp, 150 color plates
€ 48.00 / £ 44.00 / US$ 65.00
ISBN 978-3-86521-907-7
Wylie, Donovan
Outposts / Kandahar Province
Clothbound hardcover with
dust jacket
29,5 × 23,5 cm, 64 pp
28 photographs, four-color process
€ 32.00 / £ 28.00 / US$ 45.00
ISBN 978-3-86930-321-5
175

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