SEMF 2013 Festivalprogram (pdf) - Sveriges Radio

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Tisdag 4 juni Tuesday 4 June Onsdag 5 juni Wednesday 5 June Torsdag 6 juni Thursday 6 June som pianist och ackompanjatör, samt i internationella arkiv som forskare och akademiker. Hans engagemang för utbildning av unga musiker har innefattat betydande ut nämningar i England, en professur vid Operahögskolan i Stockholm (2002–12) och en aktiv roll som konstnärlig rådgivare åt musikskolan Lilla Akademien. Mark Tatlow är initiativ tagare till forskningsprojektet ”Performing Premodernity” (För modernitet på scen), vilket nyligen fick ett femårigt stöd från Riks bankens Jubileumsfond. The Drottningholm Theatre Orchestra was founded by Arnold Östman in 1979 to perform Mozart’s Don Giovanni on original instruments. This was the first opera in what was to become the world renowned Östman/Järvefelt Mozart cycle. Since then the orchestra has performed regularly at Drottningholm, made many TV and radio broadcasts, and recorded for both Naxos and Decca. In 1980, the year, incidentally, in which the orchestra last performed Il matri monio segreto, Östman wrote ”As yet, music-making on authentic instruments is more an idea, a longing… We are far from the goal of playing music of the Kraus age in this way on a professional basis.” 33 years later the challenges are very different, but without the Drottningholm Theatre Orchestra, our understanding of the music of an 18th century opera house would be much less developed. Over the last seven years the theatre has been in the hands of Mark Tatlow, who worked as Östman’s assistant in the late 1980s and early 1990s. Under his leadership the orchestra has taken part in Sweden’s first Monteverdi cycle, and performed baroque operas by Cavalli and Handel, as well as developing the classical tradition of Haydn and Mozart. Tonight’s performance is the orchestra’s first Stockholm concert outside the theatre. British/Swedish conductor Mark Tatlow has had a distinguished career in major opera houses as conductor, répétiteur and harpsichordist, on the concert platform as pianist and accompanist, and in international archives as a researcher and scholar. His engagement with the education of young musicians has included major appointments in England, a professorship at the University College of Opera, Stockholm (2002-12), and an active role as Artistic Advisor to the music school Lilla Akademien. Mark Tatlow is the initiator of the research project ”Performing Premodernity”, which was recently awarded a grant by Riksbankens Jubileumsfond. I Sam arBeTe meD • IN cOllaBOratiOn with: ANONYMOUS 4 STORKyRKOSALEN FREDAg 7 jUNI 14.00 THE CATHEDRAL PARISH HALL fRIDAY 7 JUNE 2.00 PM Medieval song WORKShOP På ENgELSKA • WORKSHOP IN ENGLISH Sångarna i Anonymous 4 berättar om sina erfarenheter av att tolka medeltida vokalmusik. Var och hur börjar man? Och hur är det med sångstilar? Ett öppet, interaktivt seminarium/workshop! Mer information om Anonymous 4 finns på sidan 35. The singers of Anonymous 4 talk about their experience of interpreting medieval vocal repertoire. Where and how to begin? What about singing styles? An open, interactive seminar/workshop! More information about Anonymous 4 can be found on page 35. 28
Fredag 7 juni Friday 7 June Lördag 8 juni Saturday 8 June Söndag 9 juni Sunday 9 June ARTEMANDOLINE FINSKA KyRKAN FREDAg 7 jUNI 18.00 THE fINNISH CHURCH fRIDAY 7 JUNE 6.00 PM Il mandolino barocco I Sam arBeTe meD • IN cOllaBOratiOn with: EVARISTO DELICE DALL’ABACO (1675–1742) Concerto a più Instrumenti op. V. 6 Allegro Aria cantabile Ciacona allegro spiccato Rondeau Allegro CARLO ARRIgONI (1697–1744) Sonata a mandolino e basso Preludio Allegro Adagio Allegro ANTONIO VIVALDI (1678–1741) Concerto in re maggiore RV 93 Allegro Largo Allegro ANONyM • ANONYMOUS (SPANIEN, 1700-TAL • SPAIN, 18TH C.) Suite de danses pour bandurria baroque ALEIXO BOTHELHO DE FERREIRA (PORTUgAL, 1700-TAL • 18TH C.) Sonata per mandolino e basso Allegro moderato Andante Rondo allegro ANTONIO VIVALDI Concerto in sol maggiore RV 532 Allegro Andante Allegro MARCO UCCELLINI (1603–1680) La Bergamasca 1600-talet var en sann guldålder för mandolinen, vilket många kompositioner från tiden vittnar om. Dess ljud och klang är en integrerad del av det musikaliska barocklandskapet. Med början i Neapel under andra hälften av 1700-talet spreds mandolinens popularitet snabbt i hela Italien och Europa. De italienska virtuoser som valde Paris – 1760-talets konstnärliga huvudstad – som sitt verksamhetsområde blev mycket omtyckta av societeten. Mandolinen blev det instrument som föredrogs i Paris salonger. Musikförlagen i Paris och London gav ut otaliga sonater och konserter. Den komplexa och mångfacetterade barockperioden ledde till ett utforskande av nya uttrycksmedel och, först och främst, nya 29
Page 1 and 2: The largest event for baroque, rena
Page 3 and 4: STOCKHOLM EARLY MUSIC FESTIVAL STÅ
Page 5 and 6: SEMFaround Helgen före SEMF sprids
Page 7 and 8: Fredag 7 juni Friday 7 June Lördag
Page 27: Fredag 7 juni Friday 7 June Lördag
Page 55 and 56: on Stora Ny- gatan Kåkbrinken Tysk

SEMF 2013 Festivalprogram (pdf) - Sveriges Radio

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