SEMF 2013 Festivalprogram (pdf) - Sveriges Radio

Tisdag 4 juni
Tuesday 4 June
Onsdag 5 juni
Wednesday 5 June
Torsdag 6 juni
Thursday 6 June
som pianist och ackompanjatör, samt i internationella arkiv som
forskare och akademiker. Hans engagemang för utbildning av
unga musiker har innefattat betydande ut nämningar i England,
en professur vid Operahögskolan i Stockholm (2002–12)
och en aktiv roll som konstnärlig rådgivare åt musikskolan
Lilla Akademien. Mark Tatlow är initiativ tagare till forskningsprojektet
”Performing Premodernity” (För modernitet på scen),
vilket nyligen fick ett femårigt stöd från Riks bankens Jubileumsfond.
The Drottningholm Theatre Orchestra was founded by Arnold
Östman in 1979 to perform Mozart’s Don Giovanni on original instruments.
This was the first opera in what was to become the world
renowned Östman/Järvefelt Mozart cycle. Since then the orchestra
has performed regularly at Drottningholm, made many TV and radio
broadcasts, and recorded for both Naxos and Decca. In 1980, the year,
incidentally, in which the orchestra last performed Il matri monio segreto,
Östman wrote ”As yet, music-making on authentic instruments
is more an idea, a longing… We are far from the goal of playing music
of the Kraus age in this way on a professional basis.” 33 years later the
challenges are very different, but without the Drottningholm Theatre
Orchestra, our understanding of the music of an 18th century opera
house would be much less developed.
Over the last seven years the theatre has been in the hands of Mark
Tatlow, who worked as Östman’s assistant in the late 1980s and early
1990s. Under his leadership the orchestra has taken part in Sweden’s
first Monteverdi cycle, and performed baroque operas by Cavalli and
Handel, as well as developing the classical tradition of Haydn and
Mozart. Tonight’s performance is the orchestra’s first Stockholm
concert outside the theatre.
British/Swedish conductor Mark Tatlow has had a distinguished
career in major opera houses as conductor, répétiteur and harpsichordist,
on the concert platform as pianist and accompanist, and in
international archives as a researcher and scholar. His engagement
with the education of young musicians has included major appointments
in England, a professorship at the University College of Opera,
Stockholm (2002-12), and an active role as Artistic Advisor to the
music school Lilla Akademien. Mark Tatlow is the initiator of the
research project ”Performing Premodernity”, which was recently
awarded a grant by Riksbankens Jubileumsfond.
I Sam arBeTe meD • IN
cOllaBOratiOn with:
ANONYMOUS 4
STORKyRKOSALEN FREDAg 7 jUNI 14.00
THE CATHEDRAL PARISH HALL fRIDAY 7 JUNE 2.00 PM
Medieval song
WORKShOP På ENgELSKA • WORKSHOP IN ENGLISH
Sångarna i Anonymous 4 berättar om sina erfarenheter av att
tolka medeltida vokalmusik. Var och hur börjar man? Och hur är
det med sångstilar? Ett öppet, interaktivt seminarium/workshop!
Mer information om Anonymous 4 finns på sidan 35.
The singers of Anonymous 4 talk about their experience of interpreting
medieval vocal repertoire. Where and how to begin? What
about singing styles? An open, interactive seminar/workshop! More
information about Anonymous 4 can be found on page 35.
28