THE SOUNDSCORE TO heartBEAT: A NARRATIVE-FORM MUSIC ...
THE SOUNDSCORE TO heartBEAT: A NARRATIVE-FORM MUSIC ... THE SOUNDSCORE TO heartBEAT: A NARRATIVE-FORM MUSIC ...
ACKNOWLEDGMENTS I wish to express my gratiuide to Dr. Mary Jeanne van Appledom for the seven years of criticism, support, and superb scholarly study, without which this project would have been a very different thing. HI
CONTENTS FOREWORD ii ACKNOWLEDGMENTS iii HGURES V CHAPTER L HISTORICAL PERSPECTIVE 1 IL STRUCTURAL DIMENSIONS 7 m. METHODOLOGY AND MATERL\LS 13 IV. CONCLUSIONS 20 ENDNOTES 21 REFERENCES 22 APPENDICES A. SPOKEN TEXT AND GRAPHIC OVERLAYS 27 B. OPENING REMARKS AT THE PREMIERE PERFORMANCE 38 IV
- Page 1 and 2: THE SOUNDSCORE TO heartBEAT: A NARR
- Page 3: FOREWORD The following document is
- Page 7 and 8: CHAPTER I HISTORICAL PERSPECTIVE In
- Page 9 and 10: Clavicin Oculaire The first known c
- Page 11 and 12: 5 Television Immediacy. Television,
- Page 13 and 14: CHAPTER n STRUCTURAL DIMENSIONS hea
- Page 15 and 16: 9 Before this recitation ends, the
- Page 17 and 18: 11 The Spoken Text The spoken text
- Page 19 and 20: CHAPTER m METHODOLOGY AND MATERL\LS
- Page 21 and 22: improvements over the Kurzweil syst
- Page 23 and 24: 17 Microphones Neuman U87 ShureSM81
- Page 25 and 26: Closing Section (Recapitulation) Cp
- Page 27 and 28: ENDNOTES ^ Lowrie, R. H., "Psycholo
- Page 29 and 30: 23 regular columns and features by
- Page 31 and 32: Books and Scores 25 Manuals Appia,
- Page 33 and 34: APPENDED A: SPOKEN TEXT AND GRAPHIC
- Page 35 and 36: 29 4 THOUGHTS MR shaving. Classical
- Page 37 and 38: That's all. Just real surprised. 31
- Page 39 and 40: MR in batiiroom, checking the pulse
- Page 41 and 42: 35 Tub Dance. MS bathes. MR helps M
- Page 43 and 44: Trading lines. Graphic: MR&MS Witii
- Page 45 and 46: 39 SARA This brings us back to TV.
- Page 47 and 48: 41 DAVID Thank you. KIM As some of
CONTENTS<br />
FOREWORD<br />
ii<br />
ACKNOWLEDGMENTS<br />
iii<br />
HGURES<br />
V<br />
CHAPTER<br />
L HIS<strong>TO</strong>RICAL PERSPECTIVE 1<br />
IL STRUCTURAL DIMENSIONS 7<br />
m. METHODOLOGY AND MATERL\LS 13<br />
IV. CONCLUSIONS 20<br />
ENDNOTES 21<br />
REFERENCES 22<br />
APPENDICES<br />
A. SPOKEN TEXT AND GRAPHIC OVERLAYS 27<br />
B. OPENING REMARKS AT <strong>THE</strong> PREMIERE PER<strong>FORM</strong>ANCE 38<br />
IV
Change language