THE SOUNDSCORE TO heartBEAT: A NARRATIVE-FORM MUSIC ...

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ACKNOWLEDGMENTS I wish to express my gratiuide to Dr. Mary Jeanne van Appledom for the seven years of criticism, support, and superb scholarly study, without which this project would have been a very different thing. HI
CONTENTS FOREWORD ii ACKNOWLEDGMENTS iii HGURES V CHAPTER L HISTORICAL PERSPECTIVE 1 IL STRUCTURAL DIMENSIONS 7 m. METHODOLOGY AND MATERL\LS 13 IV. CONCLUSIONS 20 ENDNOTES 21 REFERENCES 22 APPENDICES A. SPOKEN TEXT AND GRAPHIC OVERLAYS 27 B. OPENING REMARKS AT THE PREMIERE PERFORMANCE 38 IV
Page 1 and 2: THE SOUNDSCORE TO heartBEAT: A NARR
Page 3: FOREWORD The following document is
Page 7 and 8: CHAPTER I HISTORICAL PERSPECTIVE In
Page 9 and 10: Clavicin Oculaire The first known c
Page 11 and 12: 5 Television Immediacy. Television,
Page 13 and 14: CHAPTER n STRUCTURAL DIMENSIONS hea
Page 15 and 16: 9 Before this recitation ends, the
Page 17 and 18: 11 The Spoken Text The spoken text
Page 19 and 20: CHAPTER m METHODOLOGY AND MATERL\LS
Page 21 and 22: improvements over the Kurzweil syst
Page 23 and 24: 17 Microphones Neuman U87 ShureSM81
Page 25 and 26: Closing Section (Recapitulation) Cp
Page 27 and 28: ENDNOTES ^ Lowrie, R. H., "Psycholo
Page 29 and 30: 23 regular columns and features by
Page 31 and 32: Books and Scores 25 Manuals Appia,
Page 33 and 34: APPENDED A: SPOKEN TEXT AND GRAPHIC
Page 35 and 36: 29 4 THOUGHTS MR shaving. Classical
Page 37 and 38: That's all. Just real surprised. 31
Page 39 and 40: MR in batiiroom, checking the pulse
Page 41 and 42: 35 Tub Dance. MS bathes. MR helps M
Page 43 and 44: Trading lines. Graphic: MR&MS Witii
Page 45 and 46: 39 SARA This brings us back to TV.
Page 47 and 48: 41 DAVID Thank you. KIM As some of

THE SOUNDSCORE TO heartBEAT: A NARRATIVE-FORM MUSIC ...

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