THE SOUNDSCORE TO heartBEAT: A NARRATIVE-FORM MUSIC ...

Books and Scores
25
Manuals
Appia, Adolphe. Music and the Art of Theatre. Coral Gables: The University of
Miami Press, 1962.
Arguelles, Jose A. Charles Henry and the Formation of a Psychophysical
Aesthetic. Chicago: University Press. 1972.
Beardsley, Monroe. Aesthetics. Indianapolis: Hackett Publishing, 1981.
Busoni, Ferruccio. The Essence of Music, trans.by Rosamond Ley. London:
Rockliff, 1957.
The Complete Works of Aristotie. Edited by Jonatiian Barnes. Princeton, NJ:
University Press, 1972.
Gombrich, E. H. Art and Illusion. Princeton, NJ: University Press, 1961.
Janson, H. W. History of Art. 2nd ed. New York: Harry Abrams, Inc., 1962.
Klein, Adrian Bemard. Coloured Light: An Art Medium. 3rd edition. London:
Technical Press, Ltd., 1937.
The New Grove Dictionary of Music and Musicians. Edited by Stanley Sadie.
London: Macmillan Publishers, Ltd., 1980.
The New Oxford Companion to Music. Edited by Denis Arnold. Oxford:
University Press, 1983.
The Optical Papers of Isaac Newton. Edited by Alan Shapiro. Cambridge:
University Press, 1984.
Scriabin, Alexander. Prometheus: The Poem of Fire. Op. 60. London: Ernst
Eulenberg, 1980.
Swanston, Hamish F. G. In Defence of Opera. New York: Penguin Books,
1978.
Swan, Alfred J. Scriabin. New York: Da Capo Press, 1969.
Tambling, Jeremy. Opera. Ideology and Film. New York: St. Martin's Press,
1987.
Three Classics in the Aesthetic of Music. New York: Dover Publications, 1962.
Wheeler, Raymond. The Synaesthesia of a Blind Subject with Comparative Data
from an Asvnaesthetic Blind Subject. Eugene, Oregon: University of
Oregon Press, 1921.
dhx 160X: Preliminary Manual. Newton, MA: dbx, Inc., 1980.
Fostex 4030/4035 Owner's Manual. Norwalk, CA: Fostex Corp., 1987.