THE SOUNDSCORE TO heartBEAT: A NARRATIVE-FORM MUSIC ...

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regular columns and features by leading specialists in all keyboard instruments, from the
piano, organ and harpsichord to the latest in digital keyboards. Performance practice,
programming and technical information , and product development constitute primar\'
editorial thrusts. A useful and readily-obtainable reference, information gleaned from
this and related periodical resources proved invaluable in this study.
Aikin, Jim. 1985. "Digital Sampling Keyboards: What's Available, How They
Work and Why They're Hot." Keyboard 11(12): 76-94.
Blesser, Barry A. 1979. "Digitation of Audio." Journal of the Audio Engineering
Society. 18(10): 146-193.
Bruin, Herbert. 1985. "Volume, the Tyranny of the Beat, Mating Video With
Audio, and Improvisation vs. Originality." Keyboard 11(12): 8.
Byrd, Donald and C. Yavelow. 1985. "The Kurzweil 250 Digital Synthesizer."
Computer Music Journal 10(1): 64-94.
CasaBianca, Lou. 1984. "Computer Primer." Mix 8(5): 38-41.
Cooper, Jim. 1986. "Clearing the Air Surrounding the MIDI Spec." Keyboard
12(7): 80-87.
. 1986. "Data Transmission, Mixing and Filtering." Keyboard 11(12):
104-105.
1986. "Using MIDI To Send and Receive SMPTE Time Code."
Keyboard 12(7): 130-133
De Furia, Steve. 1986. "Digital Envelope Generators." Keyboard 12(3): 88-89.
.1986. "Track Offsets Can Solve Timing Problems." Keyboard
12(8): 114-115.
Dilberto, John. 1986. "The Electro-Acoustic World of Philip Glass." Electronic
Musician 2(10): 35-40.
Doerschuk, Bob. 1985. "The Piano: Can It Survive in the Electronic Age?"
Keyboard 11(12): 76-94.
Fryer, Terry. 1986. "Allocating Memory for Multisamples." Keyboard
12(7): 126.
. 1986. "Better Samples Through Equalization." Keyboard 12(9): 123.
1986. "ControlUng Aliasing by Filtering and Half-Speed Mastering."
Keyboard 12(4): 102
. 1986. "How to Clean Up Your Signals Before They Reach Your
Sampler." Keyboard 12(6): 135.